Back catalogue: All genres

Review: The fourth and final studio album from the now disbanded French electronic duo, Daft Punk, Random Access Memory gets a re-release on Sony complete with an exclusive poster and 16-page booklet. This release pays tribute to late 1970s and early 1980s American music, particularly the sounds hailing from Los Angeles at the time. For this seismic album, the band developed and enriched the minimalist production style typical of their previous releases though collaborating with session musicians performing live instrumentation, limiting the use of electronic instruments to simple drum machines, a custom-built modular synthesiser, and their signature vintage vocoders. Spanning an impressive selection of genres from disco, to prog rock and pop, the album also boasts a serious list of chart-topping collaborators - from Nile Rodgers, to Pharrell Williams, to Giorgio Moroder. Featuring hit single, 'Get Lucky', this album is already considered a defining release of the 2010s pop/electronic landscape.

Review: Now celebrating its ten year anniversary, there's a sobering realisation to the fact that the swan song LP from French robo-duo Daft Punk is already a decade old. While divisive amongst the fan base, the organic instrumentation and sonic homage to classic disco still feels like a creative endeavour the pair of Thomas Bangalter and Guy-Manuel de Homem-Christo needed to add to their catalogue before graciously bowing out (or powering down) on their own terms. Following the expansive deluxe edition already released earlier in the year, this drumless version strips away any and all notable percussion to allow the velvety basslines, glistening synths and retro grooves to take centre-stage. With re-imagined approaches to hits such as 'Instant Crush' (featuring The Strokes' Julian Casablancas) as well as the myriad of Pharrell Williams collaborative bangers from 'Lose Yourself To Dance' to the once inescapable 'Get Lucky', the project is a unique and vital addition for lifers, newcomers and boogie enthusiasts alike.

Review: 32 years on from the release of their debut album Speak and Spell, Basildon's finest drop their 14th full length. While there are echoes of their eyeliner-wearing, synth-bothering futurist past (see the glitchy "My Little Universe" and early New Order-ish "Broken", where Dave Gahan sings about 'dreaming of the future'), for the most part Delta Machine finds them in grinchy synth-rock mode, presumably shaking their fists at passing youngsters like a gang of grumpy old men. Thankfully, they're still capable of great things - "Soothe My Soul" has echoes of "Personal Jesus" - and there's enough to suggest there's some life in the old dogs yet.