Back catalogue: All genres

Review: For their new album Lust 1, Voice Actor's Noa Kurzweil joins Welsh producer Squu for a woozy, intimate exploration of ambient sensuality. Following the sprawling Sent From My Telephone, this 45-minute work feels more focused but just as dreamlike with Kurzweil's hushed, often unintelligible vocals hovering over Squu's glowing pads and dubby pulses. With additional glitchy textures, soft hits and melancholic drones, the work forms a world that teeters between erotic hypnosis and emotional exhaustion. Highlights like 'You' and 'Nekk' blend vague ambience with jolting detail while pushing the sung-spoke-whispered words to the brink of abstraction. This is an album rich in fleeting emotions, tactile textures and forgotten memories.

Review: Classical and film composition legend John Williams, at the time of writing, is currently still in Tokyo; it was only two months ago, in February 2024, that Williams returned to Japan for two special concerts, held in Matsumoto and Tokyo respectively, to perform select pieces from his esteemed film score repertoire. Performed alongside conductor Seiji Ozawa - and this being his debut with the world famous Saito Kinen Orchestra - the second of these concerts is now available to purchase on vinyl here thanks to Deutsche Grammophon, complementing his prior concert albums The Berlin Concert and John Williams in Vienna.

Review: Twilight of the Gods features one of many evocative soundtracks from Hans Zimmer, Omer Benyamin and Steven Doar. Between them, they bring a sweeping cinematic scope to an epic narrative with their usual sense of masterful scoring. Zimmer and his collaborators blend orchestral intensity with atmospheric depth here to enhance the mythic tone of the story. From haunting melodies to powerful crescendos, this soundtrack captures the emotional gravity and grandeur of the gods' twilight moments and each track layers intricate instrumentation that pulls listeners into a vivid, immersive world that echoes the film's themes of fate, power and destiny.

Notes: Originally published in October of 2021, "In My Eyes: Photographs 1982-1997" sold out quickly and is back by popular demand. The book features hundreds of impressive (and never-before-seen) photos of Fugazi, Minor Threat, Void, Black Flag, Circle Jerks, Dead Kennedys, Jawbox, Government Issue, The Faith, Husker Du, and many, many more. It closes with several intimate interviews between photographer Jim Saah and longtime friends/fans including Ian MacKaye, J. Robbins, Jon Langford (Mekons), Shepard Fairey, and photographers Cynthia Connolly and Patrick Graham.

Notes: Seidel's groundbreaking book, which includes unique historical photographs, paints a vivid picture of the old Federal Republic of Germany, with all of its contradictions and struggles. What is now celebrated as Krautrock emerged in this environment, and at the time was an attempt to contribute the soundtrack to the revolution. As a fly onthe wall, Seidel recounts the squats, demos and first concerts of bands such as Cluster, Tangerine Dream and Ash Ra Tempel. Just as precisely and vividly, he recapitulates the influence of minimal music composers such as Steve Reich and Philip Glass, the origins of many Krautrock musicians in jazz and the role of the synthesiser.

Wolfgang Seidel delivers a captivating account on Krautrock that dispels many of the founding myths of the first genuinely German pop culture, which above all did not want to be German. In addition, the book is supplemented by a discography of the 50 most important Krautrock records, written by music journalist and Krautrock expert Holger Adam.

Translated from German by Alexander Paulick (member of influential Dusseldorf based avant-garde band Kreidler).

Notes: 1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever.

Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation.

Pages: 68
Size: A5 (21cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Front cover design: Tom Booth Woodger
Interior design: Jez Tucker

Notes: The only book to consider Oi! as a distinct genre within punk rock, What Have We Got? is the story of a musical movement that became a national concern in the eighties and still divides opinion today.

Drawing on new interviews with Sham 69, Angelic Upstarts, Cockney Rejects, Crown Court, Lion's Law, The Templars and many more, Simon Spence considers the genre's inception and noble intentions, how it fell into infamy, and where it lies now.

With a growing and formidable audience in the US, Europe, Asia, South America and the UK, Oi! is as alive as it has ever been, and without the far-right associations that plagued its past.

"A great book: doesn't beat around the bush and a fair account of the Oi! scene from day 1 to the present day" Graham Saxby, The Warriors

'A corker of a book. Spanning the whole history of the scene up until the modern day this book delivers, without bias, a real life glimpse of what we know and love.' Trevor Taylor, Crown Court

"Simon has hit the nail on the head: he did his research 100%. A lot of crap has been in written in the past so it's nice to see an accurate account of the scene." Chris Wright, Crashed Out

"Great book breaking down the history of this music genre and the trouble that has shadowed it since the beginning... stories galore & nice glossy pics as well" Phil Templar

"A well written and thoroughly researched book, with stories and recollections from people who were actually there" Deptford John