Back catalogue:

Review: When Cabaret Voltaire returned to the release schedule in 2020 as the one-man Richard H Kirk show, fans were relieved to find that mind-bending meld of 1970s Kosmische, techno, dub, house and space-age experimental electro was as pure as it ever has been - the results being a typically fresh and forward-thinking record the man in question summed up as "no nostalgia... normal rules do not apply. Something for the 21st Century. No old material."

Less than six months later and the big CV has more next level business to offer us, coming in the form of Shadow of Funk, a new EP that offers something of a counterpoint or extension to last year's full-length, Shadow of Fear. Based on 'Billion Dollar' alone - an acid-driven big, dark room banger that closes this EP -this release looks set to make an equally heavy impact, but as with anything this man touches, the joy is in discovery. So, let's leave it at that.

Review: Most of the time you expect Terence Fixmer to deliver a steely strain of techno which reliably moves monolithic crowds in any temple you care to mention, but on this album for Novamute he's purposefully opened his palette to the EBM and industrial sounds which sparked his imagination as a teenager. It's instantly apparent on the abrasive jackhammer sonics of opening track 'Test of the Times', while 'In Synthesis' comes on with the sort of tough but sexy arpeggios you'd readily associate with Nitzer Ebb or Front 242. There's still a dancefloor functionality in these tracks, but pure techno is not the order of the day, and the results are thrilling from start to finish.

Review: Founding member of Depeche Mode and celebrated singer songwriter in his own right, Martin Gore's The Third Chimpanzee EP is up there with some of the best solo work he has ever put out, with a particularly unique type of dance-synth vibe that you can't escape from no matter how hard you try. Now we have the remixes, which have a lot to live up to but come with plenty of promise.

After all, the chosen producers involved are all heavyweights in their own right, and were certainly ready to step up to the mantle here. Opening with a pair of tracks made different by two of Brazil's most revered techno heads - ANNA and Wehbba - from there we get Berghain bass experimentalist Barker, the fury of Rrose, and percussive wonder of JLin, and that's before we come to the likes of Chris Liebing and Kangding Ray.

Review: Berlin musician JakoJako debuts for Mute with four new modular synth slow-burners, following up her last two releases for Leisure System. 'Auris' is a clean and colourful EP aimed more at the listener hoping to lock in than let loose; this is music for flow states, not uppers, downers or benders. The title track is synaptic and serene enough, while the standout track 'Nexus' weaves a more complex array of spitting sounds - "very difficult to mix," according to the artist.