Effects units

Notes: Quadwave Multi FX is compact analog/hybrid effects unit consisting of a phaser and 4 separate delays (2 stereo) for all kinds of sound manipulations.

Feeding synthesizers, drums, guitars, vocals and other audio sources through the combination of phaser with 4 delays allows to create wide ethereal landscapes for studio and live use.

The repeats in Delay 2 allow the input signal to self-oscillate into crazy feedback modulation especially mixed with the LFO delay section (tape mangling effect).

Dimensions: L230xW130xH160 mm

Weight: 1.1 kg (without power supply)

Power supply

Notes: ***B-STOCK: Box opened, product in perfect working order***


Serious depth in this superb effects processor. Stereo delay, filtering and reverb are the core options, with an emphasis on hands-on control and real-time tweaking with a dedicated knob for every parameter.

Supplier's Notes:
An incredibly powerful multiprocessor of effects with a strong ability to stimulate the user's creativity. Its sophisticated retro-futuristic soul and its powerful processor offer a completely revolutionary point of view on classic effects (Echo Space, Delay, Filters and Reverbs) with supreme audio quality.

Reminder revolutionizes the method of using audio effects allowing the user, professional or amateur, to break the creative boundaries of the instruments currently on the market. From the simple use to give color or modify the sounds, we move on to a real sound composition system based on the creativity that Reminde? can give back to the user thanks to the substantial rhythmic and harmonic increase it produces.

Smart design

Behind Reminder's smart and elegant design, it hides the essence of the meticulous study of the position of each individual knob and the relationship between the functions assigned to them. The contact with REmindE? will be remarkably surprising, and, since the first touch, you will see the simplicity of access to the desired function even when your gaze is turned to your synth in the studio, to the rest of your live set up or to the dance floor. The design is so incredibly intuitive that you can easily reach what you need at any time and place, making the perfomers bring out all their creativity.

Enjoy Electronics is a company made up of Djs, Live performers, sound designers and it is exactly for this reason that Enjoy have succeeded in creating a device that is unique in its kind, intuitive and stimulating.

Quadraphonic

Reminder is equipped with 4 output channels. In order to take advantage of all the quadraphonic possibilities, you can assign different effects to different output channels.

SPECS

Input Type: 1/4" Unbalanced TS
Input Impedance: 13,9KOhm
Max Input Level: 2.0 VRMS (+6dBu)
Output Type: 1/4" Unbalanced TS
Output Impedance: 336?
Latency (Audio in to Audio out) : 1,2 ms
Max Output Level: 2.5Vpp
Bit Depth : 24 bit
MIDI support: CC
Presets: User presets
Display: OLED

Dimensions:
Width 18.1 IN / 46 CM
Depth 6.2 IN / 15,8 CM
Height 2.2 IN / 5.6 CM

Notes: Serious depth in this superb effects processor. Stereo delay, filtering and reverb are the core options, with an emphasis on hands-on control and real-time tweaking with a dedicated knob for every parameter.

Supplier's Notes:
An incredibly powerful multiprocessor of effects with a strong ability to stimulate the user's creativity. Its sophisticated retro-futuristic soul and its powerful processor offer a completely revolutionary point of view on classic effects (Echo Space, Delay, Filters and Reverbs) with supreme audio quality.

Reminder revolutionizes the method of using audio effects allowing the user, professional or amateur, to break the creative boundaries of the instruments currently on the market. From the simple use to give color or modify the sounds, we move on to a real sound composition system based on the creativity that Reminde? can give back to the user thanks to the substantial rhythmic and harmonic increase it produces.

Smart design

Behind Reminder's smart and elegant design, it hides the essence of the meticulous study of the position of each individual knob and the relationship between the functions assigned to them. The contact with REmindE? will be remarkably surprising, and, since the first touch, you will see the simplicity of access to the desired function even when your gaze is turned to your synth in the studio, to the rest of your live set up or to the dance floor. The design is so incredibly intuitive that you can easily reach what you need at any time and place, making the perfomers bring out all their creativity.

Enjoy Electronics is a company made up of Djs, Live performers, sound designers and it is exactly for this reason that Enjoy have succeeded in creating a device that is unique in its kind, intuitive and stimulating.

Quadraphonic

Reminder is equipped with 4 output channels. In order to take advantage of all the quadraphonic possibilities, you can assign different effects to different output channels.

