Review: Muriel Grossmann's latest offering is a radiant journey into spiritual jazz, rich with groove and emotional resonance. From the first notes of 'Pointing Out, Part I', the interplay of Fender Rhodes, Hammond B3 and Moog sets a reflective tone, easing the listener into an intimate exploration. Grossmann's tenor saxophone gracefully emerges, weaving meditative phrases supported by gentle drums and guitar, inviting quiet introspection. As the record progresses, the quartet locks into mesmerising grooves. The second track propels forward with a fiery sax solo, intricate guitar work and effervescent organ passages, held together by tightly snapping drum rhythms. The finale of Side I bursts with psychedelic energy, blending soprano sax with a vibrant, r&b-infused rhythmia dazzling reminder that spiritual jazz can exude joyful movement. Side-2 opens with an ethereal mix of Hammond tones, sparse percussion and harp flourishes, building into sultry sax lines and bluesy guitar solos, creating a lush and meditative soundscape. Flute and alto sax take center stage on the next track, a vibrant celebration of connection and joy. The closer slows the pace, a contemplative tenor solo layered over a steady rhythm, drawing the album to a reflective, uplifting conclusion. Grossmann's work pulses with warmth, community and profound beauty.
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