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Review: The latest EP by noise and industrial maverick Oxymosoon delves into the intricate interplay of ego, vulnerability and self-reflection. This genre-defying release combines haunting electronic textures with evocative melodies and poignant lyrics to create a sonic narrative that challenges conventional perceptions of self-identity. Each track flows seamlessly while blending ambient atmospheres with bold beats and experimental soundscapes. Oxymosoon's signature style shines through with compelling production and emotional depth all drawing you ever deeper into an introspective journey that explores the beauty and complexity of the human psyche.
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Review: 'Power Starved/Human Waste' is as scary to hear as it is to read the track title. As far as album openers go, it certainly sets the scene vividly. A dark, dystopian, murky futurism where people - or at least their ears - listen from beneath the boot of oppressive forces, inaudible vocals echoing and expanding, reverberating and dissipating into a distance we can never really hear because of how forceful foregrounded sounds are. Industrial, EBM, noise, elektro-punk. There are many ways to describe what's here but they all point to a 21st Century cloaked in darkness and anxiety. The irony, of course, is that this is a very human expressionism, despite the harsh machines that seem to dominate the soundscapes. The distorted screams and thumping bass drums of 'Safety Net' perfectly summarise the point.
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Review: After deciding to sidestep off-kilter bass music bangers in favour of exploring the more experimental side of his musical personality, Jim Coles AKA Om Unit has seen his career get a deserved bump. At the heart of this transformation has been the superb Acid Dub Studies series of albums, which here reaches its third and final instalment. Like its predecessors, Acid Dub Studies III offers an enticing mix of weighty digi-dub 'riddims', deeply psychedelic TB-303 trickery, boisterous dub-leaning bass music grooves, trippy effects aplenty and some of the most immersive sound design around. Yet while there are some genuinely weighty and forthright dancefloor moments - see the rugged 'The Chase', bouncy 'Hungry World' and steppas-powered 'Usurper' - Coles also finds space for warmer and more loved-up excursions, with the gorgeous 'Lost & Found' standing out.
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