Review: The reissue of Oneness Of Juju's 1976 album Space Jungle Luv stands as a crucial addition to the Black Fire Records reissue series. When James "Plunky" Branch founded Oneness Of Juju in 1975, he had already spent years engulfed in the vibrant jazz scenes of both coasts. The group, previously known as Juju, was deeply rooted in New York's avant-garde jazz scene. However, upon relocating to Richmond, Virginia, Plunky gathered a fresh ensemble, blending African rhythms with funk and r&b. This lineup produced two of their most acclaimed albums, African Rhythms and Space Jungle Luv. This era marked the band's peak, with Space Jungle Luv embodying a shift towards a more serene, spiritual sound. The album showcases Lady Eka-Ete's enchanting vocals and guitarist Melvin Glover's celestial tones. Plunky's vision for this record was influenced by artists like Pharoah Sanders, aiming to deliver a message of spiritual upliftment through "space music, jungle music, love songs." Tracks like 'River Luvrite' and 'Follow Me' explore themes of unity and exploration.
Review: Following 2012's fourth volume that celebrated the existential work of Tim Maia, here we find Luaka Bop exploring the legacy of William Onyeabor. A high chief and Kenyan diplomat who allegedly refuses to discuss his music, he self-released eight albums in the 70s and 80s and these are some of the many highlights. Stretching from the New York-influenced post-punk synth funk of "Good Name" to the most authentic Afro fusion of "Why Go To War", Onyeabor's range not only reflects his clear creative skill, but also the ever-developing international language of music during the fruitful period he was active. Who is William Onyeabor? Press play and find out yourselves...
Review: Reel People Music expands the fizzing dynamic between highly accomplished label associates Opolopo (AKA Peter Major) and Angela Johnson with the release of their brand new album Best of Both Worlds. The nine-track record is an impressive merging of soulful souls, building on the pair's previous 'track-by-track' collaborative approach, and calling on influences from Quincy Jones to The Isley Brothers. From the twizzling decrescendos of Buffalo, which hears the pair summon the bruk maestro Kaidi Tatham on recording and co-prod duties, to the sparkly, sparky whetstone electro-disco track 'The Ones You Love', we really do get the best of both worlds here; we get nine worlds, in fact.
Review: Even by the consistently high standards of Analog Africa, this release is something special. It consists entirely of previously unheard music by Orchestre Abass, an obscure outfit from Togo who released a handful of singles on Polydor Ghana in the early 1970s. Remarkably, all bar one of the tracks on "De Bassari Togo" were found on a long forgotten reel of tape that had sat on a shelf in a Ghanaian warehouse for the best part of 35 years. That was ten years ago; it's taken that long to track down the remaining members of the band and license the material. In truth, the tracks have aged exceptionally well, with the band's infectious, organ-led sound adding distinct Arabic influences (a result of the band members' time spent studying in Islamic schools) to their heavy funk rhythms and riotous Afro-funk vibes.
Review: A year shy of its 40th anniversary, Inspiration Information enjoys a reissue and it's still as sparkly and soul-laden as it was in 1974. Ranging from the guitar-twanging smoky blues funk of "Rainy Day" to the sultry, strutting title track, it's largely regarded as Otis's most comprehensive work of that time. According to legend it took him three years to create... 39 years later and it still sounds as good as this? We'd say that's time well spent!
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