Back catalogue: All genres

Review: The debut album Approach to Anima by Maya Ongaku landed originally in May 2023 but sold out quickly so is now being reissued. Initially available as a rare import, the album features Sonoda's fluid guitar and vocals, Takano's undulating bass, Ikeda's ethereal woodwinds and delicate synths and percussion to create a calm yet unsettling atmosphere. Tracks like 'Approach' and 'Water Dream' showcase their diverse influences by blending "Neo-Dada and Fluxus" with 1960s recording advancements. Based in serene Enoshima, the trio's music is free-spirited and reveals hidden depths and untamed vitality which reflect their ongoing creative journey.

Review: After a 40-year hiatus since his last album, Kevin McCormick has returned to recording with this new album Passing Clouds which builds on his retrospective works Light Patterns and Sticklebacks, both of which were released in recent years through the Smiling C label. The artist's daily obsession with writing music and exploring sound reignited his inspiration and this album, he says, reflects his love of sky watching and peaceful places. Across several sessions, he used electric and acoustic guitars, bass and simple analogue equipment like valve reverb, tremolo and tape delay while a violin bow adds drones and ambient textures through a tape looper. The result is some superbly heartwarming Balearic sounds.

Review: Moby's latest album, Always Centered at Night, is another excellent album that explores the ethereal landscapes of late 70s and early 80s New York, the artist drawing inspiration from his musical roots. Collaborating with a diverse array of vocalists, Moby crafts a strong set of tender yet defiant songs that defy commercial norms in favor of raw, personal expression. The album pulsates with emotional depth and atmospheric richness, pulling you into a world where vulnerability reigns supreme. From the breathless daydream of 'On Air,' featuring serpentwithfeet's soul-stirring vocals, to the haunting melancholy of 'Dark Days,' adorned with Lady Blackbird's jazzy soul, each track offers a glimpse into Moby's creative vision. What sets Always Centered at Night apart is its commitment to authenticity and artistic integrity. Moby encourages his collaborators to embrace their individuality, resulting in a collection of songs that defy conventions and resonate on a profound level. Whether it's the stirring rendition of Cream's 'We're Going Wrong' with Brie O'Banion or the powerful verses of 'Where Is Your Pride?' featuring Benjamin Zephaniah, each track leaves an indelible impression. Always Centered at Night is another great example at Moby's unyielding spirit of creative expression.

Review: Hard to define, rule breaking and game-changing producer Theo Parrish is back with another of his challenging and superlative albums. This one - which naturally arrives on his own Sound Signature label - is a collaboration with Maurissa Rose that true sooth the soul. It s full of his usual deadly grooves, shamanistic percussive layers and jazz energies with plenty of his famous luscious, meditative loops. Add in the smooth vocals of Rose - which come in the form of a soulful stream of consciousness - and you have yet another unique album from this true maverick of the form.