エフェクト・ペダル

Notes: Diamond Pedals proudly announces the launch of the Dark Cloud, an innovative delay pedal that represents the pinnacle of hybrid analogue-digital design. Drawing on the company's rich heritage in crafting exceptional analogue effects, the Dark Cloud merges classic tone with cutting edge technology to deliver a delay pedal like no other.

At the heart of the Dark Cloud is Diamond's revolutionary Digital Bucket Brigade Delay (dBBD) technology, which seamlessly blends the organic warmth of analogue companding with the precise control of an embedded digital system. This unique architecture allows the Dark Cloud to deliver three distinct and creative delay modes (Tape, Harmonic and Reverse), each meticulously crafted to provide a wide range of sonic possibilities.

Where analogue warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other.

The Dark Cloud holds special significance as the final project conceived by the original Diamond team before their closure. What began as a modest attempt to repurpose older designs evolved into a masterful blend of the company's most beloved delay algorithms, combined with an entirely new Reverse Delay setting.

As a result, the Dark Cloud is essentially a "greatest hits" of Diamond's delay technology, refined into one powerful pedal that pushes the boundaries of what delay effects can achieve.

Notes: Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds. From the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco's Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive.The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.
Our second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco's EXP/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Features

High impedance ultra low-noise discrete Class A JFET TRS stereo input.

Low impedance independent TS stereo outputs.

Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.

USB jack for controlling via MIDI from a computer or for performing firmware updates.

Dedicated tap tempo & On/Off footswitches

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

520MHz ARM Superscalar processor

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

Strong and lightweight anodized dark gray aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions: 4.5" deep x 4" wide x 1.75" tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)

Designed and built in the USA

Notes: EarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles!

Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee's board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but it was worth and exploring his dark side a little more, Gary after dark, Saturday night Gary. So, he was sat down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between.

Gary's right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increase the Yes! control, the envelope becomes more interactive, and the pulse width narrows the harder you hit it. As the pulse width narrows, the tone becomes more nasal and biting until it gets so narrow that Gary goes to his dark place and disappears completely. In other words, with higher sensitivity settings, the sound will disappear entirely and come cruising back to Gary's big guy tone. With proper playing dynamics, this creates a very cool effect that can sound like an exploding amp coming in and out of life, blown through a phase shifter.

This effect can also be controlled with an expression pedal for manual operation or for finding just the right pulse width to cut through the mix for a set-and-forget operation. When using an expression pedal, Yes! operates in conjunction with the expression pedal to set the peak of the sweep. Set Yes! to the desired stopping point and express yourself as you please without worry of taking Gary over the edge!

Oosh acts as the master volume for Gary's nasty side. There is an insane amount of volume on tap so use this control wisely!

Gary's left brain displays his softer side. This is a simple and natural sounding overdrive that keeps your tone lively and drives your amp crazy. This side is based on the green channel of the Gray Channel, which is Earthquaker's take on the classic little yellow overdrive that started it all. Lee used this pedal with the clipping switch permanently set to the middle position, which removes all the diodes from the circuit, producing a full-bodied, cutting opamp distortion with plenty of volume on tap. Earthquaker have reproduced that tone here with exacting precision. Go sets the opamp drive and can range from a simple full-range clean boost all the way up to a smooth and natural distortion. In conjunction with That's It, which is the master volume for the drive side, you can use Gary's softer side as a clean boost to push your amp into overdrive or turn up Go and use all of Gary's internal magic to create the finely tuned dirt you desire.

Gary's signal path is fuzz into overdrive for total tonal integrity and cannot be changed. This is where Gary put his foot down.

Each and every Gary was softly brought to life by the delicate hands of EarthQuaker Devices in the elegantly unrefined canal-front city of Akron, Ohio USA.

Notes: The legendary Strymon deliver quality goods once again with this analogue-inspired stereo delay. Single head sound gives a classic 60s vibe with modulation and subtle imperfections.

Supplier's Notes:
Experience the dreamy sound of a classic '60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.

EC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.

Featuring meticulous tube modeling techniques, EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied during the development of EC-1. This option adds a pleasing sense of heft, especially to single-coils. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired.

Strymon's unique dTape technology was first developed for El Capistan, and they have expanded on it to reproduce all the inspiring nuances weencountered while studying a recently-acquired tube Echoplex that was in uncommonly superb condition. Our dTape system allows precise replication of every aspect of every tape echo we've studied, and in EC1 this includes the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable, inspiring sound of vintage tape echo repeats.

Whether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. Providing pleasing tonal shifts from thinner to fatter, EC-1's three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head. Choose the low position for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input signal boost with increased bias for slightly saturated repeats, or high for a 12dB input signal boost with further increased bias for heavily saturated repeats. This control also gives you a fast and easy way to match EC-1's response to your input signal level to obtain the desired sound from any pickup type or pedalboard configuration.

For EC-1, fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end of the Mechanics control's range only slower motor-related wow and flutter are present, but at around one o'clock these fluctuations are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage which accurately replicate the sound of our golden EP-2 unit.This setting can create uniquely reverberant and three-dimensionalechos that spread across the stereo spectrum. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, and the unique combination of multiple imperfections create truly gorgeous, organic stereo modulation effects unlike anything you've ever heard.

The frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape.

EC-1 is designed to allow high levels of repeats that are truly lush but that don't spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated in sound and response.

Notes: Iridium

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialling in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it's a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

The Matrix Modeling process captures all the subtleties and unique tonal qualities of each amplifier. Strymon have taken three iconic tube amps with distinct characters and mathematically modelled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, Strymon have hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium's speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium's breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium's hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon's reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

Round Amp - Based on* a Fender Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. Strymon chose the Deluxe's Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp - Based on* the Brilliant channel of a Vox AC30

The amp that defined the guitar sound of the British Invasion. Our model of the AC30 Brilliant channel (Top Boost) is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob's range of travel, Strymon have added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp - Based on* a Marshall Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o'clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Strymon. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Strymon's sound design process. Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corporation. Vox is a registered trademark of Vox R&D Limited. Marshall is a registered trademark of Marshall Amplification Plc.

A Carefully Curated Cab Collection.

Iridium comes pre-loaded with a carefully curated collection of premium cabinet impulse responses from OwnHammer, Celestion, cabIR and ValhallaIR.

Round A - Deluxe Reverb 1×12" by OwnHammer
Impulse captures a vintage Fender Deluxe Reverb open back 1×12" combo loaded with a 1978 Fender CTS ceramic 12" speaker.

Round B - Blues Junior 1×12" by CabIR
Impulse captures a 1×12" Blues Junior cabinet, loaded with a Jensen C12N speaker.

Round C - Vibrolux 2×10" by cabIR
Impulse captures a Fender Vibrolux from 1965 with 2×10" Jensen C10NS speakers from 1965.

Chime A - AC30 2×12" Alnico by OwnHammer
Impulse captures a Vox AC30/6 open back fawn 2×12" combo with 2001 Celestion T0530 Blue AlNiCo speakers.

Chime B - 1×12" Alnico by Celestion
Impulse captures Celestion Blue Alnico speaker in a closed back 1×12" cab.

Chime C - Mesa 4×12" by ValhallaIR
Impulse captures a 4×12" Mesa Boogie "Halfback", which is loaded (open back) with two Black Shadow MC-90 speakers from CelestionTM and two Black Shadow EVM12-L from ElectroVoice.

Punch A - GNR 4×12" by OwnHammer
Impulse captures a 1971 Marshall 1960B "basketweave" 4×12" cabinet.

Punch B - 2×12" Vintage 30 by Celestion
Impulse captures a Celestion Vintage 30 in an open back 2×12" cab.

Punch C - Marshall 8×12" Alnico by cabIR
Impulse captures a re-issue of the 1965 Marshall 8×12" full stack cabinet, loaded with Celestion T652 AlNiCo speakers.

Load Your Own Impulses.

It's easy to replace the pre-installed IRs with custom IRs from your own collection by using Strymon Impulse Manager software.

Stereo Output
Operates at instrument and Line Level input sources
Discrete transistor headphone amplifier
Expression pedal input provides seamless morphing between knob positions (Expression mode), or smooth pre/post volume control with logarithmic taper (Volume mode)
USB jack for connecting to Strymon Impulse Manager software
to add and edit your own speaker cabinet IRs
Compatible with Strymon MultiSwitch Plus for remote selection of up to 4 presets
Full featured MIDI control accessible via EXP Jack for remote parameter control and access to 300 preset locations (requires Strymon MIDI EXP cable or MIDI to TRS interface)

Audio Quality

Ultra-low noise, high performance 24-bit 96kHz A/D and D/A
converters provide uncompromising audio quality
Super high performance SHARC and ARM co-processors
32-bit floating point processing

More

Transparent Analogue Buffered Bypass
Strong and lightweight anodized black aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 500mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs

The Zoom MS-70CDR+: Your New Modulation Station

The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.

