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Back catalogue: All genres
Juno's full catalogue of All genres
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Review: Heavyweight quattro-techno from A Paul, DJ Dextro, Red Rooms, Ramon Tapia and Arkvs for Planet Rhythm. Each track serving as merciless hoisters in the vein of 'Rough' techno, the A1 is deserving of the name, bringing scraping hi-hat blurs and gulping knocks to a mean mix. Deadened, unfeeling, callous calculation follows on the follower 'Binary Codes', while Tapia tabulates a 'Ratio' on the algo-rhythmic bleeper that ensues on the B1. Finally, 'Decoration Drugs' brings a prime movement, its facelessly numbered breakdowns and shuffles assuring us that there is indeed no end to off-planet production processes such as these.
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in stock $14.13
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Review: The sixth release in the 303 Pattern series marks the first time artists' identities are revealed. What doesn't change is the fact this is a powerful 12" of hard-hitting, hypnotic and atmospheric acid techno with the legendary Roland TR-303 at its core. Alien Rain makes his debut on the label with 'Holosexual's' raw drums and distorted acid lines, Akkaelle's 'Acid Mood' delivers funky, bouncy techno energy with atmospheric depth and Sour returns with another hypnotic, high-intensity bomb. Closing in style is Dima Gastroller who drops a banger of an acid techno track that should come with a health warning for anyone with a weak heart.
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Plasma (B-STOCK) (blue marbled vinyl 12")
Cat: ECLLTD 024 (B-STOCK). Rel: 01 Jan 90
Techno
B-STOCK: Slight surface marks
in stock $13.27
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Review: Planet Rhythm must be one of the hardest-working labels in the game - it seems to drop new music on a nearly daily basis but all of it is essential. Dajusch is the man at the buttons here with 'Gazell'e exploring a techno sound as lithe and quick as the animal it is named after. 'Average Channel' brings some dub chords to the party over cantering drums, and it is to Detroit for the machine soul and serenity of 'Ster One'. 'Beginner' closes down with more minimal stripped-back rhythms but no less impact.
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Review: Death, taxes and quality techno from Planet Rhythm are the three sureties of life. The label that maintains a high laity output and never strays from its blueprint is back with more functional and well-formed sounds, this time from Mattia Dambrosio. He opens with a cut doused in static, fizzing synth lines and with a funky, mid-tempo beat on 'Spring.' 'Ossidiana' dials it back to allow the dub chords and deep roaming bassline room to lure you in then 'Domani' mesmerises with silky synth sequences that glow bright above an implied rhythm. 'Stabs' is an upright and warm techno pumper with Detroit chords and 'Warmer' then takes you way down deep into cavernous underground dub worlds.
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Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
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Review: .German low end collective Bass Come Save Me unleash a new 45 with a strong Portland portrait as Boomarm's Gulls makes their debut on the label with a warm beat that will keep the chills at bay this winter. Add Jamaica's Wayne Daniel on the vocals and another Portland native Madgesdiq on the conscious bars and there's a vibe that sits somewhere between Roots Manuva, YT and Wyclef. Yeah it's that toasty. Stay blessy.
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Review: The world of dark disco tech is vast and so covers plenty of niches and nuances with artists all over the world adding their voice to the conversation. Spanish label Waste Editions offers up four more to the mix here with another well-assembled VA. Dark Vektor's 'Amb La Mirada Ens Menjarem' begins with some synth sounds that evoke a horror scene over snappy drums and sleazy guitar riffs. Synth Alien's 'Replica Cosmica' gets a little more loose but still comes with evocative vocal samples and a characterful world of synth sounds, some that fart, some that gurgle, some that amuse. Imiafan's 'Stupaj (Keen K RMX)' is another prying, loopy sound brought to life with myriad effects, textures and vocal snippets and Wardum shuts down with 'Wrambling' which has grinding bass and scuttling effects topped with occult vocals.
