Review: New-gen rare groove band Nautilus, operating out of Japan, deliver their latest 7" record, 'Life'. Just two crisp, piquant, fresh, and bubbly uncorkings in sound - 'Life', featuring vocalist Emi Tawata, and the instrumental 'Master Blaster'- are here heard sprayed like buckshot across the stereo system. The former is a candid admission by Tawata of her fear of the dark and ghosts, one which compels the listener to ponder the song's spiritual metaphor - "I'd rather have a piece of toast, watch the evening news" being the lyric of note - while the latter is a comparatively muted four-to-the-floor funk inflammation, held together by a phat but tricksy drum line and overgirding Rhodes.
What You Won't Do For Love (feat Ryuto Kasahara - Muro re-edit) (4:44)
Love Theme From Sparticus (Kenichiro Nishihara remix) (3:07)
Review: Japanese jazz, funk and rare groove sensations Nautilus share their latest cover version, this time of Bobby Caldwell's 'What You Won't Do For Love'. This version stars Toshiyuki Saki on guest drums and vocalist Ruto Kasahara on vocals, bringing a digressional arc to Nautilus' usual sound. On the flip comes another rerub, this time of Nautilus' own 'Love Theme From Spartacus', from their latest album, remixed by producer Kenichiro Nishihara, which incorporates a light-hearted and feathery jazz-hop verve.
Review: Hey everybody, here's... Nautilus! This prolific contemporary jazz trio are at the top of their game. Regular contributors to their patrons Urban Discos and Oonops Drops, their repertoire extends to everything from full-length EPs' and albums' worths of original material to one-off guilty pleasure covers. This new rendition of Oasis' 'Wonderwall' definitely falls into the latter category. This slick new version abounds in gut-grasping major chords and spine-tingling drum brush caresses, and features passionately candid yet no less elegant vocals by Ray Yamaoda. On the B comes the comparatively funky knockout and jazz original, 'Through The Night'.
Review: The double-sider 'Black Mother Goose' with 'Chase Those Clouds Away' is a substantial release from the early 70s soul scene, making waves at the Twisted Wheel and Blackpool Mecca. On Side-1, 'Black Mother Goose' offers a rare gem of early soul, highlighted by its brilliant horn section that gives the track a rich, dynamic sound. Side-2's 'Chase Those Clouds Away' channels a feel-good vibe reminiscent of Percy Sledge or Otis Redding, delivering a soulful anthem perfect for summer. This track radiates peace and love, embodying the spirit of the era with its uplifting melody and heartfelt performance. Both sides showcase a blend of classic soul influences and are essential listens for soul fans.
Review: Ramrock Retro strikes gold again with Aaron Neville's soulful classic 'Hercules.' This track instantly stirs real emotions with Neville's effortless, heartfelt vocals, deep-swinging drums and classy horns. A falsetto at the breakdown elevates the song before the rhythm powers on. On the flip side, Al Jarreau's 'Use Me' delivers familiar yet timeless vibes. Whether you prefer this version or others, the result is always the same: deep, slow-motion funk with a sensual, groovy edge that you will not want to end.
Dance Your Blues Away (The Mighty Zaf edit) (4:32)
Review: Originally released in 1979 as a B-side to The Neville Brother's "Sweet Honey Dipper", "Dance Your Blues Away" saw Ivan go solo for the first time on this sultry modern soul jam. Laced with a plucky bass and just the right smattering of sleaze, it set the foundations for Ivan's extensive solo career. It also provides the perfect groove tools for The Mighty Zaf to work his editor craft and beef up the vibe with subtlety. Keep on dancing!
Review: Presenting a standout 45 from Jalen Ngonda and his bandia release that's already making waves. With 'Illusions' gracing the BBC Radio 2 A-List and 'Rapture' lighting up BBC Radio 6, these tracks deserved a spin on vinyl. Packed with sophisticated arrangements and grooves so smooth they practically glide, Jalen's voice holds it all together with a richness only seasoned live performance brings. Both sides are primed to ignite dancefloors, adding class to soul nights around the world.
Review: Jalen Ngonda's latest single, That's All I Wanted From You, features his exceptional talent for soul music. Released on Daptone Records, the track features beautifully orchestrated melodies under Ngonda's stirring vocals. With a perfect blend of raw edge and melody, the song includes female backing vocals that evoke a soothing nostalgia. The tight rhythm section propels the track into a rousing bridge, making it a standout piece. Ngonda, originally from Washington, DC, and now based in London, has excited audiences with his vintage soul appeal and unique personality. Having played major festivals and sold-out shows in Europe, his signing with Daptone has generated significant buzz. 'That's All I Wanted From You' is available on 7", and it cements Ngonda's status as a modern soul artist with an old soul charm.