A Deep Dive into Chorus, Delays, Reverbs & More

Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.

Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.

Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.

Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.

Expanded Controls

The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.

Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.

Next Generation Circuitry

Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.

Everything's Better in Stereo.

The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.

Soundscapes Are Key

For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.

Change Patches With MIDI

With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.

Enhanced Navigation

Cross Key Switches

The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.

Control Knobs

Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.

Colour Coded LCD Screen

The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.

Sturdy Build

The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.

Power Options

The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.

Tune-Up

The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.

Handy Guitar Lab

With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.

Technical Specifications

Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD

Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB

Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu

Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)

USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.

Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V

Notes: Timeless Inspiration
The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic '80s-era rackmount delay favoured by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colourful dual-delay textures.

Compact Legend
Introduced in 1983 by our parent company Roland, the SDE-3000 is revered for its beautifully rich sound and distinctive modulation. The coveted SDE tone was realized through a finely tuned digital engine and the non-linear behaviours of the supporting analogue circuitry, including magnetic saturation in the anti-alias filter, evolving modulation produced by the components of the time, and an altered triangle LFO shape. The SDE-3 brings the authentic vibe of this classic delay to a pedalboard-friendly BOSS compact, enhanced with innovative creative features for every musical style.

Vintage Colour and Character
Dripping with warmth and musicality, the SDE-3 elevates your tone with endlessly evocative delay sounds. The efficient panel provides the primary controls of its vintage benchmark-including delay time, feedback, and independent rate and depth knobs for the modulation-plus additional knobs that expand your sonic potential. Explore retro single delays and '80s-style mod/delay combos. Or tweak the mod and high-cut controls to conjure moody, atmospheric tonalities for ambient, chill, and lo-fi music.

Offset Magic
Along with reproducing the SDE-3000's famous mono sound, the SDE-3 includes a powerful Offset feature to create interesting tones with two simultaneous delays. With one simple control, you can instantly add a second delay to the primary delay for a wealth of mono and stereo colours.

Doubled Delays-Turning the Offset knob up to its centre position introduces a second delay that's 1-100ms longer than the primary delay. For example, if the primary delay is 400ms and the Offset is 10ms, the second delay's time is 410ms. Coupled with the SDE-3's time, feedback, and highly adjustable modulation controls, you can craft deep delay tones unavailable with typical delay pedals.

Timed Dual Delays-In the second half of its range, the Offset knob produces a shorter second delay that's based on the primary delay time. Use the pedal's tap tempo function to determine the quarter-note value for the primary delay. Next, turn the knob to sweep the second delay's time between eighth-note and dotted-eighth subdivisions. This lets you introduce a variety of rhythmic effects that sync with your music.

Multiple Output Modes
The versatile SDE-3 provides output configurations for any stage or studio scenario. Run it in mono for basic setups. Play in true stereo with discrete left/right delays or a panning mode for ultra-wide sounds that move across the stereo field. Send dry and direct feeds to two amps for wet/dry setups. Or mute the direct sound entirely for studio mixing and parallel effect rigs.

Modern Workflow
The SDE-3 offers numerous control options to enhance your performances. Press and hold the pedal switch to enable the tap tempo function. Or use the TRS MIDI input to receive clock sync signals from DAWs, pedals, and drum machines. Connect external footswitches for on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.

Notes: For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed.

The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent 'Glow in the Dark' pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite.

For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal's bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels' unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles.

ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal's TRS connection.

The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards.

Notes: The D1 MKII is a feature-packed, high-fidelity all-in-one delay pedal with six algorithms for players to choose from: Digital, Mod, Vintage, Dual, Reverse, and Grain. The D1 can create inspirational delay trails ranging from dreamlike and bizarre, to rhythmic and clear, to warm and analogue sounding.

Program Controls:
Each program can be fully customized to your taste and playing style with the left encoder knob, which controls six parameters on all programs of the D1: Depth, Rate, Shape, Age, Tone, and Spread.

The Right encoder knob adjusts BPM, Swell, and Tap Division. BPM can also be set via the tap tempo switch or MIDI. Some programs will have additional options. See the manual for details.

Programs:
Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay program has unique modulation LFOs applied to random repeats and run at multiple rates to create unpredictable pitch modulation. This results in unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage - The Vintage program allows for analogue tape delay-inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off the low end.

Dual - The Dual program employs two delays, one in each channel and both with different repeat subdivisions. The user has complete control over these subdivisions for both the L and the R channel, and can also choose to run their channel feedback in parallel, ping pong, or series. This effect can leave some jaw dropping trails, especially in stereo.

Reverse - The Reverse program reads the delay memory backward creating a unique delay repeat character known as a reverse delay. Select whether your repeats stay always reversed, or follow an analogue reverse feedback system where the repeats flip flop.

Grain - The Grain program can be as smooth, choppy, glitchy, or flowy as you want it to be, and for users who may want to try their hand at experimenting a little, this will be the perfect program for them to explore. The grain trails can be adjusted to short staccato sounding glitches, or opened up for full immersion. It's a whole new world, but the player is still firmly in control.

Presets:
The D1 can save up to 128 onboard presets, which can be held in a preset bank made accessible by tapping down on the bottom left and bottom middle knobs simultaneously. Presets 0-9 are divided into Banks A, B, and C. Select a bank while in the preset menu. Bank A will cycle through presets 0-2, Bank B will cycle through presets 3-5, and Bank C will cycle through presets 6-9. Presets 10-128 can be accessed through manual selection or MIDI.

Notes: NightSky is a reverberant synthesis workstation and a powerful, hands on experimental sound design platform. Giving you real time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide.

Deep and powerful sound manipulation with instant response knob- tweaking and no menu diving set a new standard in experimental reverb sound design. NightSky achieves some of it's most mind bending sounds by using a Variable Process Rate for it's reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales, it can also be sequenced.

Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky's synth-like variable-resonance low pass filter.

Features

Three selectable reverb types offer a wide variety of ambient textures

MOD section with various waveforms to modulate the reverb or tone filters

TONE section to sculpt the high and low EQ of the reverb

VOICE section to enhance the aural spectrum of the reverb

Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb

GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures

Pre or Post DRIVE to add saturated overdriven harmonics to the reverb

Adjustable reverb core size to increase or decrease the space for reflections

Independent REVERB and DRY level controls

Step sequencer for programming rhythmic pitch variations of the reverb

Access to 16 presets from the front panel and 300 presets via MIDI

High impedance ultra low-noise discrete Class A JFET preamp stereo inputs

Low impedance stereo outputs

Input Level switch allows for both instrument and line level signals

On, Favorite, and Infinite footswitches

Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4" to MIDI cable

Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more

USB jack for controlling via MIDI from a computer or for performing firmware updates

Analog dry path for a zero latency dry signal that is never converted to digital

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

Super high performance SHARC DSP

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass

Strong and lightweight anodized dark blue aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions:

4.5" deep x 7" wide x 1.75" tall

114.3 mm deep x 177.3 mm wide x 44.5 mm tall

Designed and built in the USA

Notes: Sunset

Classic overdrive sound, x2.

Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. Strymon studied six circuit types found in many truly timeless and iconic overdrive pedals, and put their takes on all six of them into a single two-channel unit.

Overview

Two pedals at once.

Sunset is really two customisable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent "more amp" to heavy saturated fuzz, and all the best places in between.

Holy Grail tone, minus the quest.

We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. Strymon did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. Strymon applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

Optimized stacking.

Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. When stacking overdrive pedals, some combinations work especially well together. Sunset eliminates the guesswork. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits.

Digital or analogue? Strymon chose both.

Sunset's input features an ultra low noise, discrete, class-A JFET circuit providing up to 20dB of pure analogue gain. With Strymon's hybrid approach you get the best of both analogue and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you'll want to hear.

Channel A overdrive circuits

The Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.

The Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased - perfect for playing the blues or just fattening up your sound with a signature midrange bump.

Channel B overdrive circuits

The 2 stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.

The Hard overdrive uses a single-stage hard- clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.

Channel A boost circuit

The Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up - great for tightening up an overdriven amp, or driving another gain pedal that's a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all- around boost.

Channel B boost circuit

The JFET type is a clean boost that subtly

beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. The is a great option when your amp just "needs a little extra."

Ins, Outs, Switches

High impedance mono input
Mono output
Favorite Input to connect an external MiniSwitch to recall a Favorite preset
Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)
MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations

Audio Quality

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
Premium analog front end and output section
Super high performance SHARC DSP in a compact form factor
32-bit floating point processing

More

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
Strong and lightweight anodized red aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: TimeLine provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines.