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Cat: BRZ45 019R. Rel: 20 Dec 24
Funk
Review: Mr Bongo restock a brilliant 7" in their signature Brazil 45s series. The nineteenth to grace it, this blue-starred slice of small wax shone a light on Wilson das Neves' brilliant cover of Average White Band's 'Pick Up The Pieces' on the A, as well as a Mr Bongo fave on the B, Som Tres' potent samba-funk overflow 'Tanga'. The former flexes the historic muscles of a mythic Brazilian percussionist and vibesman, lending fidgety soft feels to AWB's already lull-lifting concoction; then 'Tanga' contrasts to this sense of measuredness with pure animal verve, as Tres' calls out to his bandmates commandingly amid whirlwinds of piano and drums.
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Review: This newly formed and already brilliant label is back with more previously unreleased instrumentals that bring a different twist and dancefloor edge to classic sounds from the rock and indie world. First up we get a subtle edit of 'Sound and Vision' which has a nice fat and funky bassline bouncing beneath the splashy drums as nice acoustic guitar melodies ring out next to glistening retro-future pads. It's a cosmic trip that oozes soul then things slow down on the flip with 'Young Americans'. This one is a nice go-slow instrumental with funky and expressive horn work taking the lead over the fat-bottomed drums and bass.
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Review: Canadian DJ and producer Marie Davidson returns with her latest single 'Contrarian', a collaboration with Pierre Guerineau and Soulwax, released via the DEEWEE label. Featuring a fierce blend of raw electronics, 'Contrarian' stands out as one of Davidson's strongest club tracks to date. Earlier this year, Davidson made her debut on the iconic DEEWEE imprint with her track 'Y.A.A.M. (Your Asses Are Mine)', reuniting with Soulwax, who had previously remixed her acclaimed anthem 'Work It'. This release continues to showcase her forward-thinking approach to electronic music production.
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in stock $11.07
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Review: We love a trip to Planet Rhythm because it always results in hearing some fad-free, high-quality techno from key players. DBFB is behind this new white slab of wax and it starts with the hammering drum funk and rippling synth lushness of 'Stroke' before progressing into the pulsing late-night sounds of dubby cut 'Rummage'. '91' takes it back to a simpler time when jacked drums and molten dub chords are all you need for a good time and 'Resistance' shuts down with a more raw edge and driving, percussive techno slammer.
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Take Me For A Little While (limited coloured vinyl 7" (indie exclusive) (comes in different coloured vinyl, we cannot guarantee which colour you will receive))
Cat: KCR 107C1. Rel: 14 Nov 24
Indie/Alternative
Review: After leaving his native California for Chicago, Rudy De Anda dimmed down his beachy, psych-rock roots and dipped into some unknown waters, yielding enchanting results. His latest album, which was recorded in Austin, Texas, is romantically familiar and novelly soulful Latin pop that's a pure joy to behold. The b-side here - '83' - is a key number from that album. It has a subtle, cool groove perfect for sparking up a fat cigar and putting your feet up for the day. Given that De Anda is on such top form in this chapter of his life, it's no surprise he's done justice and then some to with his cover of Royal Jester's version of 'Take Me For A Little While'. The two tracks fit seamlessly together and beg repeat listens.
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Review: Spaniard Eduardo De La Calle is one of those producers who have spent their whole musical life exploring a fairly well-defined techno sound yet always managed to find nuance within it. Here he lands on Key Germany with more of his signature belts of heady synths and physical drums. 'Kardama' is a rather edgy one to start then 'Khatvanga' slips into more smooth techno hypnosis. There are alien in his machines and they want you to know about it on 'Kankas' before 'Kala' closes with a peak time, strobe-lit energy that will send hands in the air.
… Read morePlayed by: Juno Recommends Techno
in stock $13.85
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Review: Drei Vinyl launched back in 2023 and has slowly but surely amassed a respectable catalogue of various artists' releases. This sixth outing is the most straight-up techno offering yet and it opens with one of Spain's finest in Eduardo De La Calle. 'Deva5Vyasa' is heady and otherworld loop techno perfection with synth daubs and conscious vocals peppering the rubbery kicks. DJ Shufflemaster brings more texture to the raw, percussive madness of 'Axiom' and Tensal layers up unsettling and anxious synth murmurs with rising drum tension on 'Thermal Cycler.' Pergo's 'Lume' is a brash, industrial closer full of urgency.
