Back catalogue: All genres

Review: The Alone Together Remixes EP breathes new life into Viken Arman's acclaimed 2023 album and has standout reinterpretations from Acid Pauli, Session Victim and Mano Le Tough. Session Victim first infuse 'You With Me' with their signature soul and craft a rhythmic, percussive journey. Acid Pauli blends 'You With Me' and 'Lonely Raver' into a surreal, experimental trip of modular rhythms and dreamlike textures and deep house master Mano Le Tough offers a wonderful take on 'Vibrations'. It is a pulsing club workout designed for peak-time with plenty of lush synth textures. Importantly, each remix is sympathetic to Viken's original analogue warmth.

Review: Passing Currents aims to stand out from the predictable by offering a deeply human touch in its music. This five-tracker backs that up by melding academic expertise with dancefloor intuition and the A-side features txted by Phil Moffa remixed by Yamaha DSP coder okpk after they met during doctoral studies, they flip technical mastery into bass-driven energy while Atrevido' fuses California warmth with analogue electro, Josh Dahlberg's rediscovered 2009 electro gem, 'Ass On The Floor', still bangs and Detroit's Kevin Reynolds delivers hypnotic grooves before Hazmat Live pushes boundaries with a sound rooted in soulful, experimental innovation.

Review:  London-based DJ and composer/producer Phil Mison revisits his Ambala project with a fresh collection of immersive, sun-drenched soundscapes, weaving together breezy rhythms and luminous synth work. A defining force in Balearic music, Mison has long explored the genre in various guises, including Reverso 68 and Cantoma, the latter earning a place in chillout's informal "most revered albums" section. On this second Ambala release, he refines his approach, balancing crisp electronic foundations with warmer organics. A cast of collaborators from the Music For Dreams label join, including guitarist Santino Surfers (Jonas Krag), whose fluid solos range from sultry noir to Mediterranean reverie, composer Troels Hammer, and ambient producer The Swan And The Lake. The result is a dreamlike blend of melody and plunge-texture, perfect for late night reflection or hazy afternoons by the sea.

Review: Hailing from Atlanta, Andre 3000 continues to redefine the contours of musical experimentation with his latest sonic offerings. On 'Moving Day', a piece first showcased in last year's short film documenting his recent work, the OutKast veteran trades in his usual genre-defying flow for the smooth, ambient tones of a cosmic flute. The track unfolds like a slow-motion dream, where the melodies drift in and out of focus, capturing the disorienting yet soothing experience of moving through transitions. Then comes the reversed version, 'Day Moving', which inverts the gentle flow of the original, adding an unsettling, almost ghostly quality as the music warps and loops. The third track, 'Tunnels of Egypt', brings in an unexpectedly grounded yet still vast atmosphere, with its deep, resonant percussion and sparse instrumentation evoking a journey through both time and space. Andre's recent forays into the abstract have seen him abandon his commercial past in favour of an introspective exploration that challenges both him and his audience. Across these three tracks, he once again demonstrates his ability to balance complexity with restraint, creating something both otherworldly and deeply personal.

Review: Vegyn flips Moon Safari inside out, running Air's 1998 debut through his distinct anoxia of gauzy electronics and fleet rhythm. After tide blurring work with Frank Ocean and Travis Scott, Joe Thornalley approaches the source material not as a sacred object, but as raw clay to reshape, stretching melodies, reframing grooves, twisting moods. It's a full-album rework, track by track, with the French duo's ambient-pop blueprint softened and warped into something ghostlier and unstabler. Visuals get a similar rethink: original Mike Mills artwork is reinterpreted by Vegyn with Noah Baker. This version lands as a limited blue vinyl for Record Store Day - not a nostalgia trip, but a sideways step into a parallel listening experience.