Get warm and fuzzy analogue style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you're on your way to delay bliss.

12 Different Delay Machines. TimeLine provides twelve studio-class, fully tweakable, and completely adjustable delay machines

Features

Hand crafted rotary algorithms faithfully deliver the signature, three-dimensional rotating speaker experience

Extensive control over rotating speaker mechanics and configuration

Four rotary adjustment and tone shaping knobs:

Fast Rotor Speed, Preamp Drive, Mic Distance, Horn Level.

Four "hidden" knobs for extensive tone tweaking:

Slow Rotor Speed, Cab Direction, Acceleration Time, +/- 6dB Boost/Cut.

Instantly alternate between a fast and slow rotor speed with the Fast/Slow footswitch

Selectable Cab Filter allows for an optimal experience in front of guitar amplifiers and full range systems

Stereo output, high impedance mono input

Expression pedal input with selectable control over any knob parameter

Connect our optional Favorite switch to save a favorite preset or use as an external speed switch

Fast/Slow and Bypass footswitches

Press and hold Fast/Slow footswitch for Rotary Brake

Selectable Bi-Amp mode splits bass rotor and treble horn signals to separate outputs

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters

110dB typical signal to noise

Premium analogue front end and output section

Super high performance DSP in a compact form factor

32-bit floating point processing

True Bypass (electromechanical relay switching)

Powered with a standard 9V center negative DC supply. 250mA minimum

Strong and lightweight mahogany anodized aluminum chassis

Crafted with love in the USA

Notes: Introducing Catacombs - a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive, powerful package. Whether you're after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo - Wampler have you covered!

The team at Wampler have worked for a long time on ensuring Catacombs will become an indispensable part of your rig. You can run one of six delay and one of five reverb programs together simultaneously. Each program offers tap-tempo control and can be saved into one of the pedal's eight onboard preset locations for instant recall. Delays and reverbs can be run in Mono, Stereo, in parallel or in series. It's like having a studio's worth of delay and reverb effects right at your feet.

But it doesn't end there - the pedal also comes with a complete software version as a plugin for your DAW in AAX, AU, and VST3 format for both Mac and PC. The Catacombs plugin is FREE to all customers that register their Warranty online (plugin suite is $49.99 if purchased separately).

Legendary Delays

With six delay programs, you can feel the warmth and depth of analogue delays (ANLG), the harmonic nuances of a Bucket Brigade Device delay (BBD), or the nostalgic modulated vibe of classic artisanal tape and mechanical delays (TAPE). Feeling adventurous? The other-worldly Echo-Space Delay (SPC) awaits. The favourite Wampler Faux Tape Echo (FTE) and an accurate recreation of the classic 2290 digital delay (DIGI) also feature.

Iconic Reverbs

The Catacombs houses five finely tuned reverb programs. With just a twist of a knob, you'll discover expansive halls (HALL), a warm vintage plate (PLT), and that classic spring reverb (SPR) with plenty of "drip." The shimmer reverb (SHMR) allows a whole new layer of sonic texture, especially when paired with an expression pedal, and the intimate ambiance of the ROOM setting creates that perfect studio reverb.

Stompbox-like Control

Like the Terraform and Metaverse before it, the Catacombs is designed to be as quick to dial in as possible. Wampler replaced confusing menus and fiddly touch screens with clearly marked knobs you can adjust on the fly. Controls for Time, Feedback, Modulation, and Level (with Alt functions for each effect type) put all the essential tools right at your fingertips. Each setting offers tap-tempo control and can be easily saved into one of the pedal's eight front panel preset locations for instant recall. It's like having a studio's worth of delay effects right at your feet.

Digital Power with an Analogue Soul

The Catacombs uses a high-performance DSP engine to bring each effect to life with authentic character and gives you eight front panel preset locations where you can save and instantly recall your favourite settings. If you're looking to expand even further, you can access up to 128 presets with full MIDI control, it has configurable mono and stereo routing, a parallel or series switch, and an assignable expression pedal input to control any parameter (or multiple parameters).

Notes: Suitable for guitar, synths, drum machines and more, the updated Godeater refines the boutique saturation/distortion pedal, offering more precise control over low frequencies. New filter-keyed sidechain, advanced routing and MIDI integration add major flexibility.

Supplier's Notes:
The new Godeater+ is the successor to the successful Godeater pedal from Indian manufacturer Animal Factory.

The Godeater was primarily designed for electric basses and saturates the sound in the lower frequencies. However, it is not limited to bass guitars. The pedal can also be used with synthesizers or guitars. The pedal can also be interesting in combination with drum computers. The main aim of the Godeater+ is to create a pedal that allows you to create a distorted sound without losing the low frequencies.

Notes: The Expression Slider HK is a portable fader for use with any pedal or device that has a regular expression input.

Featuring artwork created by the OKC art duo Holey Kids, one half of which also works at the brand's Oklahoma headquarters, this new version is perfectly dressed up to fit in with the latest pedals in the OBNE's Utility series.

Expression Slider HK is a fader for use with any pedal that has an Old Blood style expression input. It is built for convenience and tactile experience, allowing external control where you need it - on the desk of your studio, velcroed to a guitar strap, or wherever else a TRS cable allows.

This device uses a TRS jack with tip connected to the wiper of a 50K slider, and ring and sleeve connected to the other terminals. It works with all Old Blood pedals as well as pedals from Chase Bliss, Meris, Earthquaker Devices, Empress, Montreal Assembly, Red Panda, Strymon, EHX, and more.

No power is needed, simply use a TRS cable to plug the Expression Slider HK into the Expression input and use the slider as you would a knob or expression pedal. This really can give additional creative control to all sorts of pedals and other devices that have expression control, plus may also add functionality to some products that may have other options not directly accessible from the front panel or are hidden in menus etc.

Strap it to your mic stand to adjust your favourite setting without bending down, keep it at your studio console to control a parameter while tracking, use the indicators to mark your favourite settings or simply replace a knob control with a slider because let's face it, sliders are cool!

Notes: Active gain boost pedal to increase the level of your guitar signal with 2-band EQ for tone shaping. Ideal for driving the input of a guitar amp to a point to make it distort the true sound of the amplifier, or as a signal booster for pushing the guitar forward in the mix for a solo, or even a combination of both.

Low & High tone controls
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Low, High and Level

Dimensions: 115 x 68 x 47mm
Weight: 275g

Notes: The Bass War was born with a clear mission: to take Death By Audio's legendary Fuzz War and craft it into the ultimate weapon for bass. Death By Audio didn't just tweak the formula, they reimagined it from the ground up, infusing classic circuit designs with our own twist. The result? A harmonically rich octave fuzz that doesn't just deliver - it dominates, with exceptional gain, a wide tonal range and a MIX control that puts the power of mind-blowing bass fuzz at your fingertips.

This pedal isn't here to play nice, it's here to push boundaries. The super-extended control ranges let you sculpt your sound from a gritty, grinding drive all the way to a thick, bone-crushing distortion. The FUZZ knob is your key to unlocking everything from a subtle growl to an all-out sonic assault.

The TONE knob is your secret weapon, acting like a notch filter that lets you sweep through a massive arsenal of fuzz tones, each one rich, heavy, and impossible to ignore. And with the MIX control, you can blend just the right amount of fuzz with your clean bass, keeping your sound powerful and balanced, no matter how intense things get.

The Bass War isn't just another Fuzz pedal, no it's your ticket to a bass tone that demands attention and leaves its mark. If you're ready to take your sound to the next level and carve out your own sonic territory, the Bass War is your go-to pedal. Plug in and let your bass do the roaring.

Notes: Discover your amp's potential

Riverside's cascading gain stages create harmonically rich tones that are immensely musical and natural-from silky clean overdrive to colossal distortion, and all points between. The analogue JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.

Overview

Infinite sweet spot

Riverside's continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone. This results in an incredibly versatile drive pedal that is equally capable of providing sparking cleans, mild overdrives, high-gain leads, and heavy saturated distortions.

Flexibility to adapt to any amp

Your amp choice has a large influence on the sound of any drive pedal connected to it. Riverside's musical 3-band EQ, with independent Bass, Middle and Treble knobs, is designed to complement your amp's tone with the flexibility needed to dial in your sound effectively and efficiently. The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.

Digital or analogue? Strymon choose both

The first stage of Riverside's custom multistage drive topology is an all-analogue, ultra low noise, discrete, class-A JFET circuit. This gain stage is digitally controlled to maximize headroom while adding as much as 20dB of pure analogue gain, with tight integration to the subsequent DSP gain stages. With Strymon's hybrid approach you get the best of both analogue and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you'll want to hear.