SPECS

Input Type: 1/4" Unbalanced TS
Input Impedance: 13,9KOhm
Max Input Level: 2.0 VRMS (+6dBu)
Output Type: 1/4" Unbalanced TS
Output Impedance: 336?
Latency (Audio in to Audio out) : 1,2 ms
Max Output Level: 2.5Vpp
Bit Depth : 24 bit
MIDI support: CC
Presets: User presets
Display: OLED

Dimensions:
Width 18.1 IN / 46 CM
Depth 6.2 IN / 15,8 CM
Height 2.2 IN / 5.6 CM

Notes: Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.

Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g

Notes: Long-awaited update of Jomox's unique take on filtering, step sequencing and effects. Touchpad programming, CV control and deep MIDI integration make the MoonWind a powerful all-rounder.

Supplier's Notes:
Almost 12 years ago, Jomox brought out the first Moonwind. Now it's about time for an improved successor with OLED display, touch pad and more buttons for instant access.

Moonwind MkII is a true analogue stereo filter with built-in step sequencer, a fantastic sounding digital FX chip, two LFOs, VCA, two ADSR envelopes and envelope follower modulation.
Fixed CV in- and outputs and 6 assignable CVs make the Moonwind Mk II a versatile choice even in eurorack environment.

Everything is storable and controllable via Midi.

You can play the Moonwind Mk II like a synth by Midi notes and play melodies on the filters if they whistle in self-resonant mode.

The sequencer is able to control cutoff, Q and resonance per step and filter and thus turns the stereo filter with analogue fed back effects into a creative instrument of its own.

The editing of sequences can also be made via touchpad:

This makes the Moonwind Mk II an easy-to-use and awesome analogue sounding engine that is playable like a synth and can be seamlessly integrated into a DAW recording system

Specifications

Two real analogue low noise multimode filters
OTA technology *
Per filter Q (narrowness) and Resonance are separately adjustable **
Per filter the shapes lowpass, highpass, bandpass and notch are assignable
The filters are connectable among each other***
Per filter there is one LFO with 64 waveforms which controls the cutoff
Per filter there is envelope amount, the envelope is created from the audio with an analogue envelope follower
2 ADSR envelopes for filter and VCA that are triggered via Midi
Inputs are Hi-Z and can amplify guitar or bass signals directly
Touchpad for intuitive editing

2 CV outputs
3 fixed CV inputs
6 programmable CV inputs with amounts
Digital effects chip with 15 algorithms
Analog FX Feedback in order to create tape delays and wave guides
Three parameters per FX algorithm
The effects programs include chorus, flanger, tremolo, reverb, delay and some more exiting programs
Eight effects programs can be reloaded by OS update later on
Built-in noise generator with metallic noise and volume control
Sequencer can record Cutoff, Q and Res separately per step and filter
Maximum 64 steps per pattern
Maximum 32 steps per bar (then max. 2 bars), bars can be dynamically set according to the number of steps per bar
Clock divider can resolve max. 32th per bar
Record/undo function to record filter trails by the rotary knobs or touchpad
Direct Touchmode can record sequences with your fingertip
Sequencer and LFOs are midi clock synchronizeable
Midi notes control the cutoff of the filters, CCs the rest of parameters
Cutoff, Q and Resonance are made as classical potentiometers
Stable metal axis potentiometers and encoders with axle bearings
256x64 px LCD display
OS is updateable via Midi

Dimensions:

Width: 318mm
Depth: 180mm
Height front: 44mm
Height back: 72mm

Weight: 1.8kg

Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.

Notes: A new generation of creative KAOSS

KAOSS Replay rewrites the rules of live performance and music creation. Immerse yourself in the fusion of Korg's iconic KAOSS XY pad with unparalleled effects, advanced sampling, playback and powerful controls.

Whether setting the stage alight, weaving sonic magic in the studio, or captivating global audiences via live-stream, KAOSS Replay is your passport to a realm where creativity knows no bounds.

Standalone KAOSS

KAOSS Replay is a self-contained performance tool - an all-in-one solution for musicians, performers, and producers. It features unparalleled KAOSS Pad effects, immersive sample playback and sampling capabilities, and intuitive DJ controls. Powered by USB-C and equipped with broad connectivity, KAOSS Replay offers an effortless and swift setup for stress-free performances without the hassle of intricate rigs.

Building on the iconic legacy of its predecessors, KAOSS Replay introduces an advanced sample playback and sampling system, boasting 128 sample slots (16 pads x 8 banks) for each of up to 100 projects, ensuring uninterrupted hours of KAOSS-fuelled live sets. Housed in a robust aluminium body, its sleek and minimalist design strikes the perfect balance between performance-ready size and backpack-friendly portability.

