STEVE O'SULLIVAN レコード& CD

Review: We shall never apologise for our love for the work of Steve O'Sullivan. His contributions to the world of dub techno are second to none. They are also mad consistent both in style and quality which means they never age. Here he steps up to Lempuyang with his Blue Channel alias alongside Jonas Schachner aka Another Channel for more silky smooth fusions of authentic dub culture and Maurizo-style techno deepness. Watery synths, hissing hi-hats with long trails and dub musings all colour these dynamic grooves. They're cavernous and immersive and frankly irresistible and the sort of tracks that need to be played loud in a dark space. In that context, you'll never want them to end.

Review: Steve O'Sullivan returns to Phonogramme Records with his latest EP, Tribal Dubs, a strong three-track offering that exemplifies his mastery of deep grooves and atmospheric textures. Building on the success of his debut on the label, O'Sullivan reaffirms his position as a leading figure in the techno scene with this mesmerising release. The EP's title track, 'No Aura,' sets the tone with its hypnotic rhythms and immersive soundscapes, while 'We Got Dis' on Side 2 delivers a deep, looped tech-house burner that is both hypnotic and irresistibly funky. Closing the EP is 'Tribal Dub,' a sultry and deep exploration of dub-infused house music that further showcases O'Sullivan's talent for pushing boundaries while maintaining his signature style.With Tribal Dubs, Steve O'Sullivan demonstrates once again why he is regarded as one of techno's most respected artists, delivering an exceptional release.

Review: REPRESS ALERT!: Fletcher and Steve O'Sullivan have often worked or appeared together in the past so it makes sense that the former now invites the latter to be the first person to release on his newly minted and always sure to be worth checking Social Currency imprint. They take the reins together across floor-focussed cuts that are marbled with deep pads and introspective sounds. 'Cold Calling Blues' is warm and airy with smoky vocal sounds and precision dub techno drum loops, 'Midnight At 1:30' hits a little harder but is still zoned out and serene and 'Shatner's Groove' takes on subtle deep space moods with deft pads and spoken word additions.