Back catalogue: All genres

Review: David Sylvian is best known for his naughties albums 'Blemish' and 'Manafon'- as well as his time at the time of Japan - but at the same time as writing those he recorded a load of alternative material. They took the form of collaborations and side projects with plenty of big names form the worlds of pop, electronic and contemporary classical and are now all gathered together on this Sleepwalkers album. The moods range from romantic to blissed out, sensual to experimental with the likes of the track with Ryuichi Sakamoto, with whom Sylvian has worked for many years, being particular highlights.

Review: Now here's a rarity for you. Not even many of the most committed megafans know that Brian Eno, Holger Czukay and J.Peter Schwalm, accompanied by Raoul Walton and Jern Atai, performed a secret live music show, outside the esteemed Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, the Art and Exhibition Hall of the Federal Republic of Germany, situated in the city of Bonn, in August 1998. Forming a part of the opening party of Eno's Future Light-Lounge Proposal multimedia installation, this furtively-recorded album hears an exclusive slice of incidental "high-altitude food music", of course made during Brian Eno's airborne ambient era. Now reissued via Gronland, this five-piece cut of sophisti-ambi-krauttronica makes for a welcome surprise.

Review: A titanic one-off clash LP between Japan's head brain David Sylvian and electroacoustic extraordinaire Stephan Mathieu, Wandermude is a slow and sublime classic for real ambient heads. Reissued for the first time since its release in 2012, the album charts a wealth of mutual interest between both artists; the pair both collaborated first as part of a dual live performance at Noway's Punkt festival, during which Mathieu performed a live remix of Sylvian's song 'Plight And Premonition'. This LP is the result of the same creative thread - whooshing, mysterious and full of raw instrumental material translated into audacious oddities.

Review: A quadruple box set spanning recordings made between 1968 and 1980 on two-track Revox tape, these previously unreleased works showcase the hypnotic cycles and textural explorations that define kosmische musik. Using his signature Farfisa organ and Echolette tape delay, the pieces evoke the spirit of Roedelius' Selbstportrait series and collaborations with Dieter Moebius and Michael Rother. Rather than a strict retrospective, 90 feels like a timeless sound journey, blending cascading minimalist loops with the organic warmth that has inspired generations. Tracks are unnamed and unmoored from chronology, allowing the listener to experience them as fluid expressions of Roedelius's artistry. The music recalls the meditative brilliance of contemporaries like Terry Riley, while firmly rooted in the experimental ethos of early German electronic music. Released to celebrate Roedelius's 90th birthday, this collection is both a celebration and a rediscovery, offering a vivid portrait of a visionary artist. 90 is a masterclass in innovation and introspection, essential for fans of kosmische and beyond.