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Review: Released in 2000, Poison is the third studio album by Swedish singer-songwriter Jay-Jay Johanson, having earned his place as a stalwart figure thanks to his melancholic vocals set to perspirant trip hop. From 'Believe in Us' to 'Colder,' not to mention the toxicologist's favourite 'Poison,' we're met again with Johanson's signature downtempos and experientially charged lyrics. Sophisticated atmospherics abound, bridging the all-to-intimate gap between sexuality and the unknown.

Review: Originally released in 2011 as follow up to 2008's stellar career height Watershed, the tenth full-length from Swedish progressive death metal legends Opeth marked a notable turn, which the members had been desiring to take for some time. Heritage would be their first album since 2003's melancholic Damnation to completely eschew vocalist/guitarist/primary songwriter Mikael Akerfeldt's signature death growls, yet this decision wasn't so much in service of this one particular project as had been so in the past. Rather, this was the sign that the Scandinavian death metal elements of their core sound were ready to be laid to rest in favour of an embrace of the 70s prog rock the members grew up idolising. Drawing on the likes of Genesis, Yes and Rush, whilst allowing Akerfeldt's smooth cadence to lead the pieces, this is vintage, jazzy, complex yet undeniably groovy retro progressive rock of the classic era, complete with fuzzed out guitar lines, bizarre time signatures and an abundance of Hammond organ. Somewhat maligned by some of the fanbase while others lauded the brave and natural change in direction, this style would become the standard Opeth sonic aesthetic up until 2024's latest album The Last Will & Testament, which saw a return to their heavier death metal origins.

Review: Released in 1974, Santana's Lotus stands as a defining live album that brilliantly showcases the band's unique blend of rock, jazz and Latin influences. Recorded during their Japan tour, the album features standout performances recorded over two nights in Osaka, featuring Carlos Santana's exceptional guitar work and the band's vibrant improvisations. Highlights include iconic tracks like 'Black Magic Woman', 'Oye Como Va' and the extended jam 'Toussaint L'Overture', which illustrate the band's remarkable ability to create a cohesive and powerful sound. Originally intended as a Japan-only release, Lotus gained international acclaim as an import, displaying Santana at a pivotal moment in their evolution, with a mix of original and new members. The album's elaborate packaging enhances its appeal, rivaling the artwork of other notable triple live albums. Musically, Lotus focuses on instrumental jazz-rock, with minimal vocal tracks, yet it captures the sheer joy and energy of the band's live performances. While some may find the lengthy drum solo a weak point, the musicianship throughout the album is outstanding, making it an essential listen for fans of the genre. Overall, Lotus remains a testament to Santana's innovative spirit and live prowess, celebrated for its high sound quality and dynamic artistry.

Review: The 21st edition of this ing running series comes at a time when dance has been back en vogue for a while. Armin is the original Dutch don who never left the scene, and has very much defined it over and over again in the last 25 years. Here he delivers a thrilling, boundary-pushing journey through across six sides of wax, opening with an inspiring intro narrated by Moby. This mix captures the soul of the year's music and offers up trance classics with innovative sounds of the day. The man himself contributes as do greats old and new such as Paul van Dyk, Ferry Corsten and Ben Hemsley and together they bridge trance's legacy with fresh, transformative influences.