Review: Daptone recently released a killer collection of archival cover versions by in-house band the Dap-Kings and their sadly departed lead singer Sharon Jones. One of the headline attractions on that set, the band's righteous, call-to-arms soul version of Woody Guthrie's folk anthem 'This Land Is Our Land', is also featured on this must-have reissue of a "45" that first dropped in 2004. It's superb, but even better is A-side 'What If We All Stopped Paying Taxes?', a floor-friendly conscious soul/funk crossover written and recorded at the height of the second Gulf War with Iraq. As usual, Jones' impeccable lead vocal is supported brilliantly by the band's fiery instrumentation and Bosco Mann's fuzzy, sixties-style production.
The Family Daptone - "Hey Brother (Do Unto Others)" (3:52)
Soul Fugue - "The 100 Knights Orchestra" (4:58)
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
Menahan Street Band - "How Did I Get Here?" (2:40)
Review: The superbly classy Daptone label comes on strong with another perfect formed 7" of retro soul. This time, the label's in house crew Menahan Street Band provide their famously authentic grooves, with big horns, rolling licks and drawn out leads on 'How Did I Get Here?' which on the a-side has vocals from LaRose Jackson. Soaring high and filled with rich soul, it's another timeless tune. On the flip is the instrumental. It's a story telling tune with some cosmic synth work and nice old school tambourines for an old/new fusion that gets you movin'.
Review: Christopher Sprains and The Strange Band recorded a whole heap of material in a hazy, drug-fuelled 19178, but their - surprisingly - never gained enough traction with the NYC disco crowd. Perhaps this work was too ahead of its time and, while it does share some qualities with the music of Rick James, it contains something dark, sexy, a little bit twisted and, of course, strange. The lead track "You" is a synth-heavy, electrifying boogie cut with a rugged percussion swing and an air of post-punk to its mix down, not to mention those utterly freaky vocals; our favourite, though, is actually "Space V", an insanely nutty electro cut that would have undoubtedly been on The Electrifying Mojo's playlist should it have landed on his lap. Totally recommended...
Review: Don't be fooled by the volume of soul and funk reissues we have in stock. This limited clear 7" single is a completely new and original track, courtesy of The Sure Fire Soul Ensemble, who blend raunchy horn honks and boxy percs to ultimately concoct a geniusly blaxploitation-inspired, modern funk classic. The San Diego band have secured a big ole' ensemble - fuzz guitar, harpsichord and flute included - to pull of this swinging sonic scene. Watch out for the woozily high B-side 'La Fachada' too.
Review: 'Hard Times' is a mega rare outing from Chequers which they dropped back in 1983 at the height of popularity for this sport of sound. It's irresistible electro-boogie that will get you in a spin in no time. The squelchy bass, r&b vocals and withering sci-fi disco synths all bring real colour. Flip it over and you will find the equally stellar 'If You Want My Love'. This is the first time this one has ever been reissued by its Freestyle label. Don't sleep on this surefire party starter and underground classic.
Review: Serbia's Disco Fruit crew has been putting out lush sounds that take in funk, breaks and soul influences on top of their bread and butter disco grooves for years now. This time they welcome back a label regular, Loshmi, who has put out plenty of edits here before now. His new one 'Dark Night' is a 60s-tinged high speed spy theme with funky brass and bristling drums all overlaid with rock-styled vocal yelps. The instrumental on the flip is a more paired back but just as hustling groove.
Review: Over the last couple of years, Matasuna Records has developed a tried-and-tested formula. It revolves around finding and licensing killer cuts - think funk, Afrobeat, tropical flavours and Latin beats - and then pairing them with a fresh, floor-friendly re-edit. Their latest find is something of an overlooked gem: a gorgeously sunny 1983 number from Ghanaian musician Mawuli Decker that's piled high with infectious, EWE-language vocals, Highlife guitars, spacey Moog sounds and cute electric piano solos. The accompanying Renegades of Jazz re-edit is pleasingly faithful to its source material, deftly showcasing Decker's brilliant music while beefing up the bass, subtly tightening up the drums and layering on some complimentary hand percussion.
Review: It's always a buzz to see a new Athens of the North 7" drop onto our shelves. This first drop of the year comes from label regulars Coast to Coast who had their unreleased and self-titled soul album reissued here back in October 2021. It is the opening track from that glorious record that gets its own pressing on 45 rpm here with an instrumental on the flip. The original from core members Mark Beiner and Ben Iverson, 'Love Is The Same' has glorious vocal falsettos and super sweet rhythms that bring feel-good vibes like no other.
