MUSLIMGAUZE レコード& CD

Review: Even by the standards of the late, great Bryn Jones AKA Muslimgauze - an artist whose enormous catalogue has only grown since his death in 1999 - Rhiza Coil of Resin is something of an obscurity - a set previously only available as part of a rare box set. It was reportedly recorded at some point following the release of Narcotic (1997) and explores many of the same sonic themes. Here available as a standalone CD for the first time, the five tracks variously touch on lo-fi, delay-laden drum & bass ('Deceive For Yourself'), redlined bass and mangled breakbeats (both takes on the suitably heavy 'Arab Quarter'), experimental electronic noise meets ambient acid ('Why Iraq') and deep, dubbed-out trip-hop ('Effendi') - all peppered with his usual Arabic spoken word samples, field recordings and found sounds.

Review: The late great Muslimgauze is a cult figure when it comes to experimental electronic music. He made several revered records that have been reissued since his death and helped to reassert his status. Maroon is a work that like much of his output brings space, colour, depth, and illusion to sound. It is densely layered and textured and finds Bryn Jones, the Mancunian behind Muslimgauze, assaulting all the senses. From the rusty sounds and smeared voices of 'Thimble Cups Of Urdu' to the dense collage of drones, tin pot hits and obscured mutterings of 'Harem Of Dogs' this is a brilliantly idiosyncratic work.

Review: It's nice to get a new edition of Muslimgauze's 'Emia Bakia', a long out-of-print and hard to find album from 1994, because the album remains one of the most unique in the late, great producer's vast catalogue. The set's uniqueness lies in the surprising shape and focus of the rhythms that Muslimgauze utilised on the album; while as percussion-rich as ever, and often cloaked in his usual dark ambient sounds, dub-influenced basslines and Eastern exoticism, the beats are regularly far more dancefloor-focused than you'd expect. This isn't otherworldly ambient dub, but rather some mind-altering mutation of psychedelic house music that still sounds like nothing else around.