Unique KAOSS FX

KAOSS Replay has a rich palette of 128 new KAOSS FX; from filters, delays, and reverbs to imaginative and exhilarating modulation effects, loopers, vocoders, and synth effects. Replay offers top-tier vocal effects that effortlessly complement any genre and performance, ranging from subtle vocal correction to precise pitch tuning, marking a ground-breaking first in the KAOSS series.

Automating your effects is effortless with the PAD MOTION function, or by holding the desired position using TOUCH HOLD mode. The FX Release function ensures smooth transitions, seamlessly integrating your effects into your musical composition.

With a dedicated MIC Input, KAOSS Replay simplifies the process of playing and performing tracks and allows for engaging improvisation with exhilarating effects like never before.

Beyond effects

KAOSS Replay simplifies and streamlines the process of playing, sampling, or re-sampling. 16 high quality velocity-sensitive pads accommodate 128 slots divided across 8 banks per project. Replay supports up to 100 projects, which can be stored on a microSD card for effortless data management.

Enhanced by a dual group assign system and dedicated faders, along with BPM detection, sync, and quantization capabilities, KAOSS Replay provides a comprehensive toolkit for a seamless performance experience. What's more, the onboard sample trimming functionality, coupled with the 12-point Hot Cue triggering system, enables samples to be truly "played" during live performances, opening up a world of dynamic possibilities.

Creativity at your fingertips

At the heart of KAOSS Replay sits a stunning 5-inch full-colour OLED touchscreen. Whether manipulating effects, editing samples, or navigating menus, its tactile display offers a seamless and satisfying experience.

Combined with its function-dedicated buttons, knobs, faders, and sample pads, KAOSS Replay is an immersive and engaging performance tool for all musicians.

Live performance creativity

Sampling and resampling have always been core features of the KAOSS Pad series, and KAOSS Replay takes this capability to new heights. Choose a target pad, set the desired number of measures, and start capturing your samples effortlessly. Whether you're connecting external instruments via the AUDIO IN or recording your voice through the dedicated MIC Input, Replay provides a versatile canvas for your creativity.

Edit your samples, apply effects, assign hot cues, resample... the options are limited only by your imagination. Moreover, KAOSS Replay supports real-time recording of your performances, ensuring that those moments of real-time magic are captured.

The ultimate portable performance rig

KAOSS Replay simplifies the art of performance. Ultra-portable and ready to go within seconds, Replay eliminates the need for external gear. Precise beat-matching, playback quantization, hot cues, monitoring, and dual faders, are all complemented by the formidable KAOSS FX, making KAOSS Replay a performance powerhouse.

Controller and interface

KAOSS Replay excels both inside and outside the studio. Its remarkably flexible MIDI Surface mode offers complete customisation, transforming it into a highly adaptable MIDI controller. It can even serve as a USB plug-and-play audio interface, seamlessly integrating into your production studio setup.

Specifications

KAOSS Pad effects: 128 types. Tone, delay, reverb exclusive for microphone.
Trigger pads: 16 velocity sensitive x 8 banks
Projects: 100
Hot cue: Max 12 (per trigger pad)
Simultaneous plays: 16 Audio Linear PCM (48 kHz/16 bits)
Recording Sampling, resampling (30 mins); Live rec (100 min)

Audio input
LINE/PHONO IN jack: RCA pin jack (Select LINE or PHONO.)
PHONO GAIN switch (LO/HI)
MIC IN jack: Standard phone jack (6.3 mm, monaural TS)
AUX IN jack: Stereo mini jack (? 3.5 mm)

Audio output
LINE OUT jack: RCA pin jack
HEADPHONES jack: Standard stereo phone jack (6.3 mm)
Controller input: Standard phone jack 6.3 mm, TS)
USB / MIDI USB microB (MIDI, Audio (IN x 2ch, OUT x 34ch (48 kHz/16 bits)); MIDI IN/OUT (DIN 5pin)

External storage: microSD card, microSDHC card (32GB Max)
* Class10 or higher, UHS-I (U1) recommended
Dimensions: 185 (W) x 284 (D) x 56 (H) mm
Weight: 2kg
Power supply: DC 5V/3A
Included accessories: AC adapter, USB cable (Type A to microB, 1m) microSDHC card

Notes: The sky's the limit with this ultra-versatile modular audio processing environment: effects, virtual instruments, MIDI and CV utilities. Load your own Max/MSP patches and LV2 units or choose from the MOD Plugin Gallery.
Supplier's Notes:
A modular universe at your fingertips. A standalone, cutting-edge audio processor with multiple connections and extensive actuators. Designed to offer maximum versatility, control, and audio quality to performing musicians and music producers.