Tone Adjustment and Shaping

Drive adjusts the amount of gain applied to the signal. Employs continuously variable circuit tuning which adjusts many parameters as you turn the knob.

Level controls the output volume level when the effect is engaged.

Gain toggles between low or high gain channels.

Low sets a gain structure allowing for a wide range of low to medium gain sounds. At high Drive settings the sound is heavily overdriven, and slightly 'loose' like a dimed vintage amp.

High increases the gain throughout the signal path and tightens things up. Stays relatively clean at low Drive settings, shifting to heavy saturated distortion at maximum.

Push toggles between flat or enhanced midrange frequencies.

Norm can be used for cleaner, more transparent tones.

Mid adds a mid-band EQ push just after the analogue front-end gain. This pushes the subsequent drive stages harder, tightening up the response. Perfect for fat drive tones, or pushing a distorted or on- the-edge amp into further breakup.

Bass is an active shelving/parametric low frequency control. The control is post-drive, shaping your drive tones before they reach your amp.
Middle is a parametric mid boost/cut control with optimized frequency centre. The control is post-drive, shaping your drive tones before they reach your amp.

Treble is a wide-ranging high frequency active shelf control. The control is post-drive, shaping your drive tones before they reach your amp.

Rear Panel

Presence is a three position switch that tailors the highest frequencies of the output signal.

Minus (-) provides clarity with a controlled top end that works well with many amps that have a brighter voice.

Enhanced (centre) extends the top end to allow for more sizzle on high gain tones. Useful if you want enhanced detail in the uppermost frequencies.

Plus (+) delivers extended high end detail to the darkest amps, and is also useful when plugging directly into a power amp.

In is a high impedance mono input. Plug your instrument in here.

Out is a mono signal output. Connect to your amp, other pedals, mixing board, etc.

Boost allows use of an external switch to toggle up to +6dB of post boost on/off. Or connect to the EXP input of another Strymon pedal and simultaneously engage the Favorite settings on both pedals with Riverside's Favorite switch.

Expression Pedal Input provides continuous expression pedal control over any or all of the knobs, in any direction, with your foot. Or can be used in Volume Mode to control the volume level of the effect.
Power - Plug your power supply in here. Maximum 9 volts DC centre-negative, with a minimum of 250mA of current. Standard 5.5mm x 2.1mm barrel connection.

Secondary Functions

Press and hold ON footswitch to enter Secondary Function mode. Release the footswitch, then turn the desired knob to adjust the parameter.

Optional variable-threshold Noise Reduction tames hum, buzz, and system noise when you're not playing. A downward expander with advanced signal detection techniques creates a seamless transition to noise reduced silence with all types of input signal dynamics.

Boost Level sets up to +6dB of available boost when using an external Boost footswitch.

Ins, Outs, Switches

High impedance mono input
Mono output
Favorite footswitch to save a favorite setting
Favorite Input to connect an external MiniSwitch to recall a Favorite preset
Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)
MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations
Boost pedal input allows connection of an external footswitch for up to +6dB of analog boost, or to toggle the Favorite preset on other Strymon pedals (Favorite Out mode)

Analogue Quality

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
Premium analog front end and output section
Super high performance SHARC DSP in a compact form factor
32-bit floating point processing

More

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
Strong and lightweight anodized gold aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: TARS DLX is a dual fuzz with 2 analogue filters inspired by the MS-20.

Probably the only pedal with 4 poles - resonant - Low Pass and High Pass Filters.

It is a stage & studio tool to shape your sound with high precision or an experimental device for loud noise makers.

It is an evolved version of TARS, a robot looking for life in space too. (and a pedal we released a year ago).

Notes from the designers :

Collision Devices took TARS and we pushed it forward.

The Fuzz circuit has been reworked to be opened in high end - so that it can now sound amazing as a low gain fuzz/distortion. The creamy one we all like in those post-hardcore riffs. It is also more aggressive when Gain is maxed out.

+ Collision Devices worked another fuzz (BLAST) which feedbacks a part of the circuit to give this "burning" feeling for HUGE and abrasive sounds.

The frequency response from both filters has been improved to better work on very low end sources with subby bass sounds.

TARS DLX can be used as clean blend on bass or in insert of a track mix.

The "ADD FUZZ" configuration which is found nowhere else is better than ever with the addition of the high pass after the low pass. It adds a filtered fuzz to the fuzz signal so that the filters can be used as EQ shape / phasing effects. This is amazing.

Of course, Fuzz and filters can be used separately in parallel or in serial. This truly is a beast of a dirt and filtering pedal.

Notes: Last year in 2023, MOOER released its Prime Stomp S1 multi-effects pedal, to great critical acclaim. The device expanded on MOOER's previous pedalboard creations, applying a more sleek, lightweight, and, most importantly, chargeable design. Now, the company is turning heads once again with the Prime Minimax M1, an upgraded device that improves functionality not only for electric guitarists, but for bassists too.

Packed inside the Prime Minimax M1 are 149 high-quality effect models across 10 banks, each of which contains 4 patches. These include amp and cabinet simulations and overdrives, along with dynamic, modulation, delay, reverb, and EQ effects, as well as empty user slots. Most notably, though, 20 of the amp and cabinet simulations have been curated specifically for bass guitarists, showing MOOER's dedication to providing support for this additional audience.

As with the Prime Stomp S1 and other recent MOOER multi-effects pedals, the Prime Minimax M1 is supported by the MOOER Cloud, a cutting-edge framework for preset sharing. Not only does this allow guitarists to customize and share their favourite M1 creations via the Bluetooth-compatible MOOER Prime app, but it also supports the importing of third-party IR files of up to 512pts. As a result, the 149 built-in effects are greatly expanded, with users able to simulate their favourite classic amplifiers, cabinets, and tones, whether they have downloaded them online or recorded the IRs themselves.

Taking an all-in-one approach to guitar practice and performance, the M1 also includes a built-in drum machine, complete with 40 different drum grooves and 10 metronomes. This goes hand-in-hand with the 80-second looper, with which guitarists can record electric and bass guitar phrases, play them back, and overdub them, all with simple footswitch presses. The looper can even be triggered automatically through signal detection, ensuring that loops always begin perfectly to form a perfect loop. Moreover, the looper can also be synced with the drum machine, a combination of which results in an all-in-one suite for songwriting.

Rather than the four footswitches found on the Prime Stomp S1, the Minimax M1 features just two footswitches, facilitating a more compact and streamlined design. Each footswitch is multi-functional, supporting a variety of tasks, such as browsing preset slots, triggering loop recordings, activating the device's built-in tuner, the tap tempo functionality, and interacting with the drum machine. The status and information of these features are visualized through the device's LED screen, along with indicators for Bluetooth activation, charging, battery life, and footswitch status. Two buttons are also provided-one to activate the drum machine and another for the device's power toggle.

In contrast to MOOER's recent flagship device, the GE1000 Li, the Prime series focuses heavily on portability and compactness. Weighing up at just 190g and 12cm in length, the Minimax M1 can fit comfortably into any backpack and most pockets, facilitating on-the-go guitar practice and performance. To add to this convenience, the M1 can be charged by USB through its built-in 2000mAh lithium battery. As a result, with the device's portability, guitarists can truly use this multi-effect pedal anywhere, anytime.

Continuing MOOER's reputation for providing flexible audio routing options, the design of the Prime Minimax M1 inputs and outputs are varied. Of course, the usually 14" mono input and 14" stereo output are available, as well as the 3.5mm output for headphone practice and monitoring. However, further options are available, such as Bluetooth 5.0 support for audio playback, allowing users to stream audio from another device to play along with. The device's USB-C port can even be used for OTG recording, allowing users to record their creations directly into the MOOER Prime mobile app.

Overall, the Prime Minimax M1 is yet another welcome addition to the pedal producer's range of multi-effects pedals. In particular, it marks a new level of portability for MOOER's device portfolio, showing just how much functionality its design team can pack into such a small box.

Notes: A fresh, original take on pitch shifting, the HammerOn generates hammer-on pitch shifts which alternate between two different intervals. Seven modes provide a range of effects, from simple hammer-ons to automatic techno guitar sequencing with trills.

Supplier's Notes:
Hands-free Hammer-Ons

Hammer-on notes in conjunction with your hands to create never-before-heard licks and riffs - the only limit is your imagination.

7 pedals in 1

Seven modes range from pitch jumps and harmony effects to pitch sequences and drop/capo tunings - HammerOn is like seven pedals in one.

Play the Impossible

Impossible Mode allows you to hammer-on pitch shifts that alternate between two selectable pitch amounts.

The DigiTech HammerOn is a versatile effects pedal with an amazing amount of flexibility and options to create and channel your musical ideas. Take the time to get to know the many options and see if it sparks new creative ideas.