… Read morePlayed by: Carlos Nilmmns
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Review: Kevin de Vries collaborates with rising stars Y do I on his latest EP and it is a three-track journey showcasing the signature Afterlife sound. Merging emotionally charged moments with driving basslines and electrifying energy, the duo strikes a balance between light and dark while cooking up grooves that resonate deeply. Each track embodies the label's ethos of fostering close dancefloor connections through rhythm, emotion and vibration. This is evocative, painstakingly designed melodic techno with pristine synth work and sleek drums that carry you into all new worlds.
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Cat: KNTXT 007 (B-STOCK). Rel: 01 Jan 90
Techno
B-STOCK: Sleeve damaged but otherwise in excellent condition
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
On Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.
… Read moreOn Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.
in stock $14.39
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in stock $11.91
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Review: Dead Man's Chest is about to unleash all kinds of breakbeat mayhem with the third volume of Western Lore's Blunted Breaks series and here's a little taster of the full flavour experience to expect. Artificial Red kicks off with a hazy-but-heavy remix of DMC's 'Living Real' before L Own & Response's 'Rumination Cycles' enshrouds us with rasping tendrils of acid and loose live drum breaks. Flip for two more breath-taking moments in (blunted) breakcraft as Eusebeia captures that early Good Looking magic on 'Affinity' and ESC closes the EP with the powerful, cobweb blast celebration of hardcore's influence on 'Hot Hands'. Get blunted!
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in stock $10.80
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Review: Deadbeat, the Montreal-based dub techno maestro, returns to Echocord with a trio of immersive and hypnotic tracks. 'Pressure Double Down' showcases Deadbeat's signature sound, a blend of dub-infused techno and minimal aesthetics that has captivated listeners for over two decades. 'Too Much Pressure' is a 15-minute odyssey through intricate percussion, dubbed-out stabs and psychedelic vocals, its subtly unfurling layers and nuanced dynamism creating a captivating sonic experience. 'Double Bubble' follows with a delicate interplay of chord melodies, sub-bass tones and a crunchy analogue rhythm section, its hypnotic groove drawing the listener into a world of sonic exploration. 'Rattle The Roof Down' closes out the EP with a heavy dose of dub reggae bass, its spacey delays and murky swells adding a layer of hypnotic depth.
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Review: Karol Mozgawa is Polish techno talent Deas, and he brings his class to Planet Rhythm here, although it's Ferdinger remix of 'Dissociation' which gets things underway. It's a speedy and supple techno pile-driver with euphoric chords sure to elevate the 'floor. '8 AM' is much more mechanical and industrial with unrelenting drums and textured hooks peeling off the beats. 'Dissociation' in original form is a classic bit of soulful hi-tek Motor City goodness and 'Error' closes with some raved up synth madness and super-sized hi hats.
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Review: Deas shows he has plenty of ideas (no? sorry) on this stark and futuristic techno missive from Bau Muzik. 'Red' drops you right into the heart of the dance floor at 4 am with wide eyes, flashy strobes and sweat everywhere. 'Yellow' is another hurried, hunched over, fizzy techno bomb that wrestles you along for the ride whether you like it or not and then things slow touch with the more paired back sounds of 'Black'. It's a wispy and airy blend of loops that move at pace but invite you in rather than pushing you away. 'Blue' is a lithe, funky number that exudes a sense of cool.
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Review: Long awed electronic rock moniker Death In Vegas, formerly a duo but now largely masterminded by one Richard Maguire, brings its latest set of cutting room floorers to a very different kind of (dark dance-) floor. The new 'Acid Rejects' series hears DIV cycle through offcut avant-gardisms and industrial churns, veering heavily on sides of unpolished and intense. The daymare 'While My Machines Gently Weep' mourns in dialogue with the synths used to make the track, with its gurgling sawbasses, while the lighter lilt that takes the EP's title manifests as a recompensing sonic dream, with sonar tweeter synths fading in and out over a painterly soundscape.
