Back catalogue: All genres

Review: Rebecca Taylor arrives at third album A Complicated Woman in a very different place to where she was before the release of her previous full-length, the Mercury Prize-nominated Prioritise Pleasure. Now a bona-fide pop star, the South Yorkshire chanteuse now has to deal with heightened expectations and her own experience of fame. By the sound of A Complicated Woman, she's handling both with aplomb. That's not to say that the lyrics avoid difficult subjects - her own worries remain front and centre - but the delightfully grandiose production, extensive use of choirs and orchestras, and Taylor's own penchant for penning stadium-sized sing-alongs deliver a maximal pop gem fitting her genuine star status. Rotherham's finest has never sounded so good (or, it should be added, explicit - there are some genuinely adult themes on display).

Review: Snoop Dogg's highly anticipated Missionary reunites the iconic duo of Snoop and Dr. Dre, delivering a nostalgic yet forward-looking album. Marking their first full collaboration since Doggystyle in 1993, the project promises the timeless synergy that defined West Coast hip-hop, featuring Dre's signature g-funk production infused with fresh, modern twists. The 15-track album boasts an impressive roster of guest artists, including Jhene Aiko on the lead single 'Gorgeous', Eminem, 50 Cent, Method Man, BJ the Chicago Kid and a posthumous contribution from Tom Petty on a reimagined version of 'Last Dance with Mary Jane' featuring Jelly Roll. Dre himself steps out from behind the boards, appearing as a guest on three tracks. Notable samples from Sly & The Family Stone's 'Thank You' and The Police's 'Message in a Bottle' enhance the album's funk-rich, melodic soundscapes. Missionary reaffirms Snoop and Dre's legacy as hip-hop pioneers.