The PITCH 1 footswitch is dedicated to always be a hammer-on selectable momentary pitch shift above or below what you are playing. PITCH 2 footswitch has 3 different modes of operation selectable using the MODE button. There is a button called DRY+ that can turn on the dry signal and a button called TRILL that can mimic rapid presses of the footswitches.

With all these options it's like having 7 pedals in one:

1. HAMMER-ON: An instantaneous momentary pitch shifter pedal
2. HAMMER-ON with TRILL: A rapid fire hammer-on action pedal
3. HARMONY-ON: An instantaneous harmony creation pedal
4. The IMPOSSIBLE Pedal: A dual alternating momentary pitch shift pedal
5. DROP/CAPO SEQUENCE: A multi-setting pitch transposition pedal
6. SEQUENCE with TRILL: An automatic guitar riff sequencer
7. SEQUENCE with DRY and TRILL: An automatic techno guitar sequencer

Specifications

Electronics
Sample Rate: 44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response: 20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio: > -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1kHz; ref= 1 dBu w/ unity gain
A/D/A Conversion: 24-bit

Input / Output
Input Type: 1/4" Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1MO
Output Type: 1/4" Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1kO (Effect enabled or effect bypassed), True Bypass

Physical

Dimensions: 5.12"(13.00cm) x 3.57"(9.06cm) x 1.84"(4.67cm) (L x W x H)
Weight: 1.12 lbs. (508g)

Power

Power Consumption: 2.3 Watts (258 mA @ 9VDC) typical
Power Requirements: External Adapter (included), 9 VDC 1300 mA

Notes: For those about to rock... Crazy Tube Circuits have created the Heatseeker!

The sound of a classic wireless system meets three iconic amps that helped shape the history of rock. From its inception/invention, in the mid-70s, this wireless system has been the secret recipe to major rock guitar rigs. The magic ingredient lies to its analogue preamp/ tone enhancer circuit that expands the dynamic response and harmonics of any signal that goes through it. By producing a modern recreation of this hidden gem, there is enough percussive attack to spice up your tone.

Utilizing an all-analogue JFET circuit, running on 27 volts via an internal voltage boost, Crazy Tube have captured the tone and feel of three British tube amplifiers synonymous with the sound of rock and roll with excellent clean-to-mean dynamic response. The "WoS" (Wall of Sound) circuit opens up the soundstage by increasing output and adding thundering lows and dense high mids. The effect is similar to "adding" a wall of amp heads and full stacks to your rig!

A passive effects loop gives you the option to connect your beloved pedals between the two sections, building your ideal rig.

Follows the successful concept of Crazy Tube's "Unobtanium", "Hi Power", and "Crossfire": All-analogue dual pedal designed to recreate a legendary pedal and amp combination.

Inspired by the tones of the gear setup used by Angus Young.

Right side: re-creation of the preamp/tone enhancer circuit of the Schaffer Vega Diversity System.

Left side: 3 distinct Marshall amps-in-a-box: JTM45, 1959 Super Lead, JMP 2203.

Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.

Notes: The EarthQuaker Devices Passive ABY box is the perfect solution if you can't decide when and where you would like your signal to go. In its most basic form, this passive little box is commonly used to run a single input out to two destinations and lets you choose between using either individually or both at the same time.

The most common problem an ABY is used to solve, is one input being sent to out to two amplifiers, but it doesn't have to stop there! Because of its completely passive circuitry, Passive ABY can also be used in reverse to choose between two inputs to a single output. Use it to simultaneously run two different instruments to one source input. An oboe and a bass, a keyboard and a harmonica, a lute and a modular synth... you know, whatever!

This compact little device has a small footprint, won't take up much real estate on your board and is built using high quality parts that will withstand years of use and keep going.

Notes: Your Dream Tone Starts Here.

Start your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analogue compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.

Your Everything Upgrade.

From pickups, tubes, capacitors, to speaker cabinets-the aspects of a rig that can be upgraded or changed are nearly endless. Plug in Compadre and you may find you already have everything you need for the tone you've been seeking.

Bring out your amp's character in ways you never thought possible. Compadre's Class A JFET input circuit, studio quality analogue compression, and musically voiced analogue boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.

Super Flexible, Super Easy.

Compadre gives you everything you need to shape your front end tone, and nothing to slow you down. Auto makeup gain and auto threshold mean that all you have to do is turn up the Compression knob to dial in the desired amount. Compadre's wide variety of tone shaping features are all designed to easily sound great across a wide variety of settings.

Two Distinct Analogue Compression Circuits.

Choose between two compression circuits, each with its own unique character. Studio mode gives you the smooth, beautifully transparent compression typically found in the best vintage studio rack units. For a harder compression effect typical of classic guitar pedals, Compadre's Squeeze mode is designed to deliver heavy compression with maximum sustain.

Boost the Sweet Spot, Clean or Dirty.

Compadre gives you two distinct analogue boost circuits: a clean boost, and a dirty boost that introduces soft clipping, characteristic of an overdrive pedal. The selectable boost EQ ensures the perfect compliment to any guitar and amp combination. Add sparkle and shine with a treble boost, fatten your tone with the midrange boost, or level up the full frequency range with flat mode.

Extended Control.

Connect an expression pedal to add premium VCA-based volume control. Add an optional MiniSwitch or MultiSwitch Plus to store and recall your favourite settings. Integrate Compadre into a MIDI pedalboard using the MIDI EXP Cable and access up to 300 preset locations.

Vintage Inspiration, Modern Execution.

The Compadre design project started with a study of some of the finest analogue compressors ever created, inspiring and guiding the circuit design process. Utilizing a VCA in the compression circuits allowed Strymon to carefully tune the exact response and dynamics that were desired for each voicing.

For Studio mode, the goal was to achieve the musical and transparent sound found within Strymon's favourite studio rack units and the best vintage studio console bus compression. Careful tuning of the detection circuit provided Strymon with exacting control over decay, especially important for Squeeze mode. With ample sustain on tap, Strymon paid special attention to creating a completely smooth decay, with no unwanted pumping artifacts.

Notes: DIG unearths the true soul of digital delay and doubles it; two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Strymon's thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG's three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. The second generation DIG keeps the same distinctive rack-mount digital delay tones from Strymon's original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

The powerful tone knob control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o'clock for a flat response.

Notes: 50th Anniversary Limited Edition

Hand-built in the USA - only 1,974 units will be made!

3 Overdrives in One

Switch between vintage-authentic SILICON clipping, Ge/ASYM Germanium asymmetrical clipping, or LIFT for no diode clipping for either clean boost use or op-amp rail clipping at higher levels.

Mod-Friendly Components

Equipped with a socketed LM741 op-amp and through-hole components for easier modding just as the original 250 were known for.

For Players and Collectors Alike

Whether you're hitting the stage or simply celebrating a history-making overdrive pedal, you won't be disappointed.

The Overdrive Preamp 250 - 50th Anniversary Edition pedal celebrates the introduction of the original 250 pedal in 1974. Widely considered to be one of the most influential overdrive pedals, the original 250 helped shape the sound of rock and metal in the late '70s and early '80s. The Overdrive Preamp 250 - 50th Anniversary Edition pedal is hand-built in the USA using the authentic design of the original pedal, while adding two extra modes for modern sonic versatility.

The Overdrive Preamp 250 - 50th Anniversary Edition is actually three overdrive pedals in one. Set it to Silicon mode for a faithful reproduction of the original 250's bite and grind, courtesy of an authentic LM741 op-amp. Select Ge/ASYM mode to engage a Germanium diode for asymmetrical even-order clipping that provides a distinct tonal character with incredible touch response. Or switch to Lift mode to remove diode clipping completely from the signal path, for use as a clean boost and preamp.

Complete with a commemorative 50th Anniversary badge, custom artwork and colour-matched LED, and a 50th Anniversary pedal topper, the Overdrive Preamp 250 - 50th Anniversary Edition pedal is ideal for players and collectors alike.

