Back catalogue:

Review: Having played a slew of inimitable and unforgettable television comedy characters over the past decade or so, from Toast of London's Stephen Toast to Douglas Reynholm in The IT Crowd, Dixon Bainbridge in The Mighty Boosh and Todd Rivers in Garth Marenghi's Darkplace, you could be forgiven for expecting Matt Berry to use songwriting and music as another form of hilarious release. That's definitely not the case. There's plenty of release on I Gotta Limit, but this is anything other than satire. The first new music to come from Berry's 2025 album, Heard Noises, the two tracks here are pure joy, authentic and genuinely impressive on a technical level. Exchanging lines in a duet with Kitty Liv for the titular number, the vibe is part Northern Soul, part psych rock, and pretty much all completely captivating.

Review: The latest album from Michael Kiwanuka continues his exploration of soul, folk and jazz, with production from Danger Mouse and Inflo. Following the path set by his previous work, the album offers a familiar yet comforting sound, blending rich soul vibes with subtle jazz influences. The opening track, 'Floating Parade', sets the tone with its dreamy, nostalgic atmosphere, while 'Lowdown' - a two-part track - channels 70s Afro-rock with a laid-back vibe. Kiwanuka's introspective lyrics reflect themes of self-reflection and gratitude, with tracks like 'One and Only' and 'Stay By My Side' offering heartfelt messages to his family. Musically minimalist, the album emphasises warmth and simplicity, as seen in 'Live For Your Love', where Kiwanuka expresses regret and appreciation for his wife's patience. The album's standout moments draw from 70s soul and afro-rock influences, bringing a fresh twist to Kiwanuka's signature sound. Overall, this album provides a comforting, soulful experience, showcasing Kiwanuka's growth both musically and personally, offering listeners an intimate and reassuring journey through his life and musical evolution.