Back catalogue: All genres

Review: Continuing their mission to retrouve genres across the spectrums of Latin funk and cumbia, Original Gravity welcome back founding favourites Luchito and Nestor Alvarez with yet another sonic vitamin D pill, presaging the warmer days to soon come. Both sides tap into that rich 60s and 70s Afro-Carib crossover sound, with, at least on the face of it, no studio trickery in earshot (though careful listens reveal the method behind the majesty). Anyone with a weakness for brass-led Latin burner will melt on contact with this one.

Review: Spiritmuse Records presents Journey to Nabta Playa, the dialogic result of Angel Bat Dawid and multidisciplinary artist Naima Nefertari, as they team up to honour the ancient Nubian astrological site of the same name. An ancient Neolithic site in Egypt's Nubian Desert predating Stonehenge, Nabta Playa incorporates a stone circle whose lithic configuration aligns with celestial events. Fittingly, then, this clash-of-titans record astrologises celestial electronics and divines ancestral predestinations, sewing a starry sonic tapestry - in Bat Dawid's terms "this is not just an album, it's a constellation". Picking up where Don and David Ornette Cherry left off with 'Bishmillah', and carrying out such further original, summative sonic burial and resurrection rites such as 'Black Stones Of Sirius' and 'Procession Of The Equinox', we hear a dance of featuring flute, clarinet, and vibraphone, and enraptured voice.

Review: A second joining of forces from two celebrated Chicago acts, blending deep, organic rhythms with a minimalistic electronic pulse. With the novel but logical addition of Jason Stein on bass clarinet, the collaboration stretches even further, pulling together the spiritual fluidity of Natural Information Society and the electronic minimalism of Bitchin Bajas. The first single, 'Clock no Clock,' is a deep dive into hypnotic rhythms, with guimbri grooves intertwining seamlessly with electronic bursts, flutes and organs. The other three tracks are equally compelling, the music unfolding like a living organism, constantly shifting but always grounded. Expansive, intricately woven sonic delights.

Review: Pharoah Sanders, the legendary saxophonist known for his spiritual jazz and drummer Norman Connors, another key figure in the genre, deliver a blistering live performance at 1978's Montreux Jazz Festival set. The duo, both with decades of experience shaping the sound of free jazz, blend complex rhythms with expansive melodies, weaving through tracks like 'Babylon' and 'Casino Latino.' Sanders' saxophone improvisations glide between tension and release, while Connors' drumming provides a solid yet dynamic foundation. This recording encapsulates their mastery of blending the spiritual with the free, two jazz icons at the height of their craft, delivering a performance that is at once urgent and transcendental.