Review: New Zealand-born Lance Ferguson has been the beating heart of Melbourne's modern funk and soul scene for the best part of two decades. It's this that allowed him to gather many of the city's best musicians together to record "Rare Groove Spectrum", an album of fresh covers of rare and classic funk, soul and Latin jams. There are some killer versions to be found amongst the 11 tracks on offer. We're particularly enjoying the collective's riotous instrumental revision of Pleasure classic "Joyous", the strutting deep funk heaviness of "Egg Roll" (a similarly restless cover of a mysterious but much-played cut that should be familiar to dusty-fingered diggers and knowledgeable dancers) and the sumptuous summer breeze that is the combo's meandering take on Earth, Wind and Fire staple "Brazilian Rhyme". It is, though, all superb.
Review: It was back in 1986 when obscure UK electrofunk band Leval released their sole 7" - a sparkling slab of pop-boogie brilliance that has long been a secret weapon for dusty-fingered diggers and Brit-funk collectors. As this Athens of the North reissue proves, the record remains a brilliant Brit-boogie gem. Check first 'Our Love', a confirmed earworm that sees the band wrap duetting male/female vocals around a deliciously bustling blend of rubbery slap-bass, eyes-closed soft rock guitars, warm synthesizer chords and a dewy-eyed, jazz-funk style breakdown. Flipside 'It's Up To You' is a little more eccentric thanks to an unusual time signature and drum track, but boasts the same addictive blend of male and female lead vocals, slap bass and synths.
Review: Boom: three years, three albums. No biggie for Bristol duo The Allergies, Jalapeno's biggest success story since Kraak & Smaak. Each album shows them getting deeper into the groove, creeping away from the cheeky samples and sculpting their own pedigree funk originals. With Ugly Ducking Andy Cooper onside through the mix from the wild ride vibing "Fade Away" to the white knuckle lyrical fire of "Run It Back", there's a real band feeling to the whole album as familiar voices thread throughout the jams... including that of UK hip hop legend Dr Syntax.
Music Makes The World Go 'Round (instrumental) (3:30)
Review: Numero's Hottest Sounds Around collection captures obscure late-70s grooves from the Greater Antilles. Trinidad's Stan Chaman's Semp label delivered Wilfred Luckie's quirky 'My Thing' and the Hamilton Brothers' calypso-disco hit 'Music Makes The World Go 'Round' in 1978. Meanwhile, across the sea, Frank Penn's G.B.I studio recorded Stephen Colebrook's Doobie Brothers-inspired 'Stay Away From Music,' appealing to cruise ship audiences. All three tracks are packaged in a custom Numero sleeve, echoing the design of Edward Seaga's influential Caribbean music label, WIRL (West Indies Records Ltd.). This compilation revives the vibrant, eclectic sounds of the late 70s, providing a fresh look at the music that once enlivened the Caribbean scene.
The Allergies - "Love That I'm In" (feat Andy Cooper)
The Andy Tolman Cartel - "You What!"
Nicole Willis & UMO Jazz Orchestra - "(Everybody) Do The Watusi"
Charles Bradley - "Change For The World"
Joyous - "Galaxia"
Henri-Pierre Noel - "Funky Spider Dance (The Reflex Revision)"
Brian Augers' Oblivion Express - "Inner City Blues"
The Hawkmen - "Love Is Blind"
Scone Cash Players - "Year Of The Rooster" (part 1)
Tanika Charles - "Endless Chain"
Kylie Auldist - "Body"
Anatoly Ice & Dariya - "Talking Black"
Carleen Anderson - "Begin Again"
Niteshifters - "Show Me What You've Got" (original mix)
The Filthy Six - "Mr Morris" (Spectra Sonic Sound Session - live)
Lack Of Afro - "Back In Business" (feat Wax & Herbal T)
Ginger Johnson & His African Messengers - "Nawa"
Daytoner - "I Get By"
Review: We can think of few finer stocking fillers for funk aficonados than this fifth Funk & Soul Club compilation from actor/comedian-turned-radio host Craig Charles. As with previous volumes, the Red Dwarf star and BB 6 Music host has included a mixture of original funk era cuts and recent revivalist gems. In the latter category you'll find a stellar instrumental cover of Rick James' "Super Freak" by The Traffic, the dancefloor-burning sound of Nicole Willis and the UMO Orchestra and the brilliant boogie revivalism of Australian singer Kylie Audist. In terms of deeper older selections, look no further than the 1973 jazz-funk re-make of Marvin Gaye's "Inner City Blues" by Brian Auger's Oblivion Express and the Afro-funk explosion that is "Nawa" by Ginger Baker & His African Messengers.
