Back catalogue:

Review: A unique slice of classic library music flies off the shelf. These four tracks were lifted from the classic library music series known only as 'Sounds Music Album Volume 18', and were made by the library maestro Klaus Weiss, the former jazz drummer who later turned to the trade after falling in with German music publisher Ring Musik. An eerie uncanniness cuts across these instrumentals, as Weiss' drumming provides steady boppage to serene yet dubious backings of strings and synth.

Review: Klaus Weiss was a German jazz drummer who left behind a rich legacy of library music, especially on the series of Sound Music albums for Golden Ring Records in the late 70s-early 80s. In the digging era, Weiss' impeccable grooves now fetch serious prices second hand, and so be thankful for the likes of Dynamite Cuts reaching over into the world of library music reissues to pull four perfect joints from unreachable realms back into the hands of real music fans. From low down nasty funk to space-age star gazing, Weiss packed a lot into these tracks, and now you can cop them on a sureshot 7".

Review: The work of legendary drummer turned library musician Klaus Weiss continues to be reissued. For this series, Dynamite Cuts are looking back on a mid-1970s series of EPs released by Weiss originally for the famous library Sound Music. Carrying a minimal production that still has appeal for the modern listener (don't Dynamite know it), the four tracks here are curt, squelchy and beat-centric, with highlights including the clavichord-wacky 'Frogs', the sonically obese 'Productive Facilities', and the space-age drum freakout 'Coordinates Meeting'.

Review: This great series from Dynamite Cuts continues to delve deep into the alluring world of library music. It is sound that captures real feelings and evokes all sorts of memories, even those that are imagined, with a single note or seductive groove. This collection is made of tracks from the German Library series Sound Music Albums which sell for over L150 if you can find a copy. There are four tunes in all, three from Klaus Weiss and one from Peter Thomas, all of which add up to another great collection and a must for serious music heads.

Review: Over three decades of musical exploration and innovation have cemented German guitarist and bandleader JJ Whitefield as a stalwart in the realm of authentic, timeless music. As a founding member of the Poets Of Rhythm in the early 90s, Whitefield pioneered a hard-edged take on 70s street funk, setting the stage for the Deep Funk scene to come. His subsequent ventures under various pseudonyms, including Karl Hector, showcased his versatility and eclectic influences, drawing from Ethiopian Jazz, West African funk, Kraut-rock, and ambient sounds. With his latest album, The Infinity Of Nothingness, Whitefield delves into the astral realms of spiritual jazz, paying homage to influences like Sun Ra and Pharoah Sanders while forging his own path. The album's mature, delicate orchestrations evoke a trance-like atmosphere, with subtle accents of hip-hop, library and avant garde seamlessly integrated. Tracks like the sparse opener 'Nothingness' and the expansive 'Infinity Suite' demonstrate Whitefield's ability to create music that not only honors his influences but also stands the test of time. The Infinity Of Nothingness represents a culmination of Whitefield's lifelong musical journey, showcasing his unwavering dedication to authenticity and innovation.