Back catalogue:

Review: TakeFingz returns with its seventh release and offers up a double A-side 7" tailored for dancefloor devastation. On Side A, DJ Katch reworks classic funk breaks into a groove-heavy party igniter that betrays some seriously sharp turntable skills and crowd-moving instincts. It's a surefire weapon for any set in high-energy settings. On the flip, DJ Toby Gee drops a bass-driven boogie funk jam packed with vintage chants and break-heavy grooves. Both tracks are precision-crafted with nods to B-Boy culture among them perfect for bodypoppers and lockers alike.

Review: 'I'll Take You There' by Leon Mitchison, featuring mixes from Kenny Dope, is a standout release from Kay-Dee Records, in a rare label head-to-head with Now-Again Records. This special edition tosses us an unreleased remix from Kenny Dope, infusing his signature funk-in-the-trunk style into an authentic and primally mixed track, working directly from Mitchison's original 8-track tapes. Acclimatising the first's deeper grooves to Dope's dope, breaks-heavy production, the artist is truly deft at upcycling vintage sonic garms.

Review: At legendary jazzdance hubs like London's Horseshoe and Camden's Electric Ballroom, one track ruled the floor: Hino Terumasa's 'Merry-Go-Round', pulled from the Japanese trumpeter's 'Double Rainbow' album. A bass-driven jass fusion storm, it sent dancers into a frenzy, tending fast down a psychedelic jazz mountain. A staple of BBE's J Jazz compilation, 'Merry-Go-Round' was Paul Murphy's top pick for a fresh rework, heard here from Niknak. Rising to the challenge, Takumi assembled top-tier musicians to craft an electrifying tribute; eight minutes of unrelenting, steam-hammer funk, pushing jazz dance energy to its limits.

Review: Taylor Deupree and The Humble Bee have hooked up for their first collaborative album, Re: Case Studies, an immersive and pensive ambient beauty. It was originally conceived as a solo project and Deupree's abstract feedback loop-based compositions were shelved until discussions with the label prompted him to invite a collaborator. Craig Tattersall, aka The Humble Bee, responded with his own sonic interpretations and built on Deupree's foundations. The result is a cohesive yet distinct collaboration that honours the original while evolving into something new so what began as an unfinished idea is now a full-fledged and thoughtful, layered exploration of sound.

Review: Japanese artists Yumiko Morioka and Takashi Kokubo unite for a journey through blended piano, atmospheric synth and nighttime field recording. Both Morioka and Kokubo are pioneers of Japanese new age import, with the former lyricist, pianist and composer trailblazing with her sole 1987 album Resonance and the latter composer and musical environmentalist responsible for a string of geometrically-charged, fantastical LPs from 1980 onwards. Morioka herself makes a welcome return to music after taking a staunch step back to raise her family in the late 80s; her music has since been quietly cherished, and now Gaiaphilia evidences her not-lost ivorian flair, with her piano melding blissfully with pop-out sea- and soundscapes.

Review: Begun in earnest during the COVID-19 pandemic, after the former had remixed the latter's new Radiohead material, Mark Pritchard and Thom Yorke exchanged much of the for their new record Tall Tales remotely. Forerun by new single 'Back In The Game' then 'This Conversation Is Missing Your Voice', the album takes shape as a surreal mythopoesis, warping back in time to 2020's plague, where the former track's hyperreal music video (dir. by Jonathan Zawada) sees a rooftop figure defenestrating art itself amid grotesque figures bearing the worst of a mutant contortionist slice-of-life. Yorke has said that the album was crucial to him, describing the music-making process as "mental."

Review: Since Radiohead went on hiatus a few years back, Thom Yorke has thrown himself into all sorts of solo and collaborative projects. His latest sees him join forces with Sydney-based British electronic music stalwart Mark Pritchard for an album that expands on their previous collaboration (the superb 'Beautiful People' from Pritchard's 2018 album Under The Sun). It's a breathtakingly brilliant concoction all told, with the pair conjuring ethereal, oddball and immersive songs in which Yorke's distinctive vocals - sometimes delivered as you'd expect, other times layered-up, mutilated or utilised as textures - rise above backing tracks made with unusual synths and drum machines, and variously indebted to ambient, IDM, ghostly electronica, lo-fi beat-scapes and the gripping intensity of horror soundtracks. A modern electronic classic in the making.

Review: Originally released in 2002, this album remains one of Washington-based duo's most well-known albums, blending trip-hop, downtempo, and an eclectic mix of global influences. While it's often categorised as sophisticated lounge music, its world-fusion approach offers a real depth, from hypnotic opener 'Heaven's Gonna Burn Your Eyes', featuring Emiliana Torrini's airy vocals over a light, looping keyboard melody and deep bassline, onwards. The track's ethereal quality sets a contemplative tone and back s it up with dynamic shifts that make it equally as engaging. 'Facing East' brings in Middle Eastern violin phrases and tribal drums, adding a richer texture. Here, Thievery Corporation excels, weaving together global sounds into a flowing, immersive piece. Tracks like 'The Outernationalist' and 'Un Simple Histoire' fall into the duo's familiar patternipleasant but formulaic dub and bossa nova elements that, while polished, don't push boundaries. However, 'Meu Destino' and 'Exilo' set themselves apart thanks to the authentic performances from Patrick de Santo and Vernie Verla, allowing the music to breathe without overproduction. Helping to validate Thievery Corporation's signature sound, this is a beautifully produced work and somewhat of a landmark in the history of downtempo lounge-hop.

Review: Formed in 1975, the British industrial group Throbbing Gristle - Genesis P-Orridge, Cosey Fanni Tutti, Chris Carter, and Peter "Sleazy" Christopherson - had pushed sonic and cultural boundaries over the edge, with their transgressive performances, experimental electronics, and confrontational aesthetics. After disbanding in 1981, TG's reunion in the early 2000s was met with both excitement and skepticism; rather than nostalgia, they continued evolving, creating new works like Part Two: The Endless Not (2007), which managed to scupper expectations beyond the mere expectation that they scupper expectations. This Berlin performance, on the cusp of a new year, captures their raw, improvised power, in the space of five tracks which would be released on the 2007 record. Haunting, mechanical, and utterly uncompromising.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Total Blue is a Los Angeles-based trio consisting of Nicky Benedek, Alex Talan, and Anthony Calonico who are new to the Music From Memory label. While the three have collaborated for over a decade, this self-titled album marks a new chapter in their artistic journey as a trio. Fuelled by a sense of play and exploration, it embodies their quest to "touch the beyond" and capture an elusive vibe they've long pursued. They see the work as a complete vision where reality and imagination merge-not through escapism, but by expanding perspectives as they blend digital synths, Akai EVI wind synthesiser, fretless bass, and guitars to create a lush soundscape that's as vast as it is expansive.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Total Blue is a Los Angeles-based trio consisting of Nicky Benedek, Alex Talan, and Anthony Calonico who are new to the Music From Memory label. While the three have collaborated for over a decade, this self-titled album marks a new chapter in their artistic journey as a trio. Fuelled by a sense of play and exploration, it embodies their quest to "touch the beyond" and capture an elusive vibe they've long pursued. They see the work as a complete vision where reality and imagination merge-not through escapism, but by expanding perspectives as they blend digital synths, Akai EVI wind synthesiser, fretless bass, and guitars to create a lush soundscape that's as vast as it is expansive.