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Review: Binar's fifth outing looks to a selection of talented remixers to add their own spin to some stylish techno originals. First, it is Decka's 'Alignment' that gets reworked by Efdemin, who we haven't heard from for a while but are glad to do so now. He flips it into a straight-up and smooth techno pumper with fuzzy pads softening the edges. Next, Amotik brings some urgent synth pulses and hunched-up drum funk to 'Remains Mystery' and The Lady Machine remix of 'Run' is all fat, drunken synths tumbling about with jacked-up drums and analogue hits. Jeroen Search brings some signature future cosmic energy to his take on Border One's 'Organoid.'
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Review: French techno innovator Laurent Garnier, Berlin's shape-shifting DJ Gigola and German house mainstay Gerd Janson each put their own spin on 'Miss Suave', a cult favourite from Swiss producer Deetron from the early 2000s. Garnier twists it into a deep, acid-tinged Detroit workout, layering hypnotic synth cycles over rolling percussion. DJ Gigola dials up the tension with a stripped-back rave approach, sharpening the groove into something raw and propulsive. Janson, known for his disco-inflected touch, injects a dose of swing and warmth, transforming the track into a fluid, floor-ready mover. Three distinct takes from three essential names, each pushing the original into new territory.
… Read morePlayed by: Juno Recommends Techno
in stock $14.39
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in stock $12.73
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Review: UK legend Dego and killer keys-man Kaidi Tatham have been in a rich vein of form of late, dropping brilliant EPs on Eglo, Sound Signature and Rush Hour (the latter under their 2000Black alias). Here, they return to Eglo with four more slices of warm, rich, soul-flecked fluidity. As with previous outings, much of the material has a laidback jazz-funk feel, particularly "Orbiting Uhara" and the delicious "The Vault Descends" (think bustling bruk rhythms and darting boogie synths). They also offer up some tougher, synth-laden bruk-funk in the shape of "Man Made", while "Black Is Key" sees them unfurl a head-nodding vocal roller.
… Read morePlayed by: Dave Lee ZR, Mukatsuku Records Chart, Athens of the North (Fryer), Mike Shawe ✮ Hot Buttered Soul, The Last Trip to Gandahar, Tropical Fever, Taelue, Thatmanmonkz (Shadeleaf Music), Funkshone, ISOUL8 (Volcov), Chicagodeep, Juno Recommends Broken Beat Nu Jazz, Galletas Calientes, JKriv (Razor-N-Tape), Apoena, Harvey Sutherland, Gavin Boyd (Soul Has No Tempo), Tommy Finger Jr., The Noodleman, DJ GLC (Shift LTD), Balearic Space Invader, Aleqs Notal, Peter Croce (Rocksteady Disco), Freddie Norwood, Pittsburgh Track Authority
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Review: For the uninitiated, DELINSTR is an alternative alias of Shewey Trax regulars Delicate Instruments, a Californian duo known for the decidedly intergalactic, cosmic and West Coast-friendly nature of the deep house sound. They stretch out a little stylistically on this four-tracker, confidently striding between sleazy and mind-mangling acid jackers (the raw and breathless 'Here We Go'), dubby and bleeping deep house headiness ('Earth Game (DELINSTR Winning Mix)', thumping aural intensity (the alternative 'Loud & Clear' version of 'Here We Go') and intergalactic house/techno fusion (the excellent 'Deeper Into Space'). All four tracks sound immediate and loose round the edges, as if they started life as live studio jams.
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Review: Legendary reggae partnership Junior Dell and The D Lites are bcc with more of their charming sounds on the one and only Original Gravity label. This latest crucial 7" starts with 'Step On' which is all warm and fuzzy with plenty of vinyl cracking built into the mix. The swaggering drums are topped with horns, fills and some stylish vocals that you will well recognise from a classic of the same name by The Happy Mondays. There is much more florid attitude to the fat horns that very much take centre stage on flip-side sound 'Meanwhile On The 15th Floor', though the Hammond organs are also superb.