What's in the box

1 x DOD Overdrive Preamp 250 - 50th Anniversary Edition
1 x 50th Anniversary Pedal Topper w/Hex Wrench
1 x Serialized Certificate of Authenticity
4 x Stickers
4 x Guitar Picks
Full-colour owner's Manual


General Specifications

Dimensions: 4.68" (11.88cm) x 2.63" (6.68cm) x 2.25" (5.71cm) / (L x W x H) - (Jack W = 2.92" (7.41cm))
Weight: 0.60 lbs. (272g)
Input: 1/4" Instrument Phone Jack
Input Impedance: >300kO typical
Output: 1/4" Instrument Phone Jack
Output Impedance: 9.1kO - 27.5kO (based on Level control position)
Gain: +9.5 dB to +46.7 dB
Power Input: 2.1mm DC Barrel Jack, centre (tip) negative
Chassis: Aluminium
Power Supply: 9V Alkaline Battery, DigiTech PS0913DC Power Supply, Other well-regulated 9V centre (tip) negative supply +18V tolerant
Consumption: 7mA typical
Warranty:1 year

External dimensions

Dimensions: 6.94" (17.62cm) x 3.38" (8.58cm) x 2.88" (7.31cm) (L x W x H)
Weight: 0.87 lbs. (367g)

Notes: Intelligent multi-effects from Mooer, the Prime M2 is a compact, convenient pedal compatible with the Mooer Prime mobile app, Mooer Studio desktop software and the Mooer Cloud tone-sharing platform.

Supplier's Notes:
Over the last few years, MOOER has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family-the Prime Minimax M2 Intelligent Pedal.

Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects etc., and more. In typical MOOER style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the MOOER Cloud and third-party sources to the device, which they can then save across 80 preset slots.

As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the device's banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.

While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in MOOER's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.

As if the addition of a looper wasn't enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it's a reminder that MOOER clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.

Extra features are included to complete this all-in-one pedal, including a high-precision tuner with fully customizable frequency ranges. Guitarists can even leverage the M2's built-in Bluetooth input support, allowing them to practice, jam, and even produce looped musical structures over their favorite backing tracks, band prototypes, and musical pieces.

Perhaps unsurprisingly for existing MOOER product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.

Speaking of on-the-go, MOOER is continuing its recent portable-play focus with the Prime M2 Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won't get in the way of rehearsals and live performances. Combined with the pedal's lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.

Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.

Notes: Over the last few years, MOOER has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family-the Prime Minimax M2 Intelligent Pedal.

Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects etc., and more. In typical MOOER style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the MOOER Cloud and third-party sources to the device, which they can then save across 80 preset slots.

As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the device's banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.

While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in MOOER's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.

As if the addition of a looper wasn't enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it's a reminder that MOOER clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.

Extra features are included to complete this all-in-one pedal, including a high-precision tuner with fully customizable frequency ranges. Guitarists can even leverage the M2's built-in Bluetooth input support, allowing them to practice, jam, and even produce looped musical structures over their favorite backing tracks, band prototypes, and musical pieces.

Perhaps unsurprisingly for existing MOOER product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.

Speaking of on-the-go, MOOER is continuing its recent portable-play focus with the Prime M2 Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won't get in the way of rehearsals and live performances. Combined with the pedal's lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.

Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.

Notes: Designed as the ultimate choice for the end of your signal chain, Endgame is a stereo pedal with a seriously clever design. An effects loop, amp/cabinet/room simulation and double-tracking features are among the options on offer.

Supplier's Notes:
After years of development work, ENDGAME is KMA Machine's most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, ENDGAME is a superb problem solver and a convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA's proprietary True Double-Tracker doubler and own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones.

And now, you can finally use all your stereo devices with just one easy to use and compact product - let the alchemy begin!

It's no secret that over the past few years stereo pedals have become a huge part of many musician's rigs. While many regular tones can (and should) be mono, KMA are very much fond of stereo effects. But why is it so hard to use them either at home or on the stage? Without the luxury of 2 amps (plus the ability to turn them up if you have them) or for owners of cab/amp simulators that are usually mono input by design, monitoring stereo effects properly can end up being so difficult that many just end up running their stereo effects in mono and therefore lose many of their spatial creativity nuances.

Doubling guitars in recording is also a common practice in a variety of musical styles. In many cases, a single guitarist will record the same track twice with each separate recording being spread to the left and right channels. The effect of this is unmistakable to the ear and the slight differences and nuances between the two separate performances complement each other to create a noticeable thickness, density and weight to the musical experience. This is hard to get sounding right live too. Note this is not the same thing as simple doublers (that just delay one signal with a modulation) or ADT type solutions that are on the market today.

So, KMA developed ENDGAME. KMA wanted to make an easy-to-use product that gives the essentials of good tone, nothing more and nothing less. While from the front panel it might look like ENDGAME has lots of controls, compared to many hidden menus and screens in many other products, all means that it is also deceptively simple to use, despite the huge complexity of what's going on inside!

Stereo FX Loop

A Stereo FX Loop isn't a new thing, but in ENDGAME's case it is probably one of the most usable, making this a killer feature!

For maximum flexibility, the serial loop features routing that can exist either before or after the IR loader and/ or Doubler (when active). Buffered for the sake of long cable runs and to maximise signal clarity, you can now hear your stereo pedals and other effects in their true pristine glory! Plus, you can quickly switch the loop on or off via the convenient soft footswitch.

True Double Tracker

Whether playing live or recording with a single instrument, the KMA ENDGAME's True Double Tracker provides the perfect solution for adding a "fatness" and "width" to your performances and really feels like you are playing the same riff twice!

Enabled via the footswitch, the doubler accurately replicates the minor differences that could exist within two separate recordings and the width control can spread your doubled tracks anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.

Notes: Introducing the Devil's Triad Essentials, All-Pedal's newest pedal designed in collaboration with Jeff Loomis. Built on the original Drive section of the now famous Devil's Triad, the "Essentials" provides you with one of the most versatile drive pedals ever created. All-Pedal started with the same Drive circuit, which is already able to deliver a wide range of drive tones. To this, an active three band EQ was added, tuned to the ideal frequencies for dialling in the best match for your particular amp or emulator. Then, the design weas finished off with an all new integrated Boost section. Now you not only have the ability to boost the output signal coming from the Drive section, but you can also boost the gain of the Drive itself. In addition, both of these Boost controls have a small area of cut available in the minimum settings. This means you have the ability to preset Post volume cut or boost, and Pre cut or boost. It sounds amazing on it's own, or when used to shape the drive tones of your favourite amp. The Devil's Triad Essentials aims to be your essential tone shaping tool.

Overdrive

Analogue op-amp drive provides depth and tightness to any amplifier while emphasizing your pick attack.
Drive input impedance: (Measured) ~ 400K @ 1kHz
Total Output: 20db
Power Draw: 37mA @ 9VDC

Boost

Pre & Post boost knobs for ultimate control on the front and back of the drive circuit.
Boost: Analog op-amp
Measured input impedance: 325K @ 1KhZ
Boost: Unity - 20db

3 band EQ

Highly tuneable 3-band EQ section, designed specifically for guitar. With rugged construction, unparalleled touch sensitivity, amp-like dynamics, and versatile tone shaping onboard.
High: Active 10db boost / 15db cut, centre frequency 4kHz
Mid: Active 7.5db boost / 7.5db cut, centre frequency 1kHz
Low: Active 7.5db cut / 13db cut, centre frequency 70Hz

Technical details

Size: 4.7" x 2.6" (121mm x 66mm)
Power: 9V Power Jack (No battery connector inside)
Power Draw: 37mA
True Bypass

Notes: The Voyager MKII is a mid-focused overdrive/preamp that contains all the mythical magic from the original Voyager and adds a wealth of features not seen before in a Klon-style pedal.

From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any playing style. At lower gain settings, it brightens the signal and adds clarity to each note. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through solos.

The Voyager MKII breaks out of the traditional Centaur three-knob topography by adding a foot-switchable parametric mid-frequency EQ with a boost/cut range of +/-12dB. The Freq (Frequency) knob then controls the centre frequency of where the Mid knob is set, giving a range of 250Hz-2kHz. Great for accommodating any guitar and pickup combination and tailoring your tone to your own style of playing.

Further customize the Voyager's sound with the five-way rotary switch:
1. Classic 1N34A Germanium Diodes (most compressed). This is the original Voyager sound.
2. Classic 1N34A Germanium Diodes with bass boost (trust us).
3. Symmetric Silicon Diodes (more open and dynamic).
4. Asymmetric Silicon Diodes (least compressed, open & driven).
5. Asymmetric Silicon Diodes with bass boost (least compressed, open & driven with a bass boost.)

Think of each position as a different "flavour" of the pedal. Fine-tune each of these modes with the Mid/Freq EQ for a near-infinite supply of gain options.

Notes: The Voyager MKII is a mid-focused overdrive/preamp that contains all the mythical magic from the original Voyager and adds a wealth of features not seen before in a Klon-style pedal.

From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any playing style. At lower gain settings, it brightens the signal and adds clarity to each note. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through solos.

The Voyager MKII breaks out of the traditional Centaur three-knob topography by adding a foot-switchable parametric mid-frequency EQ with a boost/cut range of +/-12dB. The Freq (Frequency) knob then controls the centre frequency of where the Mid knob is set, giving a range of 250Hz-2kHz. Great for accommodating any guitar and pickup combination and tailoring your tone to your own style of playing.

