Back catalogue:

Review: TNT Rap Classics are a ghostly rap reissues outfit, operating in the shadows, but they've churned out a truly solid ream of stadium/megastar rap reissues on 7" for several years now. After lookbacks on Nelly and Beyonce they now pay due deference to Eminem, placing special attention on the rapper's early-noughts Slim Shady era. 'Without Me' was the whimsical, cheekily intoned lead single from The Eminem Show, finding Eminem lampooning pop culture, the media, and his critics. 'The Real Slim Shady', meanwhile, came before, with biting critique of the pop cultural fascination with authenticity: "Will the real Slim Shady please stand up?"

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Turin's Bunkereeno Kollektiv and ITALIA90 have come together to launch their own new label Anna Records and it debuts with a split EP from Tools 4 Seduction and Lachina. The Argentinian former goes first with the Italo-infused sound of 'Like on VHS' full of dreamy chords and retro-future drums. 'Choruscan' is brighter and happier with cheery chords and a wonky baseline brings the vibes. On the B-side, Lachina who hails from Turin flips the vibe with more strident disco-techno sounds and direct cosmic energy on 'Out Of The Past'. His 'Metallic Rain' then brings flashy synth arps and a speedy intergalactic groove.

Review: Originally released in 1997, this underground gem gets a welcome reissue which suggests its impact hasn't dulled a bit. This is classic late-90s techno - from New York's Trebbi via an Italian label - at its most urgent and hypnotic, with enough character and raw drive to still hit hard in today's dancefloors. The title track, 'Control' is an Italian stomper through and through in a heady, trance-tinged banger with tight sequencing and a relentless pulse. It surges with a kind of controlled chaos with that turn-of-the-century energy where techno and trance often blurred lines. It sounds remarkably fresh with tight production and timeless structure. Side-B begins with 'Liquid Rain', diving into tribal techno territory with percussive swagger and a rolling, humid groove. It's a slow-burner, but one that pays off in deep, body-moving momentum. Closer 'Interface' strips things back into a proper warehouse tool i functional, fierce and full of grit. This reissue is more than nostalgia i it's a reminder of how enduring and versatile this sound can be.

Review: Razor-N-Tape's white label series serves up its first-ever various artists collection here, and it opens with Windy City master Glenn Underground. His 'Happy House' is a joyous disco stomper with florid strings and lung-busting vocals. Rahaan adds his own edit to 'Be Cool', which is a jazzy dancer with magnificent guitar work and brassy horns. 'Hot Damn' (JKriv edit) keeps the love flowing with funky disco house energy and an air of hands in the air celebration and The Patchouli Brothers flip 'Love Explosion' into a strident, front foot wafered and pumping disco funker with gorgeous vocals. There I so much sunshine and joy in these tunes that they melt even the stoniest of hearts.

Review: Greg Wilson and The Reynolds first teamed up in 2015 for 'Summer Came My Way' as a vocoder-topped summer twinkler, backed up by sweltering handclaps and gutting electric pianistic held notes. The Merseyside DJ and producer is alleged, at least as far as Discogs bios go, to have pioneered the UK electro scene, though his collaborative sensibility with twins Katherine and Carmel Reynolds here proved otherwise downbeat but munificent in emotion, compared to electro's later superlatively harsh, snappy, two-step snarings. The Balearic soul of 'Summer Came My Way' as deserving of its new ambient version, and it is the real highlight here, manifesting before us dazzlingly with its scatted lyrics and acid torsions.

Review: Bristol's Technical Itch returns with a long-awaited full-length on Over/Shadow and it serves up a relentless dose of darkside energy hot on the heels of the 2024 prelude single 'Fear & Fantasy. Here, Mark Caro dives deep into his signature sound which is a blend of moody steppers, cinematic dread and brutal amen workouts. It's everything fans have come to expect from the master of atmospheric darkness, all wrapped in precision engineering and raw intensity. With nods to techstep and futuristic jungle alike, this is Technical Itch at his uncompromising best and a heavy, immersive odyssey through the darker corners of drum & bass.

Review: A decade has now passed since long-serving British DJ Pete Tong joined forces with arranger/conductor Jules Buckley to create covers of classic dance anthems with the help of the latter's expansive Heritage Orchestra collective. Since then, there have been countless concerts and albums - the latter frequently featuring vocal performances from high-profile artists. This tenth anniversary 'best of' collection is therefore welcome. There are some new standalone 'edits' of tracks previously featured on medleys - see 'Finally' (featuring Jessie Ware), 'Man With The Red Face', 'Yeke Yeke' and the sweeping, soaring 'Cafe Del Mar' - but otherwise you're getting fan favourites and familiar anthems, including tasty versions of Orbital's 'Belfast', Adamski's 'Killer' (featuring original singer and now superstar Seal), Joe Smooth's 'Promised Land' and Robert Miles' 'Children'.

Review: It's all gone... 2025 marks the decade since Pete Tong, folk-vernacular-approved DJ and radio tastemaker, joined forces with conductor Jules Buckley and The Heritage and The Essential Orchestra to reimagine electronic dance anthems through the grandeur of orchestration. Over the years, their redos have made club classics symphonic, purpled in a way few other reimaginers could beat. To celebrate, Pete has now curated a special anniversary compilation, with orchestral renditions of iconic tracks such as 'Pjanoo', 'Lola's Theme', 'Killer,' 'Insomnia', '9PM (Till I Come)', and 'Your Love'.

Review: After spending much of the last five years confined to the United States, Ron Trent is off on tour this year. As a way of re-introducing himself - not the deep house legend needed to do that of course - he has partnered with Rush Hour to release Lift Off, a fresh double album of previously unheard music. More defiantly dancefloor-centric than his previous album, the decidedly cosmic and downtempo 'What Do The Stars Say To You' (as WARM), the two-disc set sees the Chicagoan combine his usual percussively-layered grooves, warming basslines and colourful synth sounds with nods to all manner of musical influences old and new. The results are uniformly superb, with our picks of a very strong bunch including the spacey future-boogie of Leroy Burgess collaboration 'Let Me See You Shining', the spaced-out, slow-motion epic that is 'Woman of Color', the AM radio-friendly Balearic pop of 'Just Another Love Song' and the undeniably gorgeous 'Street Wave'.