Review: Jalen Ngonda himself can personally vouch that he is 'Here To Stay'. At least, as much is true for his inclusion on the Daptone roster: his latest 7" here commands a gorgeously breezy vocal performance, a formerly hidden gem recorded during the Come Around And Love Me sessions. A throwback to Motown in two parts, the record is also backed up by the sweet and joyous 'If You Don't Want My Love'.
Review: Night Owls are back with a fresh take on Lee Moses' 1970s cut Got That Will, transforming the soul classic into a dancehall-inspired banger. Dan Ubick leads the production, bringing in powerhouse vocalist Gina Murrell and the tight rhythm section of Wilder, Colie, and Rivas to infuse the track with new life. As if that wasn't enough, Kingston's Ranking Joe adds his signature toasting, giving the track an extra layer of authenticity and drive. The B-side, Got That Dub, takes things deeper with Roger Rivas on the mix, dialing up the echo and delay to create a spaced-out, dubbed-up version. With steady radio play on BBC Radio 6 and KCRW, this release is already making waves. DJs and collectors will want to act fastithis record is primed for late-night sound system sets and is sure to fly off the shelves.
Review: Tony B Nimble's NeighbourSoul Edits Vol.4 is a journey through soulful rhythms and energetic grooves. Opening with 'Jesus,' Nimble sets the tone with gospel-infused house beats and a captivating bassline. 'Your Love exudes soulfulness with a great vocal, while 'Afrodemo' delivers an invigorating blend of funk and tribal beats, enhanced by captivating guitar riffs. Each track showcases Nimble's focus as a producer and we find the topic unique and refreshing in the world of house music.
Review: Ike Noble & The Uptights deliver pure soul magic with their latest release. 'Good Thing' is a mid-tempo soul gem that oozes with irresistible charm, drawing comparisons to the likes of Syl Johnson and James Brown. It's a track that demands attention and leaves listeners craving more. On the flip side, 'Look a Little Higher' is a deep soul anthem of epic proportions. Despite its rarity, it's a track that resonates deeply with its emotive vocals and soul-stirring melodies. Together, these two songs showcase Ike Noble's talent and the timeless appeal of his music. With beautifully pressed 45s and original style silver ink overprinted labels, this release is a must-have for soul aficionados everywhere. Ike Noble & The Uptights prove once again that their music is solid gold.
Review: Athens Of The North latest release features includes the rare gem 'It's Bad' on the A-side, a brilliant mid-tempo soul chugger that sits perfectly between the styles of Syl Johnson and James Brown. Its failure to achieve fame during its time remains a mystery. On the flip side, 'Best of Luck to You' delves into deep soul territory, offering a rendition that surpasses both Sam Baker's and Earl Gaines' versions. This 45, with the original style silver ink overprinted labels, not only captures the essence of vintage soul but also present an invaluable addition to any collector's repertoire, showcasing Ike Noble & The Uptights at their finest.
Review: As they often tend to do, a whole bunch of Anthems of the North 7"s have landed hit smooth and as ever they are all gold. This one is an Ike Noble 45s that comes pressed up with original-style silver ink overprinted labels. Kicking this one off is a previously unreleased cover of James Brown's classic 'Money Won't Change You'. It has some raw-as-hell horns and driving funk breaks that will light up any club and might even be better than the original. The B-side is a sweet as you like ballad that pairs off male and female vocals and deep soul, expressive horns and bittersweet grooves.
Review: This 7" vinyl marks the inauguration of the new Konbini Klassics label and it features expertly curated city pop and funk gems from Japan's golden era. The A-side offers 1983's 'Do What You Do' which is a relaxed synth-driven track with irresistibly catchy vocals. On the B-side you can enjoy the sounds of Cosmos, the all-female supergroup who deliver their slap-funk classic 'Midnight Shuffle' with its big horns, funky bass and twinkling synth melodies. A perfect 45 rpm gem, this release brings Japan's iconic sounds back to life and then some.
Review: Described by Numero as a viral smash hit, whose pathogenic preponderance warranted use of the term "viral" even before the advent of the internet, The Notations' 1973 steamer 'I'm Still Here' documents the peak of the Chicago vocal soul trio's salad days as band. This was the second 45 to come out after the TAD Records debut from 1969, 'Trying My Best To Find Her', and is a telling triplet waltz, scolding the feminine listener-subject for her many ignominious refusals of love. Revisiting the single for a new music video in 2024, The Notations are indeed still here, repeating an unlearned lesson; and clearly, they have no more to say, with the brightly-lit chorale 'What More Can I Say' backing up the B-side.
Review: US soul group and Chicago's Southside favourites The Notations endured many musical evolutions in their time. The group released on both major labels and minor ones and had the likes of Sly Johnson and Curtis Mayfield taking care of their production. Numero Group has put together a first overview of their indie-label golden age on the album Still Here 1967-1973 which is full of lush r&b ballads as well as socially-conscious soul. Two of their best now also get pressed up to this 7" with heart-rending A-side and the swooning 'What More Can I Say' both immediately drawing you in. These have been sampled by Anderson.Paak, redveil and so may well sound familiar.