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Review: Ron Hardy's legacy lives on though stories of his legendary DJ sets but also his seemingly endless catalogue of edits and reworks of the tunes he played in his heyday. Here we have another such exhibit in which he flips some classic disco. The original version of 'No Way Back' is riddled with picked guitar licks and dreamy keys while a funky low end moves on this disco-rock gem as brass bursts out for added oomph. Hardy ups the pace, twists it beyond this realm and adds big drum breaks that are Prue bit for dancers. It's a classic in its own right that gets regular plays by more bold and eclectic DJs.
… Read morePlayed by: Pete Haigh
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Review: Berlin's Sin Sistema shares Denzel's latest EP 'Glorified Intake' after the debut release 'Techniques 4 Life', continuing in the exploration of topsy-turvy, street-level techno sonics. Leading with a mysterious initialism, Denzel prefaces this EP by telling us its tracks were made during a transitional period between cities - H and B - a tale of two. A-siders 'HKI 13' and 'Nightrun' represent a two-point movement of metallised echo and resonant ricochet - the first coming as an "ode to roots", furtively working in breath-muttered "get down, get low" voxes - and the latter working around a cool torrent of domino-effect percs and rattles, like metal piping trailed against a fence. B-siders 'Sus Mind' and 'Generational Funk' first dreamatise and then tribalise the vibe, the former especially making the best use, in our view, of dub delay and diatonic dream-pads.
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Review: Developer is a core part of the LA underground not just known for his work as a DJ and producer, but also his vital events which have breathed fresh inspiration into the scene. He also heads up the Modularz label and returns to it here with four more future-facing sounds that take techno into new realms. 'Ethnicanz' is rife with eerie synths that have an impish spirit. 'Modetrex' marries firmly rooted and ice-cold drum loops with more evocative synth motifs that lure you in for the chase. 'Viamont' is dense, like being trapped in the midst of a swarm of squawking birds, then 'Panotronix' completes this chilly retro-future offering with more stark synth loops that are unresolved and keep you on edge.
… Read morePlayed by: Developer
in stock $13.57
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Review: Kent records brings a lesser-known soul gem back to vinyl where it truly belongs. Originally recorded by Terri Bryant on Verve in 1967, '(You'd Better) Straighten Up And Fly Right' has long been a fan favourite, but it has never before been available on 7". The Devonnes' version, led by a powerhouse female vocal group, captures the aura of 60s soul with an infectious melody, catchy hooks, and an exciting energy that makes it a standout in the era's soul catalog. On the flip side, 'Doin' 'The Gittin' Up' is another lively, danceable track that showcases the group's versatility. Written by the prolific Larry Banks, the song was first issued in 2005 on a compilation but has been in high demand ever since. Both tracks highlight the talent of the Devonnes, who, despite their impressive output, didn't gain the recognition they deserved at the time. This reissue finally gives their recordings the attention they've long warranted.
… Read morePlayed by: Craig Charles Funk And Soul, Pete Haigh
in stock $11.91
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Review: Dark tech house's current Olympic torch-bearer, Inermu, present the seventh edition in their very own vari-prod vinyl series. A polysemous production outfit whose guises vary, this new one from Dexter James and Dominic Aquila presents a hard-nosed heater from the lockoff London crew. With most of their releases having been housed on black labels so far, this one is an exceptional whiteout, with lemni-skating delays and conga-happy tribal drives resounding across 'Tougher & Darker' and 'Music For Dark Rooms'. 'No Other' completes the record with a downtime B-side, with subtle pad swirls and taciturn talking drums working well as substitute basslines.
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in stock $14.13
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Cat: DCOMB 004. Rel: 28 Apr 25
Disco/Nu-Disco
Review: Dave Lee continues to be one of Britain's most accomplished disco dons. An established remixing extraordinaire, proven once more here as he tackles some stunning Disco-Funk heaters. First is the Psychedelic Funk mix of '2001 Disco Party' a hypnotic, sweat inducing slab of frenzied funk-action, did we mention this release brings the funk enough? His Synth Vamp mix of 'Potion Of Love' is a must for hi-energy synth solo aficionados, backed up with glorious strings, pulsating guitar and classic disco diva vocals. Last of all his 'Strut Your Strat Dub' of the opener brings irresistible guitar frets to the party, doubling down on the groove factors for some serious heads down, hands up feet stomping.
