Back catalogue: Classical

Review: Maurizio Pollini's new release marks his 70th birthday with a collection of Chopin's works, including the 24 Preludes Op. 28, the two Op. 27 Nocturnes, and the Second Scherzo. Notably, the inclusion of the four Op. 30 Mazurkas, previously absent from Pollini's discography, unveils an unexpected affinity for this genre. The Mazurkas are particularly revealing: Pollini's interpretation of the D-flat No. 3 exhibits dynamic accents and rhythmic vitality, while his voicings in No. 4's left-hand chords reflect a keen imaginative touch. Such elements suggest a promising future for a more extensive Mazurka exploration in Pollini's future recordings. The decision to revisit the Op. 27 Nocturnes, previously recorded in 2005, may seem puzzling. The earlier rendition of the D-flat major Nocturne offers a more fluid right-hand melody compared to the newer, stiffer version. Conversely, the C-sharp minor Nocturne benefits from a more defined presentation of its left-hand ostinatos in the new recording. The Second Scherzo, now nearly a minute shorter than its 1990 counterpart, is more compact and precise, with pronounced dynamic contrasts enhancing the outer sections. However, the Trio's leggiero passagework, once vibrant, now appears more generalised, possibly due to the recording's resonant ambience at the Herkulessaal in Munich. Pollini's latest Preludes suggest a more austere interpretation than his acclaimed 1974 recording. While the earlier Preludes feature varied textures and nuanced articulations, the new versions reveal a less flexible approach, with notable differences in the handling of arpeggios and rhythmic accents. Nevertheless, the new Nos. 13 and 15 stand out for their robust left-hand presence and vibrant tempos. The final Prelude's resonant D-naturals, sustained with pedal, contrast with the earlier version's clarity, highlighting Pollini's willingness to explore different interpretative avenues. Although this recording presents compelling elements, Pollini's 1974 Chopin Preludes remain a more consistent experience overall. Yet, this release demonstrates Pollini's commitment to continual artistic evolution, refusing to rest on past achievements as he enters his eighth decade