With two independent audio channels, plug in any instrument or piece of gear you want. Split, join, feedback and rearrange your signal freely. Discover an endless array of effects, virtual instruments and MIDI utilities.

Our device is equipped with ten knobs and six push buttons fully assignable to any parameter. Its Pagination System allows for different control assignments at one simple touch. The unique Instant Recall function will take you back and forth to your favorite moments of your performance instantly, at any given moment of your set.

The Duo X is a flexible standalone device inside an ultra-resistant monolithic enclosure. Define your very own "plug & play" presets to fit all your studio and live applications using User Profiles. Expand your device to maximum connectivity with MIDI Learn, MIDI Slave Sync or by using it as a MIDI hub for multiple controllers at the same time. Still want more flexibility? Get that analog feel thanks to internal CV support.

Discover the MOD Plugin Gallery, with over 400 free plugins available and continuous releases of both classic and innovative effects. Load your own MAX/MSP effects and LV2 units to use directly on your device.
Save, upload and share your patches online for instant access, wherever you are. Welcome to an open world of music making.

Ever-expanding plugin gallery
180+ Effects
30+ Virtual Instruments
30+ MIDI Utilities
15+ CV Utilities
And more 450 beta plugins constantly polished and released to download.

Specs:

Audio:

Independent audio I/O (stereo or dual mono) with a pre-amp per channel and a master volume control

Headphone out with dedicated volume control

Configurable TRS input - 2 x CV / Expression pedal

Configurable TRS output - 2 x CV / Headphone

Cirrus Logic low noise audio AD/DA converter

Relay-based True-Bypass

Control and monitoring:

2 big graphical displays (readable in sunlight and optimized for live use)

2 rotary encoders, 8 potentiometers and 4 push-buttons, all fully-assignable

Controller pagination system

2 instant "snapshot" push-buttons

4 LED audio meters

Digital:

Hexa-core 64 bit ARM CPU

Classic MIDI I/O

USB-host port for connecting MIDI devices, peripherals and Bluetooth (more ports available with a USB hub)

USB-device port for computer connection

Control Chain port for MOD peripherals

DIGITAL
Hexa-core 64 bit ARM CPU

Classic MIDI I/O

USB-host port for connecting MIDI devices, peripherals and Bluetooth (more ports available with a USB hub)

USB-device port for computer connection

Control Chain port for MOD peripherals

CONTROL AND MONITORING
2 big graphical displays (readable in sunlight and optimized for live use)

2 rotary encoders, 8 potentiometers and 4 push-buttons, all fully-assignable

Controller pagination system

2 instant "snapshot" push-buttons

4 LED audio meters

Other:

Access to, currently, over 500 additional free & commercial plugins in the MOD plugin shop

MIDI Sync (Ableton Link compatible)

Max compatible (any gen~ based Max tool will run on the Duo and Duo X)

Access to a Pedalboard Community (explore and/or share pedalboards with the click of a button)

Monolithic aluminium enclosure

Dimensions (W x H x D): 180mm x 60mm x 160mm

Weight: 1.2 kg

Made in Germany

What's in the box:

Power supply that works in every country (100V ~ 240V @ 50 ~ 60Hz)

USB connection cable

Quick Start Guide

MOD USB flashdrive

MOD transport case

Notes: BOUM is a full analog stereo warming unit, combining an easy-to-use compressor, a versatile distortion generator and a smooth low-pass filter. BOUM is the perfect tool when you need to add warmth, thickness, and character to your sounds, but also apply severe distortion and extreme compression treatments.

BOUM is based on an original and unique circuit, including the following stages :

INPUT GAIN : boost your signal up to +18db to adapt BOUM to various signal levels, and also improve the distortion content and the compression sensitivity.

COMPRESSOR : with a single knob, control the 3 essential parameters of a compressor, threshold, ratio and makeup gain, without thinking about how a compressor works ! The ratio ranges from 1:1 (no compression) to inf. :1 (limiter), but also negative compression up to 1: -1 !
6 different Attack and release times are available for fine tuning.

LO CUT FILTER : attenuate the distortion content of the bass frequencies with this 6 dB/Octave lo cut filter, making your distorted sound easier to mix with the original one.

