Back catalogue: All genres

Review: A modern lunar take on jazz and disco, Jazz On The Moon hears Italian producer Paolo Fedreghini moonwalk backwards through live horns, bass, synth and guitar for a crisply produced six-track EP. Opening with original NASA-issue intercom vocals from the 1968 moon landing, 'Interstellar' crafts a moonscape of Harmon-muted trumpet and avant-garde growls, while expansive electro-funk opens out on the title track and 'Distant Planet', by which point a tonal shift is underway. The vibe is increasingly P-funky, erring desolate on the interluding 'Outer Space', before we wind up purblinded by the light side of the mood on closers 'Groove Odyssey' and 'Cosmic Funk'.

Review: Joe Claussell is a proper legend of the scene and New York powerhouse who has a sound so emotionally intense it brings people to tears. Here, he breathes new life into the Far Out Monster Disco Orchestra with a powerful remix of 'Black Sun' that arrives exclusively for Record Store Day 2025. Since debuting in 2014, the Orchestra, which features Azymuth's Jose Roberto Bertrami and Alex Malheiros, has attracted top remixers like Theo Parrish and DJ Spinna, and Claussell now joins that esteemed list by infusing the original with his signature spiritual energy and rawness. The result is a euphoric journey towards pure ecstasy driven by Heidi Vogel's soaring vocals as classic disco and grooves collide in pure magic.

Review: Calling all locked-groove stickerers, needle twisters, and/or tonearm weight worriers, prepare your ears and needles for a wonderful trove of breakbeat bullion, ripe for the looping and the zealous hunching over. This modern rare groove emulation by Florence, 'Funky Song', lays down a phantasmically funky original breakbeat, fleshed out and swollen unto the most maximal of proportions. Then, don't forget, there's 'Let's Dance', which reworks Jimmy Bo Horne's 'Dance Across The Floor' for a rare and never-edited-before take on the perseverant, provocative hip roller of a track.

Review: The Treasure team keeps up the momentum of its early release with another fruitful dive into the annals of house history. This time, they have dug up more nuggets from FR and have refined them for contemporary floors. 'ET Is Coming Home' (vocal) is a slow and dubby cut with percolating live bass and muted horns next to some Ubiquity style vocal soul. The instrumental allows the superbly loose-limbed and live drums room to really shine, and then comes an epic, 10-minute-plus jazz-drenched house odyssey that's alive with swirling cosmic radiance and busy chords and synths. A real trip for proper music heads.

Review: Five years on from their debut collaborative EP 'Frisina Meets Toco', modern Brasilian dance artists Gerardo Frisina and Toco return for a second faceoff, this time with liaising artist Luzia Dvorek serving as ringmaster. Centring on samba-infused jazz and deep house with mystical and folk influences, "deixa passar" translates from Portuguese to "let it pass", though the mood is certainly not outright passive. This delectably quartered slice of carnivalesque dance music is rather rich in sonic papaya juice, charting sustained vocal contrasts between Toco and Luzia against smoky and furnaced beats. Aperient track 'Deixa Passar' leans heaviest on languid piano, whilst dozier mists emerge on the B-side in the form of 'Ile' and its rework by Gerardo Frisina, bringing pan flutes, strings, breathy vocal counterpoints, cabasa shaker, and subtle bass undercurrents.

Review: Vincent Lemieux and Guillaume Coutu Dumont are the producers who combine as Flabbergast and now they unveil their full-length debut, Consolation in Constellation. As you would expect from those two artists, it is a boundary-pushing journey through sound that is rooted in improvisation, classical training and deep electronic exploration. The album fuses jazz, acid house, breakbeatand cosmic textures into a seamless exploration that adds up to a sonic constellation-carefully composed, yet full of spontaneity. 'Binary Star' is like IDM, minimal and electro all distilled into a siren new sound, 'Orion Belt' is rich in pixel thin pads and glinting chords and 'Phaser' is a slithering, high speed electro workout from another world and with a playful charm despite its highbrow design.

