Back catalogue: All genres

Review: Burnski's agenda-setting garage label Instinct is back with killer new beats from Mance. 'Atmos101' gets things underway with sparking melodies zipping about the stereo field over chunky drums and with a filthy bassline. There is more of a throwback feel to the dusty drum loops of 'Stone Cold, Baby' complete with great vocal samples and spiralling pads. 'All Night' shows another look again with dry, stripped-back beats and big hits under warped synth stabs and more brain-melting bass. 'I Can't Help It' shuts down with silky pads work and soulful vocals.

Review: The majestic Monsieur Van Pratt is back with more of his thrilling studio work, and once again he reinvents classic disco tracks with modern flair. The third instalment in this series is characterised by a distinctly underground energy that defines the "Illegal Disco" vibe. The opener 'Volar Como El Viento' is a soaring rework filled with airy synths that evoke freedom and lightness. 'Al Anochecer' re-energises a disco classic with an upbeat twist, while 'Mi Amor' is all about intimacy and passion through sultry, Spanish-inspired tones. Once again colliding nostalgia and innovation as he always does, Monsieur Van Pratt delivers a masterclass in modern disco reinterpretation that will also bring together all sorts of dancers.

Review: Unatoned (stylized as UNATONED) serves as the 11th full-length from Oakland, California groove metal titans Machine Head and marks their first effort to feature drummer Matt Alston and lead guitarist Reece Scruggs (with the latter replacing Decapitated axeman Wac?aw Kie?tyka aka Vogg who worked with the band on 2022's Of Kingdom & Crown). First announced through lead single 'These Scars Won't Define Us'; a self-described "Wu Tang Clan-level thrash collaboration" featuring guest vocals from members of In Flames, Lacuna Coil and Unearth, who will all support the band across their 2025 North American tour in support of the project, the addition of secondary single 'Unbound' showcases mastermind Rob Flynn's knack for marrying venomous heft to anthemic structures, whilst the air of brevity compared to some of their previously far lengthier compositions is indicative of a much more instantaneous sonic delivery (or gut-punch) this time around.