Review: Meiko Nakahara, a celebrated figure in the city pop revival, returns with a reissue of her eighth studio album, originally released in 1988. This captivating collection showcases Nakahara's signature blend of sophisticated pop, jazz influences, and smooth grooves, capturing the essence of the late 80s Japanese music scene. The album features the title track, 'Kagami no Nakano Actress', which served as the opening theme for the popular anime series 'Kimagure Orange Road', as well as the ending theme, 'Dance in the memories'. With its blend of catchy melodies, lush arrangements and Nakahara's expressive vocals make this a real, rediscovered classic.
What You Wont Do For Love (feat Ryuto Kasahara) (4:21)
Lihue (3:48)
52nd Street (4:23)
Review: Tokyo-based jazz fusion trio Nautilus have presented their brand new album, Pacific Voyage in various formats and the is s a nice yellow wax version. It's a breezy summertime soundtrack that blends sunny Yacht Rock with a hint of cool 80s City Pop as the trio reinterprets classic hits from this era and add fresh spins to songs like Bobby Caldwell's 'What You Won't Do For Love' and Toto's 'Georgy Porgy.' The album also features tracks from artists like Donald Fagen, Michael McDonald, Shuggie Otis, Nohelani Cypriano, and Toshiki Kadomatsu, all given the special Nautilus treatment. Guest appearances include UK soul singer John Turrell, German rap legend Toni-L, and Japanese soul artist Ryuto Kasahara.
Review: Japanese jazz-funk trio Nautilus's Sunrise is a vibrant album packed with their signature blend of tight grooves, lush melodies and soulful synths. Drawing inspiration from classic 70s jazz-funk while infusing modern sensibilities, this record delivers a signature dynamic sound that's both nostalgic and fresh. Intricate instrumentation defines it with leader Toshiyuki Sasaki's precise drumming, Shunsuke Umino's fluid basslines and Daisuke Takeuchi's expressive keys driving each track. Highlights include shimmering originals and inventive reinterpretations that once again cement Nautilus as a cornerstone of contemporary jazz-funk innovation.
Review: Nautilus are one of the most prominent outfits out right now to embody the rare groove scene. Here the three-piece demonstrate their lesser-spotted musical spectacularity with a sun-soaked, serotonin-packed new record. A perfect introduction to the band's craft, which spans both covers and originals, we've first Oasis with a version of 'Wonderwall', followed by honourable takes on Thelonious Monk and Yusef Lateef, and then the Nautilus originals 'Overflowing' and 'Cosmic Maze'. All tracks feature the spangling voices of Emi Tawata and Rayamada, each of whom compliment the keyed, vocoder-steeped, and abundant playing of Toshiyuki Sasaki, Shigeki Umezawa and Daisuke Takeuchi.
Review: Meshell Ndegeocello's album, No More Water: The Gospel of James Baldwin, is a powerful tribute to the renowned writer and activist, released on his centennial. This visionary work is a blend of musical genres, serving as both a musical experience and a platform for social change. Co-produced by Meshell and guitarist Chris Bruce, the album features collaborations with talented artists like Justin Hicks, Kenita Miller, and Abe Rounds. Additionally, spoken word performances by Staceyann Chin and Hilton Als add depth and meaning to the album. No More Water is a compelling and transformative listening experience that honors Baldwin's legacy and inspires reflection and action. A project that was nearly ten years in the making, all the ingredients are here to make this landmark release that is sure to go down in music history.
Review: The return of New Street Adventure was met with great warmth by longtime fans earlier this year. Now, one of our favourite bands is celebrating the tenth anniversary of their debut album No Hard Feelings with a special limited-edition olive green vinyl which coincides with an extensive UK tour. Initially pressed in small numbers before the vinyl resurgence, the album became highly sought after, with prices skyrocketing on Discogs. This reissue, remixed by Mitch Ayling, captures Nick Corbin's soulful, socially aware songwriting at its best with rare photos and new sleeve notes making it a must-have reissue.
Review: Soichi Noriki's debut album Noriki (1983) showcases a polished blend of City Pop and jazz fusion, characterised by lush production and smooth, professional instrumentation. The album hits all the right notes for fans of the genre and does not lack the adventurous spirit found in Noriki's later esteemed work like Dream Cruise. Tracks like 'You Need Me' and 'Anyway' feature Yurie Kokubu's excellent vocals. 'Do What You Do' also provides a opportunity for her talent to shine. 'Black Duck' adds an edge with its distinct bass and brass sections, while 'Rag Box' stands out with its brisk tempo. Overall, the album excels in technical mastery, offering slick solos and pristine arrangements. Noriki is an enjoyable listen with many moments of excitement.
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