Review: Greg Foat returns with The Rituals of Infinity, an eclectic jazz album inspired by both iconic sci-fi literature and Greek mythology. Featuring legendary saxophonist Art Themen and trumpeter Trevor Walker, the album is a vibrant blend of cinematic atmospheres and rich jazz traditions. Tracks like 'A Private Cosmos' and 'The World of the Red Sun' nod to sci-fi classics, while 'Minerva's Owl' reflects on the Greek legend symbolising retrospective wisdom, beautifully closing the album. Foat's ensemble, including Natcyet Wakili's fluid drumming, Jasper Osbourne's bass, and Katherine Farnden's cor anglais, creates an expansive sound. Shawn Lee's eerie waterphone touches add to the album's atmospheric depth. Recorded with a thoughtful approach to both melody and theme, The Rituals of Infinity show Foat's compositional mastery and storytelling through music. The album is set to debut live at the Worthy Earth Festival in Hampshire, offering listeners a full listen into its sci-fi and mythological inspirations. It's a richly textured journey that combines jazz's improvisational spirit with otherworldly influences.

Review: London beatsmith and "city rivims" producer Footshooter is one of a small cadre of inner city artists whose work makes a point of fusing UK jazz, West Coast-ish hip-hop and UK dance production, all tied together by an experimental bow. His latest LP, The Oasis, unveils itself as an upended jazz and broken beat finesser, all while nailing a collaborative form, with studio-mates James Mollison (Ezra Collective), Natty Wylah and Brother Portrait all in tow. Where lead track 'Cycles' evolved from a simple loop, growing in depth and space, Mollison's saxophone brought appended magic; meanwhile, tracks like 'Boomerang' and 'Surrey Canal Road' underscore a mood of hyperlocal, industrial South London poignancy.

Review: Since his debut with Schema Records in 2001, Gerardo Frisina has poured his soul into modernising styles such as Latin jazz, funk, and soul. In Sight Vol. 1 now introduces a fresh batch of such cosmo-futuristic moodsetters, continuing a trend that was first set in motion with his debut Moving Ahead (2020). Now the new album, preluded by singles 'Mindoro' and 'Desejar', hears seven tracks, including a cinematic bossa supernova 'O SoNho' as well as an exclusive cut from a rare and revered 10" deep cut from 2009. Frisina's attention to detail ensures the standout vibe of each composition, bringing a one-of-a-kind club-orientation to a rich atmospheric mantle.

Review: This double record - originally released in 2002 - is a deep dive into the duo's creative process, reimagining the 1991 classic through multiple sonic lenses. The London duo bring an album's worth of reinterpretations, starting with the evergreen original version's ethereal pads and hypnotic breakbeats. T2 merges the iconic melody with playful elements blending dreamy basslines and warm builds with subtle psychedelic hues. T3 extends the atmospherics and psych guitar wails in the final stretch triumphantly. T4 drifts into ambient psych-rock while T5 is a harsher more abrasive version. T6 is a slow, genre-blending piece with psychedelic undertones and emotional weight, gracefully building toward a euphoric blend of organ notes, complex drum patterns and smooth saxophone. Finally, T8 closes with lush downtempo elegance, layering sitars, sax and processed vocals from the original track for a mesmerising finale. Old skool fans will lap this up all over again.

Review: Zoltan Nagy AKA P60 has spent the last four years slowly building up his Midnight Fashion label and its dedicated downtempo offshoot, Midnight Fashion Chill. Following a handful of solo EPs on the latter imprint, Nagy has now decided to offer up a first imprint compilation - one that not only showcases his work, but also that of Marcel (AKA sometime Cookin' Records artist Marcell Dudas) and Plastic City regular Forteba (AKA Hungarian stalwart Krisztian Dobrocsi). Musically, the set lives up to its' title, offering an enticing and undeniably blazed mix of DJ Calm style trip-hop, warming 1990s style downtempo grooves, slow-burn Baleric soundscapes, Onra-esque neo-boogie beats and warm, deep and languid, jazz-flecked mid-tempo house.

Review: ***B-STOCK: Sleeve split at the top but otherwise in great condition***


Zoltan Nagy AKA P60 has spent the last four years slowly building up his Midnight Fashion label and its dedicated downtempo offshoot, Midnight Fashion Chill. Following a handful of solo EPs on the latter imprint, Nagy has now decided to offer up a first imprint compilation - one that not only showcases his work, but also that of Marcel (AKA sometime Cookin' Records artist Marcell Dudas) and Plastic City regular Forteba (AKA Hungarian stalwart Krisztian Dobrocsi). Musically, the set lives up to its' title, offering an enticing and undeniably blazed mix of DJ Calm style trip-hop, warming 1990s style downtempo grooves, slow-burn Baleric soundscapes, Onra-esque neo-boogie beats and warm, deep and languid, jazz-flecked mid-tempo house.