Back catalogue: Funk

Review: This unique album is a bold reimagining of the iconic sweet-soul group, spearheaded by Delfonics' lead vocalist William Hart and infused with Adrian Younge's unique, hip-hop-informed perspective. While the album features elements familiar to Delfonics fans, such as the electric sitar, french horn and lush string arrangements, Younge's approach departs from traditional production, offering a more experimental and idiosyncratic take on the genre. Drawing influence from the eccentric strains of soul and r&b adored by crate diggers, Younge's arrangementsiincorporating harpsichord, glockenspiel and electric sitariimbue the album with a sense of campy psychedelia, yet manage to avoid veering into kitsch. Hart's crystal-clear falsetto remains a cornerstone of the album, with his voice serving as a bridge between the past and Younge's modern vision. Though much of the album sees Hart performing solo, a departure from the layered harmonies of classic Delfonics, it feels organic and fitting for the material. The pairing of Hart's legendary voice with Younge's analog-driven production creates a sound that feels both nostalgic and fresh. Tracks like 'True Love' and 'Stand Up' show how much care has been given to allow the original beauty to the focal point. A genius blend of old-school soul and modern sensibilities.

Review: ***B-STOCK: Sleeve damaged, slight surface marks on record***


This unique album is a bold reimagining of the iconic sweet-soul group, spearheaded by Delfonics' lead vocalist William Hart and infused with Adrian Younge's unique, hip-hop-informed perspective. While the album features elements familiar to Delfonics fans, such as the electric sitar, french horn and lush string arrangements, Younge's approach departs from traditional production, offering a more experimental and idiosyncratic take on the genre. Drawing influence from the eccentric strains of soul and r&b adored by crate diggers, Younge's arrangementsiincorporating harpsichord, glockenspiel and electric sitariimbue the album with a sense of campy psychedelia, yet manage to avoid veering into kitsch. Hart's crystal-clear falsetto remains a cornerstone of the album, with his voice serving as a bridge between the past and Younge's modern vision. Though much of the album sees Hart performing solo, a departure from the layered harmonies of classic Delfonics, it feels organic and fitting for the material. The pairing of Hart's legendary voice with Younge's analog-driven production creates a sound that feels both nostalgic and fresh. Tracks like 'True Love' and 'Stand Up' show how much care has been given to allow the original beauty to the focal point. A genius blend of old-school soul and modern sensibilities.

Review: The spirit of the lord is strong in this recording from May 2, 1982 when the Youthsound Choir and Stage Band performed at Portland's Jefferson High School, with the 100 strong choir ranging from elementary through to high school students. It's a lively, rowdy affair, where the drums power through and the brass lifts your mood and catapults it skywards. You'll certainly know some of the songs - there's a great version of 'The Greatest Love' that so much less sentimental than the original, for instance - but the performances are unique, as is the intimate live atmosphere, captured perfectly here on what was originally a community radio and cable access broadcast.

Review: Yung Bae hails from Los Angeles, California and has always brought plenty of that state's sunshine and good time vibes into his effortlessly feel-good music. B4E is an album he dropped back in 2018 following Skyscraper Anonymous, BAE 2, BA3 and Bae: Side B, all in 2016. He has always mixed up future funk, vapourware adjacent sounds, boogie, disco and soul, most often self-releasing his tunes via online platforms. This album now makes its way to vinyl and we couldn't be happier - it is delightfully bright and colourful with irresistible vocals and hooks across ten life-affirming tunes.

Review: Following the success of their standout single 'Feel The Rush,' Zaimie returns with Black Velvet, a lush new long player that blends jazz, funk, soul and global rhythms that all expand on the group's signature sound while remaining rooted in groove and emotion. Each track showcases Zaimie's refined musicianship and evolving songwriting, from silky basslines to soaring melodies on 'New Life' to more horn-led celebrations like 'Weekender Breeze' and sunny vocal charmers like 'Can't Do Without It'. Black Velvet feels timeless and contemporary and makes for a confident step forward for Zaimie, who are ever more polished and full of soul.

Review: Zan's new album on BDQ Records is a refreshing blend of boogie, jazz, funk and soul. Known for her strong and sultry voice, Zan rose to fame in the 80s as the lead singer of Melbourne's I'm Talking, alongside Kate Ceberano, and her vocals on hits like 'Holy Word' remain iconic in Australian music history. Zan's musical journey includes collaborations with The Models and appearances in music films like Australian Made. Her diverse background, born in London with Sri Lankan heritage, has influenced her soulful style. Having lived in New York and London, Zan's experiences shine through in her music. Her self-titled solo album in the 90s and tours with bands like Mother Earth improved her career internationally. Back in Melbourne, Zan continues to enchant audiences with her live performances. Her new songs are steeped in 80s dance and pop flavours, re-capturing that feelgood factor from the era whilst bringing to it a new unique and contemporary.