Further customize the Voyager's sound with the five-way rotary switch:
1. Classic 1N34A Germanium Diodes (most compressed). This is the original Voyager sound.
2. Classic 1N34A Germanium Diodes with bass boost (trust us).
3. Symmetric Silicon Diodes (more open and dynamic).
4. Asymmetric Silicon Diodes (least compressed, open & driven).
5. Asymmetric Silicon Diodes with bass boost (least compressed, open & driven with a bass boost.)

Think of each position as a different "flavour" of the pedal. Fine-tune each of these modes with the Mid/Freq EQ for a near-infinite supply of gain options.

Notes: Jackson Audio presents the TWIN TREM, a pedal that features two distinct tremolo effects: a Harmonic Tremolo on the right side and an Optical Tremolo on the left side. Each tremolo is equipped with independent Speed, Depth and Volume controls and can be used separately as stand-alone effects (or combined) to create rich, unique and percussive sounds.

Each tremolo side has different LED indicators (red for Harmonic, blue for Optical and magenta for Combined). These LEDs also visually display each section's speed, making it easy to sync the two tremolos together.

The TWIN TREM boasts four top-mounted jacks, allowing versatile signal routing. You can run it like a standard pedal, routing the signal in through the first jack and out through the last. Alternatively, you can route the signal through the Harmonic side first, pass it through a reverb or another effect, and then into the Optical side, preserving the classic placement of optical tremolo after reverb, just like in many amplifiers.

These routing options opens up endless possibilities for integrating the TWIN TREM with other effects in your signal chain. If you have a stereo setup, the right side can run through the Harmonic tremolo, while the left side passes through the Optical.

In addition, offering comprehensive control over pre- and post-effects tremolo placement all helps to make the TWIN TREM an essential tool for building a complete rig.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs
The Polychrome comes in a flat black enclosure with purple, yellow, coral, green and white ink, featuring original artwork by David Huttner.
Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


E7 is the MOOER Polyphonic Guitar Synth Pedal is the second pedal of MOOER New Micro series. As a brand-new design Micro series, we have added 7 LED indicators on the right side of the shell, providing more possibility to the New Micro series.
E7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications. It is named as E7, for its seven different MOOER custom synthesizer tones. Each tone with an individual arpeggiator, high/low frequency cut, attack, speed function, allow users to shape the tone in their mind easily, explore the horizon of tone with the E7.

Features:
*7 different types of brand-new MOOER SYNTH tones
*Individual Arpeggiator for each tone
*7 slots for storing users' presets
*Firmware upgradeable via USB

Specifications:
*Input: 1/4" mono jack (impedance 2.2M Ohms)
*Output: 1/4" mono jack (impedance 100Ohms)
*Power supply: 9V DC transformer (internal negative external), MOOER Micro Power is recommended
*Current Draw: 150mA
*Dimensions: 93.5mm(D) x 42mm(W) x 52mm(H)
*Weight: 155g
*Accessories: User Manual

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.

Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: ***B-STOCK: Box opened, product in perfect working order***


Introducing Catacombs - a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive, powerful package. Whether you're after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo - Wampler have you covered!

The team at Wampler have worked for a long time on ensuring Catacombs will become an indispensable part of your rig. You can run one of six delay and one of five reverb programs together simultaneously. Each program offers tap-tempo control and can be saved into one of the pedal's eight onboard preset locations for instant recall. Delays and reverbs can be run in Mono, Stereo, in parallel or in series. It's like having a studio's worth of delay and reverb effects right at your feet.

But it doesn't end there - the pedal also comes with a complete software version as a plugin for your DAW in AAX, AU, and VST3 format for both Mac and PC. The Catacombs plugin is FREE to all customers that register their Warranty online (plugin suite is $49.99 if purchased separately).

Legendary Delays

With six delay programs, you can feel the warmth and depth of analogue delays (ANLG), the harmonic nuances of a Bucket Brigade Device delay (BBD), or the nostalgic modulated vibe of classic artisanal tape and mechanical delays (TAPE). Feeling adventurous? The other-worldly Echo-Space Delay (SPC) awaits. The favourite Wampler Faux Tape Echo (FTE) and an accurate recreation of the classic 2290 digital delay (DIGI) also feature.

Iconic Reverbs

The Catacombs houses five finely tuned reverb programs. With just a twist of a knob, you'll discover expansive halls (HALL), a warm vintage plate (PLT), and that classic spring reverb (SPR) with plenty of "drip." The shimmer reverb (SHMR) allows a whole new layer of sonic texture, especially when paired with an expression pedal, and the intimate ambiance of the ROOM setting creates that perfect studio reverb.

Stompbox-like Control

Like the Terraform and Metaverse before it, the Catacombs is designed to be as quick to dial in as possible. Wampler replaced confusing menus and fiddly touch screens with clearly marked knobs you can adjust on the fly. Controls for Time, Feedback, Modulation, and Level (with Alt functions for each effect type) put all the essential tools right at your fingertips. Each setting offers tap-tempo control and can be easily saved into one of the pedal's eight front panel preset locations for instant recall. It's like having a studio's worth of delay effects right at your feet.

Digital Power with an Analogue Soul

The Catacombs uses a high-performance DSP engine to bring each effect to life with authentic character and gives you eight front panel preset locations where you can save and instantly recall your favourite settings. If you're looking to expand even further, you can access up to 128 presets with full MIDI control, it has configurable mono and stereo routing, a parallel or series switch, and an assignable expression pedal input to control any parameter (or multiple parameters).

Notes: Mobius gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from lush, mouthwatering, vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.

Utilizing an insanely powerful SHARC DSP, every drop of power is harnessed. Top it all off with 200 presets, full MIDI implementation and a unique Pre/Post Mode and you're on your way to modulation ecstasy.

Notes: The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.

Super Sound Quality

Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-500 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.

Connect, Loop, and Mix

With its versatile I/O and free-flowing interface, the RC-500 is ready to support all your musical visions. Connect mono/stereo instruments and pedal effects, plus a mic to the dedicated XLR input-complete with phantom power if needed. Use the two tracks independently for song-style composition, or together for rich multi-track textures. The LCD backlight changes colour to clearly show the current operation mode, while hands-on track faders and a mic level knob provide direct access to volume control as you loop.

Flexible Creative Control

Three onboard footswitches make it simple to control recording and playback, track switching, and more. For expanded operation, you can connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. And for advanced rigs, the space-saving TRS MIDI I/O enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.

Personalize Your Setup

The RC-500's I/O and footswitches are configured for basic operations by default, but they can be reassigned in a variety of ways to meet your custom needs. Route left/right input sources to separate tracks, or send guitar and vocals to independent outputs. Use the footswitches to turn effects on/off, start/stop rhythms, and more. Custom assignments are saved along with phrase memories, letting you instantly reconfigure the RC-500 for any application.

Energise Performances with Rhythms and Loop FX

Loaded with inspiring rhythms and evocative loop processing, the RC-500 is primed to bring groove and colour to all your looping adventures. Each of the 57 preset rhythms include A/B variations, while 16 different drum kits provide sounds to match any style. Designed for live performance, Loop FX like repeat, scatter, and more infuse your loops with instant sonic energy. There's a cool reverse function too, perfect for creating unique sonic flavours on demand.

Capture, Practice, and Perform

The RC-500's 99 phrase memories let you store loops as fast as you create them, complete with rhythm and kit selections, audio settings, and control assignments. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-500 becomes a central playback hub for lesson material, jam tracks, or backing music for your next gig.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Recording/Playback: Number of Track: 2, Data Format: WAV (44.1 kHz, 32-bit float, stereo), Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)
Rhythm Type: 57 Patterns x 2 Variations
Rhythm Kit: 16 types
Effect: LOOP FX (only for loop tracks)
Type: BEAT REPEAT, BEAT SHIFT, BEAT SCATTER, VINYL FLICK, Reverb (only for rhythm part)
Memory: 99
Nominal Input Level: MIC IN:-40 dBu (variable), INST IN A/MONO B: -10 dBu
Maximum Input Level: MIC IN:+8 dBu, INST IN A/MONO, B: +8 dBu
Input Impedance: MIC IN: 4 k ohms, INST IN A/MONO, B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +8 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: REC/PLAY switch, STOP switch, TRACK SELECT switch, MEMORY/VALUE knob, MIC LEVEL knob, TRACK 1 slider, TRACK 2 slider, TRACK 1 EDIT button, TRACK 2 EDIT button, RHYTHM TEMPO button, RHYTHM ON/OFF button, MEMORY button, MENU button, EXIT button, ENTER button, INPUT button
Display: Graphic LCD (96 x 32 dots, RGB backlit LCD)
Connectors: INST IN A/MONO, B jacks: 1/4-inch phone type, MIC IN jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max, OUTPUT A/MONO, B jacks: 1/4-inch phone type, CTL 1,2/EXP jack: 1/4-inch TRS phone type, USB port: USB micro B type, MIDI (IN, OUT) jacks: stereo miniature type, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adapter (PSA-S series: sold separately)
Current Draw: 330 mA (with phantom power), 240 mA (without phantom power)
Expected battery life under continuous use: Alkaline: Approx. 3.5 hours (without phantom power), Approx. 2 hours (with phantom power)
*These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (AA, LR6) x 4, Rubber foot x 4
Options (sold separately) AC adaptor: PSA-S series
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 170 mm / 6-3/4 inches
Depth: 138 mm / 5-7/16 inches
Height (including rubber foot): 62 mm / 2-1/2 inches
Weight (including battery): 950 g / 2.1 lb

Notes: Ozymandias - Dual overdrive pedal for guitar with exceptional distortion sounds

Ozymandias is a stacked dual-overdrive/distortion pedal that offers a plethora of usage options, choices fit for the King of Kings. From a near-clean boost with unparalleled headroom to full bore bourbon-swilling crunch, this one rules them all.

