Back catalogue:

Review: Frank Sinatra's legacy shines as bright as ever these days, and with this special edition of The Platinum Collection, a timeless 3-disc set celebrating the golden voice of 'Ol' Blue Eyes', that is unlikely to change any time soon. Though he passed in 1998, this compilation cements his near six-decade career with unforgettable classics that defined a generation and beyond. Featuring signature tracks like 'Come Fly With Me,' 'I've Got You Under My Skin,' 'Nice 'N' Easy' and 'The Lady Is A Tramp' this collection showcases Sinatra's effortless charm and velvet phrasing as well as his most singular talent - that iconic swing. It's a perfect entry point for new listeners or well well-curated addition for lifelong fans.

Review: Captured over two nights in August 1970, Sun Ra's landmark sets at Fondation Maeght mark his first performances outside North America and document one of the Arkestra's most potent live iterations. Set in a modern art gallery in southern France, the concerts land Ra, John Gilmore, Marshall Allen and co. amid a cross-disciplinary festival alongside Albert Ayler and LaMonte Young, and show the Arkestra in full visionary flight. 'Love In Outer Space' and 'Shadow World' blend ritual chant, sci-fi groove and volcanic improvisation, while 'Cosmic Explorer' and 'Spontaneous Simplicity' show the group folding modal jazz into galactic swing and freeform abstraction. Organ blasts, interstellar percussion, surreal monologues and projections of Egyptian gods and rockets made this a total work. Caux's recollections of stunned audiences match the recordings' scale: volatile yet tightly bound, cosmic but rooted in Black American avant-garde traditions. This new Strut edition spans four CDs and adds extensive liner notes and restored photos by Philippe Gras, pulling the Maeght nights from myth into focus. It's not a mere live document - more like a transmission, decoded decades later. If Ra was right that "space is the place," this is one of its clearest signals.

Review: This is the sound of Malian guitar mastery at its peak as Zani Diabate's Super Djata Band channelled raw magic on their 1981 album. Blending Wasulu hunter traditions, griot storytelling, Senufo dances and Fula and Mandingo sounds with psychedelic rock, blues and Afrobeat, the Bamako-based orchestra delivers a genre-bending sonic trip that more than stands up. This is where tradition meets wah-wah pedal wizardry across six electrifying tracks that blaze with intensity and infectious groove. It outlines a revolutionary sound forged for the people, by the people and in the 1980s, few bands matched their fire- could should still the same today, to be fair.