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Review: Not since Wet Leg has a duo appeared on the UK indie scene with such hype. Disgusting Sisters have had a dream start playing Reading and Leeds, Left of the Dial, Pitchfork Paris and The Great Escape First 50 before even releasing their debut single. 'Killing It' comes out via The Speedy Wunderground 7" single series. The series has been a launch pad for the likes of Black Country, New Road, Squid and Black Midi, who have all gone on to great things. We can expect nothing less for Anglo-French sibling duo Disgusting Sisters - they will be a much bigger band within a few months of this single being released. And this irreverent, funny single will become a collector's item.
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Review: Strap in for another blistering ride thanks to the Sonic Force crew who has tapped up Dissect and Abstract Illusion for a series of new tunes and remixes of one another. 'Tengoku' (Dissect's Heaven mix) is first up with some thrilling breaks that float just above the dance floor amidst nice lush pads. Dissect's 'Cosmos' then rides a lurching beat with more raw percussion and Abstract Illusion's 'Tengoku' ups the ante with crashing snares and hi-hats, plenty of turbulent rhythms and planning basslines. Dissect shuts down with 'Black Hole' which is a darker stepper with a menace undercarriage that might make it the best cut of the lot.
… Read morePlayed by: Juno Recommends Drum & Bass
in stock $12.73
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Review: Sating minimal techno flows, Bondage Records preface their latest release with the phrase "next up". It's implied that, by sampling and cycling through many a novel artistic talent, their label becomes an unstoppable assembly line of feline sonics. Frankfurt producer and DJ Sascha Dive is next up, adding to an incredible daisy-wreath of 12"s put out since early 2005. 'I Was Deep In My Past Life' hears Dive dive back into one of his many pre-incarnate bygones via extra-mile sound synthesis and design, the resultant sound of which evokes an undulant, blobby time-tunnel. 'Dub Chronicles No7', meanwhile, has been thoroughly transient-maximised, with a snappy drum buss envelope uppercutting the technic beats like automations of an iron fist.
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Review: This latest Unxpozd release has taken a hot minute to arrive but it's been worth the wait, because once again DJ Aakmael shows off his deep house class. '6minutes' kicks off with the sort of whimsical late-night chords that soon get you dreaming as the loveably lazy grooves slouch on. 'Just A Track pt. 8' shows Aakmael's sample skills as he chops up the sounds with some nice jazzy keys. You won't find a groove more lush and smooth than the gently cosmic 'Track 123' while 'Autumn' is perfectly stripped back to chunky kicks, slowly ascending chords and a hint of Kerri Chandler soul with a gospel vocal hook.
… Read morePlayed by: Per Bojsen-Moller, Stefan Ringer
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Review: DJ Agitated made a big impression with his 'Magic Overlooked' EP back in 2024, and now builds on that momentum with the follow up. It's a welcome return to the Dolly TS series with more robust and punchy analogue explorations. 'U' Focu Ranni' is straight up body music with fragment vocals pacing about the mix, then 'E=p22m+U(X,T)' takes on off E-ed up waves of techno euphoria with hurried drums and lush synths and 'Don't Mind' brings a filter-heavy, hardcore house sound that will gets fists punching the air. 'Rug Pull' is a dub techno pile-driver for more high octane fun.
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Review: German DJ and producer Balduin maps depthy terrains of ambient and trance-dance with thermoset sonics, on the new three-track EP 'Everything'. Few house music producers take pains to add extra "delicacy" to their beats and textures, but the opener 'You' proves Balduin an exception. A faint tapey warble on a pre-drop vocal sample ("you... are everything") professes much extra care and an ear for nuance, if not for the declarative concern for the listener themselves, hinted at in the sample. The same sculpted textures are plied out further on 'Somar', which works ultra-subtle arps behind relatively syncopated beats, and 'Andever', on which what sounds like pigeon-automata sing faint cooing songs against the EP's knockiest beats.
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