Features and Controls
Ozymandias contains two independent overdrive circuits, with identical controls but marked differences in tone and voicing:

The CROOK channel (left side, blue LED) boasts a full, fat thick sound and amp-like voicing. This channel is more articulate, grainy and has a huge low end.

The FLAIL channel (right side, red LED) is voiced in the midrange, with more drive and compression. This high-mid voicing will cut through a mix on pretty much any instrument.

Both channels have GAIN, TONE and VOLUME controls. For more textural control, each channel has three-way switches for hard (GRIND) and soft (GRIT) clipping, as well range (FULL/MID).

Each channel of the Ozymandias has its own set of input and output jacks. This allows you to split the output from each channel into separate amplifiers or even process two different instruments independently.

The mysterious square in the middle switches between two modes:

Series (Light off): FLAIL channel -> CROOK channel -> Output 2
Parallel (Light on): FLAIL channel -> Output 1; CROOK channel -> Output 2
Thanks to internal 22V operation, Ozymandias offers far greater headroom than most overdrive pedals from a regular 9V pedal power supply. Even with the gain dimed, this pedal is extremely reactive to playing dynamics and pick attack.

Notes: A hard hitting distortion effect pedal, ideal for metal and hard rock styles. Dial in the desired amount of distortion with Gain and set the output Level to suit. Tone adjusts the amount of grit and bite to accentuate the guitar sound if needed. High gain on demand for high energy music.

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Gain, Tone and Level
Dimensions: 115 x 68 x 47mm
Weight: 275g

Notes: Add clean sustain to your guitar notes and chords with the CM-50 compressor pedal. Turning up the Sustain control squashes down the peaks in the signal and lifts the quieter parts, causing notes that are fading out to last longer with effortless sustain. Set the output with the Level control and adjust the amount of picking emphasis with the Attack control. Great for country licks and overlapping arpeggios.

Sustain, Level and Attack controls
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Sustain, Level and Attack
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the Box

CM-50 compressor pedal
PP3 battery

Notes: EQ for bass guitar in a convenient pedal format for tone shaping on the fly. 5 individual frequency sliders help you to accurately sculpt the tone from mid-range growl to deep scooped slap. Perfect for mid-set EQ changes or as an "always on" tone machine.

5 frequency bands tuned for bass guitar
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
EQ controls: 62.5Hz, 125Hz, 500Hz, 1kHz, 4kHz, Volume
Dimensions: 115 x 68 x 47mm
Weight: 279g

Notes: Best known for Eurorack synth modules, Noise Engineering's Batverb builds on the brand's extensive experience, offering a performance-focused take on echoes, dynamics and tone.

Supplier's Notes:
Batverb is the stereo reverb that dreams are made of. Taking inspiration from Noise Engineering's famed tail-generating synth modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.

Start by setting a predelay time and adjusting Regen to taste: this will set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. Add in some chaotic suboctaves with Doom, or some haunting overtones with Shimmer - or both at the same time. If you need to carve the range for your reverb, Batverb has low and high damping settings for the reverb tank. Batverb even has settings for saturation that can be applied to only the reverberant signal, or to the whole output.

Batverb is easy to balance with the rest of the effects in your chain, thanks to its onboard dry/wet Blend control, as well as input and output gain parameters. It also features a unique Duck switch that allows the reverb to duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb.

Batverb was designed to integrate perfectly into your performances. The left switch mutes the input to the reverb and sets the feedback to maximum, creating a wall of sound as long as it's held down. The expression input can also be routed to any parameter on the pedal. Plus, if you're a fan of MIDI, Batverb can store and recall 16 different presets and recall them in response to program change messages.

Batverb is an advanced pedal with state-of-the-art features, but it's incredibly easy to use and immediately fun to play.

Notes: A warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and a dynamic response to your picking are all hallmarks of the true vibe experience. Thicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition. This feeling has been difficult to find outside of large and expensive fully-analog boutique units, but the search for that elusive experience is now over.

UltraViolet's simple and responsive controls provide a wider range of sounds than traditional vibe pedals. In addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects. A Bias switch gives you three distinct flavors of sweep shape and tone emphasis, allowing for tons of sonic variation. At slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory.

For UltraViolet's new vibe algorithm, all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response. From the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the center frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer.

TRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image.

Full MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your MIDI rig. In addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates. For hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction (Expression pedal controls Speed by default.) Or attach an optional external switch for tap tempo or favorite recall.

Finally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feeliall in a rugged and elegantly compact form factor.

Notes: Black Fountain Stereo Characterful Delay Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded 'oil-can delay' pedal right into a multi-tool.

With a wider control set that's complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package.

Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that's perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall.

The Rate and Depth controls sets the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position.

Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Product Height (cm): 6.9
Product Width (cm): 10.8
Product Depth (cm): 12.6
Product Weight (kg): 0.454

Box Height (cm): 7.06
Box Width (cm): 11.43
Box Depth: 12.7cm
Boxed Weight (kg): 0.596kg

Notes: The EarthQuaker Devices Flexi Loops is a dual effects loop featuring our world renowned Flexi-Switch Technologyr!

Using an effect loop switcher on your pedalboard allows you to easily remove all your effects from the signal path creating a path of least resistance, to help maintain full tonal integrity when they aren't in use. Flexi Loops allows you to create two distinct loops of effects and then introduce or remove them all on the fly with ease and with its dual silent relay-based and true bypass switching, the pedal allows you to simultaneously use momentary and latching style switching.

Flexi Loops allows you to create two distinct loops of effects and then introduce or remove them all on the fly with ease and with dual silent relay-based true bypass switches, the pedal allows you to simultaneously use momentary and latching style switching.

Using high quality, soft touch momentary switches for durability and quick action to ensure a lifetime of switching enjoyment, Flexi Loops is entirely passive and there is no circuitry in the signal path. However, it will require power for the relays to pass signal. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. While for momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

But you aren't just limited to using the Flexi Loops as a loop switcher either! You can use one channel as a tuner out/mute or even a plain old mute. Use the sends to run out to different sources and easily select between them. The Flexi Loops uses high quality, soft touch momentary switches for durability and quick action to ensure a lifetime of switching enjoyment. This device is entirely passive and there is no circuitry in the signal path, but it will require power for the relays to pass signal.

Powered by a regular 9 V DC PSU (centre -, 2.1 mm, ~25 mA current draw - not supplied)

Notes: The EarthQuaker Devices A/B Box is a simple tiny tool that lets you choose between two of pretty much anything. Because of its completely passive design, there is no circuitry between the input and outputs which means it can be used in both directions. Use it to switch between two amps, switch between two channels on a multi-channel amp, use it as tuner out/mute switch, run a dry path and a wet path or even switch between two instruments!

The time to passively choose is now!

Notes: Sometimes pedals can change. Parts drift, pots break, transistors go bad. They go to new homes; they get neglected and resold. Sometimes people get in there and try to revive them to their original state and sometimes they just throw whatever is laying around inside and hope it does the trick. In this case, EQD are pretty sure all the above happened to the fuzz pedal that made its way to James Murphy and ended up finding a forever home with LCD Soundsystem.

Chelsea really does have something special. It's heavy without being too heavy, clean but not too clean. A simple set of controls yet it has an expansive array of tones that makes it very versatile on a wide variety of instruments, has clarity when you need it and can blur all discernable lines when you don't. It still retains the familiar foundation of the classic fuzz it was intended to be, but something special happened to it over the years and it has very much grown into its own thing