Back catalogue: Classical

Review: A series of vivid, nocturnal transmissions blending altered-state refinements and rich storytelling as Canadian composer and producer Coverdale merges synthesis with live instrumentation, creating a multi-dimensional sound that feels both intensely personal and universally resonant. Drawing on a wide range of influences, including 19th-century programmatic music - that's music with spoken narrative, like Provokiev's Peter & The Wolf - and mid-70s jazz, her compositions balance improvisation with deeply emotional content. Each track explores a range of textures, from the ethereal, soaring flights of 'Daze' to the grounded, material energy of 'Freedom.' The use of strings, woodwind, brass and modular synthesis intertwines with Coverdale's voice to create a language that feels alive and constantly evolving. Whether navigating the turbulent gales of 'Coming Around' or finding catharsis in the drummed sequences of 'Offload Flip,' the music speaks to the physicality of sound and the emotional charge it carries. The narrative arcs throughout, painting an intricate portrait of grief, dislocation, and the quest for self-connection, each track embodying a different facet of this deeply personal yet expansive journey.