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Back catalogue: Coldwave/Synth
Juno's full catalogue of Coldwave/Synth
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Review: Given her length of service (her first appearance as a guest vocalist was way back in 1992), it seems extraordinary that The Love Invention is officially Alison Goldfrapp's debut solo album. It's a typically sparkling, colourful and entertaining affair, taking the synth-pop sound that marked out her long collaboration with Will Gregory as Goldfrapp, and injecting it with a big dose of dance-pop energy. It's hardly a radical recalibration of her sound, though the influence of some of her collaborators - most notably co-producer Richard X (who was involved in some of the album's strongest moments) - is certainly evident. Goldfrapp naturally stars throughout, channelling her inner Roisin Murphy, with highlights including the sub-heavy, house-influenced synth-pop strut of 'So Hard So Hot', the vibrant 'The Love Injection' and catchy opener 'Never Stop'.
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Review: Back in the early-to-mid 1990s, Robert Fripp collaborated with numerous ambient house-era electronic artists, including the Orb (see the largely forgotten FFWD>> album) and The Grid, who invited the long-time Brian Eno collaborator to recording sessions back in 1992. While some of the latter material made it onto their '90s albums, much of Fripp's work - dreamy guitar textures, drone works and other electronic experiments -was left in their archive. Leviathan is based around these unissued recordings, with Dave Ball and Richard Norris adding their own new sounds to create a string of beautiful, meditative, and picturesque ambient compositions that sit somewhere between their own ambient works, Norris's recent modular electronic explorations, and the forementioned FFWD>> project.
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