Review: Earlier in the year, British-Bahraini jazz musician Yazz Ahmed delivered her second album, a set so good that one critic (rightly) described it as "a modern jazz masterpiece". This surprisingly speedy follow-up is almost as good, and sees the masterful trumpeter and her musical accomplices guide us through a series of inventive original "fusion" compositions that variously fuse elements of big band jazz, Arabic musical culture, spiritual jazz, cinematic soundscapes, Afro-Cuban jazz and Blaxploitation-era jazz-funk. In other words, it's another strong set that confirms that looming superstar status of the effortlessly brilliant Ahmed.
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