Review: Newban is a band that hailed from Westwood, California, and was made up of Sharon Bryant, Jonathan Lewis, Porter Carroll and Joseph Phillips alongside Mark Slifstein, Keith Johnson, Albert Jones and Gregory Press. After the release of their first single they rammed themselves Atlantic Starr but then put out a couple albums in 1977, Newban and Newban 2. That's the backstory sorted, and so to this reissued 7" which kicks off with the deep cut funk of 'If I Could (Make You Mine)', a tune with sung-spoken lyrics and rousing horns. 'Rhythm & Rhyme' is smoother and more seductive, with a quieter soul sound seducing as it unravels.
Review: Former band "Kadri Six" - five men plus singer "Lamia" - have devoted themselves to the real spirit of funk and soul music with the release of 'Cold Sweat' on Sonorama. Their trademark sound is "real", "alive" and "black", with raw vocals, moving organ, hard hitting bass lines and trombone or sax riffs to set every dancefloor on fire.
Review: Foremost contemporary funk label Peoples Potential Unlimited have another golden 12" on their hands here thanks to the work of Barnikle Freee. He is the current designer for the label, someone who hoards software and makes expert glitch funk as well as being a multi-string bassist. As ever with this label, it is lo-fi, subtle sounds and frayed edges that define the EPs lovely aesthetic, with roughshod grooves, tumbling kicks and scatter perc all making you want to cut loose and boogie. Part dream-scape, part hazy late night session, part live set, it's all good.
Review: Yet another killer 7" from Durand Jones & The Indicators for Colemine; here we've a premiere condensing of two of the star cuts from their most recent, eponymous record, also called Private Space. First we've of course 'Private Space', a string-laden, refractive meditation on longing, separation and inaccessibility; there is a sense of this feeling having been engendered involuntarily, as a result of separation, between lovers, as is so implied in Jones' devastatingly high vocals. Then the B-side boasts 'Sea Of Love', at which point it seems as though the floodgates of separation have been opened, the sluice of passion lowered; here an unstoppable of torrent of pianified disco-soul opens into an amorous estuary of swing. But of course, there's no way an ocean can be privatised (we hope).
Review: The rare Stephen LP by Nassau-born multi-instrumentalist Stephen Colebrooke offers elusive sunshine boogie vibes that have long been sought after by those in the know. Recorded at GBI studios in Freeport with guidance from Frank Penn (of Grand Bahama Goombay), two of the tracks from it now get pressed up to this crucial 7" by the faultless Numero Group. Both of these tunes are groove-filled disco delights with both 'Shake Your Chic Behind' and 'Stay Away From Music' sure to do damage on a wide range of dance floors this summer and beyond.
Mighty Mo & The Winchester Seven - "The Next Message"
Afrosound - "Jungle Fever"
Fruko Y Sus Tesos - "Bang Bang"
Nostalgia 77 - "Seven Nation Army"
Ray Barretto - "Pastime Paradise"
Mongo Santamaria - "Cloud Nine"
Williamsburg Salsa Orchestra - "I Turn My Camera On"
Ebony Rhythm Band - "Light My Fire"
The Johnny Frigo Sextet - "Scorpio"
Antibalas - "Rat Race"
Review: Sometimes an album title says it all. That's certainly the case with World's Funkiest Covers, an album of formidably sweaty and floor-friendly funk cover versions. While one or two will be familiar to crate diggers (or, in the case of Nostalgia 77's version of "Seven Nation Army", most people), there are plenty of unlikely gems to enjoy. Check, for example, Mighty Mo & The Winchester 7's electrofunk/raw funk jam "The Next Message", a brilliant re-imagining of hip-hop classic "The Message". Also worth a listen is Ray Buretto's excellent version of Stevie's "Passtime Paradise" and the Ebony Rhythm Band's crazy-but-brilliant "Light My Fire". Like the rest of the album, it's a serious freak out.
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