DISTORTION GENERATOR : choose one of the 4 different distortion circuits :
BOOST : soft clipping amplifier, perfect for subtle harmonic enhancement.
TUBE : asymmetrical tube distortion emulator based on MOSFET technology. Generate mostly a second harmonic distortion.
FUZZ : symmetrical hard clipping amplifier, similar to an overdriven mixer preamp.
SQUARE : pure square wave generator based on a comparator. The ultimate fuzz !

HI CUT FILTER : soften the high frequencies with this smooth and musical 12 db / octave low pass filter.

NOISE GATE : remove the noise coming from the different treatments, or use it for interesting chopping effects.
All these analog effects are packaged in a compact format, with 36 user presets and full MIDI control.

BOUM will give you a wide range of compression, distortion and filtering effects, ranging from subtle harmonic enhancement to an insane square distortion, and everything in between!

Notes: Desktop version of Plankton's modular saturation unit. A patchable combination of analogue distortion and digital processing, combined into a versatile standalone effects unit.

Supplier's Notes:
SPICE is a modular saturation unit capable of a huge variety of sounds and colors. From subtle tube warmness to extreme fuzz distortion.

Features:

Rackable (38HP eurorack) modular desktop unit.

8 CV inputs with led level indicators.

6 main functions: Prefilter / Digital / Analog / Mixer / Envelope Follower / Feedback

Prefilter: High Pass and Low Pass filters to shape the sound before being processed. Both controllable via fader + CV input.

Digital: 12 bit Bit Crusher / Bit mute, Biswap and Bit inversion + Sample Rate reducer. Both controllable via potentiometer and CV inputs. It also offer an analogue input control with led clip indicator and a low pass filter to smooth the output signal. All the code will be Open Source

Analog: 7 analogue distortion circuits selectable with a rotary encoder + a sweet resonant state variable filter. Drive and Cutoff parameters are controllable via potentiometer and CV inputs. 2 of the circuits use the new Korg NU-TUBE.

Mixer: Dry and Wet controls to mixed the processed signal with the clean one of the input. Both controllable via fader + CV input.

Envelope Follower: A dedicated envelope follower with gain control and normal and inverted outputs to convert an incoming signal to an envelope. With its output you can control any of the CV parameters and shape the processed sound in many creative ways.

Feedback: a triple feedback section that sends the Wet input to the Prefilter, Digital and Analog sections. It's capable from a subtle resonance to a collapsed hardcore self generating tone.

Semi-modular architecture with pre-patched sections that can be restructured using patch cables. Each section (minus the feedback) can be used as an independent function from the rest.

Notes: Heralded Heritage:
Think of delays and chances are our delays are what you hear in your head. Not to toot our own horn (though we'd probably never leave the house again if we could), but our delays are the best out there - end of story. With D-Two we wanted to combine our awesome delays with fun - we've added the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly on the unit for results that are sure to quickly whip your creativity to new highs!

- TC quality delays and effects
- Multitap rhythm delay
- Absolute repeat control

TC Quality. 'Nuff Said:
We're not into repeating ourselves - we like to let our delays do that. They sound great and D-Two houses some cool chorus effects and soem sweet filters. All the TC classics are here from a Ping Pong to a Reverse delay, all ported straight from our 2290.

Terrifically Tappable:
D-Two offers 3 ways to control your delays: 'traditional', which is the setup used by every delay unit since the dawn of mankind, 'straight' which allows you to control the exact number of repeats and 'rhythm mode' which allows you to tap a tempo.

Control Your Repeats:
Absolute repeat control is a nifty feature that allows you to do exactly what you thought it did when you read it: absolutely control your repeats. It's great for sculpting some awesome sounds with precision and ease.

Notes: Total vocal control:
VoiceLive Rack is the total solution for studio and live vocal effects. It's a completely controllable mic channel with a transparent, digitally controlled mic preamp, a full suite of adaptive pre-effects, packed with TC-Helicon's industry leading VoiceLive effects and wrapped in an intuitive Touch interface. You can produce any vocal sound you've heard or dreamed of.

Pure vocal pedigree:
VoiceLive Rack is filled with the vocal effects technology behind our best selling VoiceLiver series. We're talking about studio-grade audio to help you define new vocal territory. From our trademark Adaptive Tone to brilliant vocal harmonies, it's all there. We've also included some extra features such as global reverb and store & recall set up info.

