Back catalogue: Coldwave/Synth

Review: One-off masterpiece release of German minimal synthpop from Gutersloh, Germany in 1984. Recorded in a DIY recording studio in a former prison for the mentally ill, located on the outskirts of a forest near the artists' homes, aptly named Prison Studio, in 1984, the release was privately pressed on 7" by the band itself, distributed in limited quantities and has changed hands only a few times on public marketplaces since its original release. Wave Shape's Transmission has always been as rare as it is good, to quote Basso. Now, the release is made available again to collectors and DJs as the first release on Average. Included in this 12" repress are two stunning new remixes by virtuoso producers and friends Alexander Arpeggio and Aradea Barandana, each bringing their own flavour to the table.

Review: 'A Shared Sense Of Purpose' is a fittingly collectively-minded name for a new Gordon Chapman-Fox aka. Warrington Runcorn New Town Development Plan release. The first glimpse of his latest full-length LP, Your Community Hub, this first sampler hears the artist continue to develop his totally singular vision in eerie modernist electronica, deploying lilty arpeggiations and contradictorily Utopian, yet at the same time, sinister, melodies and ambiences; all with a view to producing an uncanny deja entendu. These are deployed to mourn the slow, increasing privatisation of Chapman-Fox's native Warrington-Runcorn, specifically its singular bespoke town centre - its walkways, its local postal system, its gridded shop lots - which were all designed to make it a five-minute city, long before the concept of fifteen-minute cities had entered town planning discourse. Though, perhaps this lament masks a more sinister sense of enjoyment, as there is indeed a perverse sort of pleasure that arises in the bittersweetly uncanny perfumes that waft from this latest haunted mood piece. Perhaps just like the experience of revisiting Warrington-Runcorn after having known it in childhood, we hear both sadness and euphoria, at the same time, in the face of its ostensible loss.

Review: Not to be confused with Klaus WeiB, the East Germany-born handball hero of the Summer Olympics 1972, although born in the same era, this Klaus Weiss is in fact the man who started out as a jazz drummer before expanding his remit to other instruments and genres, winding up pretty prolific in the world of movie and TV scores. As can be heard here.

While not directly linked to, taken from, or inspired by screen work, Open Space underscores (ahem) many of the same totems. It's un-rushed, yet tracks are relatively brief, not much more than interludes. Each feels similar to the next, but they clearly invoke very different emotional responses. Somewhere between synth-laden fantasy soundtracks of yore, and medieval court music, it's like going into the future only to realise civilisation has gone backwards while retaining some of its tech prowess.

Review: The Will Gregory Moog Ensemble's debut album, Heat Ray, is a riveting exploration inspired by the ancient Greek mathematician Archimedes. Recorded on analogue synthesizers alongside the BBC National Orchestra of Wales, the ensemble - led by Goldfrapp co-creator Will Gregory - brings together up to 14 talented players, including Portishead's Adrian Utley and Mute's Daniel Miller. Heat Ray fuses spirals of melody, circular structures, and intricate patterns, drawing inspiration from Archimedes' mathematical principles. The album's genesis during pandemic lockdowns reflects Gregory's deep dive into Archimedes' life, sparked by online lectures. With a lineup boasting instruments like the Minimoog and Prophet 6, the ensemble weaves a stunning superstructure of sounds, guided by Gregory's effervescent spirit of discovery. The result is a splendid blend of ancient history and modern innovation, where musical exploration converges with mathematical curiosity. Heat Ray not only pays homage to Archimedes' legacy but also propels listeners towards an endlessly fascinating future.

Review: Most people know The Wolfgang Press as one of the longest serving names on the hallowed roster of celebrated UK label 4AD. Here, though, the project founded by Michael Allen and Mark Cox all the way back in 1983 find themselves on Regis and Female's celebrated techno and alternative label, Downwards, marking a change of family for the band's first new studio album in almost three decades. A 2nd Shape fits the imprint wonderfully well. Dubbed-out basslines, slo-mo drum machines, buzzing synth refrains, and disrupted, or at least unclean FX and melody making this a beautifully twisted post punk-post rock triumph that's as dark as it is beguiling, as moody as it is freeing, and as contemplative as it is immediate and confident.