In a rackmount chasis:
We've designed VoiceLive Rack for recording studio set-ups, touring, or for guitarists & keyboard players who use rack-mount performance gear. Whether you're constructing a giant vocal track for your latest tune or mixing front-of-house at today's tour stop, VoiceLive Rack delivers the vocal power and magic you need.

MP-75 included:
VoiceLive Rack comes with the MP-75, a breakthrough mic built for live performance. It has Mic ControlTM: the button on the mic allows you to control your effects remotely. That means you can turn on harmony, doubling, reverb, delay - all of your effects - from the mic.

The perfect interface:
1. Intuitive Touch access to browse, edit and store all parameters.
2. Easy-to-read display of preset details with navigation by button or wheel; mix knobs for value adjustment.
3. Touch activation of all vocal FX.
4. High-quality In-Out for your computer with all of the I/O connections you'll need including MIDI, XLR, 1/4" and AUX for MP3.

Touch interface: Unique & easy.
The lightest tap on a button is all it takes to activate effects. Navigate around the features and presets with an ease that becomes addictive. Use the weighted encoder to browse presets, then touch a button to turn an effect on or off. Want to quickly make an adjustment? Just push and hold an effect button to jump directly to its edit block.

Pristine audio for computer:
VoiceLive Rack is a USB audio device that allows you to get high quality audio in and out of your computer - without a separate sound card. This makes it great for tracking vocals.

All the I/O you need:
VoiceLive Rack connects you to everything you could possibly need:
- Guitar input, Guitar FX as well as transparent pass-thru
- Stereo 1/8" (MP3 player) input
- Stereo XLR, 1/4" and Headphone outputs
- MIDI in, out and thru
- USB for updates, back-up and audio streaming

Voicesupport:
VoiceLive Rack is designed to evolve with you. VoiceSupport gives you new presets, firmware updates and maintains your personal database of presets. All you need is a USB equipped Mac or Windows computer.

Notes: Stereo spring reverberation for highest standards

Stereo and more
Our DSR-3, Dual Spring Reverb, was developed to deliver stereophonic spring reverberation for professional users. Furthermore, we couldn't resist adding creative potential to the unit by including additional operating modes for parallel and serial use.

Matched Pairs
Just like in our valve-based ReTubeVerb, the classic VSR 3.2 and the adventurous Retroverb Lancet, DSR-3 relies on the exceptional sound quality of AccuBell springs (formerly Accutronics). To ensure perfect stereo sound, the springs of DSR-3 are manually checked, selected and matched with great care.

Each channel offers a two band equalizer with BASS and TREBLE controls being carefully matched to the specific frequency range of the springs. Hereby, the effect can be adjusted to your specific needs easily and with great flexibility.

High-level-communication
Besides 6.3mm in- and outputs in jack-format (TS), DSR-3 additionally offers balanced XLR- in- and outputs. Output balancing is carried out by custom-designed transformers with excellent sonic characteristics. As a benefit, DSR-3 becomes a first-class DI-box this way.

Productivity and creativity
Both spring channels can be combined in three operating modes or used independently:

STEREO processes stereophonic audio sources. To ensure perfect matching of the settings, the first SPRING REVERB channel controls all parameters being sonically relevant.
DUAL MONO processes two independent sound sources. Each channel acts independently as if it was a single unit.
SERIAL for experimental spring reverberation effects. The reverberated signal of channel one is routed into the second channel, making long reverb tails possible.

DSR-3 is assembled with loving care in our electroacoustic manufactory in Erlbach, Germany - the so called Vogtland. Using VERMONA's DSR-3 allows creating highest quality lush and full reverberation effects with depth and vintage charm of days gone by.

Specifications:

Spring Tank
2x AccuBell, type 9, selected
reverbration time: between 1.75 s and 3 s

Inputs

1/4"-jack input, front
unbalanced
max. input level: +18 dBu
impedance: 1 MO

1/4"-jack inputs, rear
unbalanced
max. input level: +18 dBu
impedance: 100 kO

XLR-inputs, rear
balanced
max. input level: +18 dBu
impedance: 10 kO

Outputs
max. output level: +17 dBu
impedance: < 600 O

Signal-to-Noise Ration (XLR)
direct: >= 94 dB
effect: >= 70 dB

Equalizer
bass: 50 Hz / i 13 dB
treble: 7 kHz / i 22 dB

Miscellaneous
power supply: internal PSU (90 V~ bis 240 V~)
dimensions: 19", 2 u, 24.7 cm deep (from rear of front panel)
weight: 7 kg