Back catalogue:

Review: This dual release from Studio 16 and Town & Country offers up some exceptional roots and lover's rock fusion sounds that swell the heart in every way. It is the brilliant Barry Brown who steps up to deliver the vocal on the sick early 80s 'Boxing' rhythm. His rhythmic delivery chimes with the natty chords and earthy guitar riffs as the heavyweight bass meanders away down low. On the flip, it's Joe Gibbs & The Professionals who get busy with a dubbed-out version they name 'Fight Back'. Pure fire, so do not sleep.

Review: Experience the brilliance of Dennis Brown's late 70s roots vocal cut with this crucial reissue from Joe Gibbs. This new 45rpm features captivating harmonies by the acclaimed USA singer Dhaima, who is a frequent Brown collaborator, and here they combine in superb fashion for a deep roller with buttery vocals. On the flip side, indulge in the mesmerising dub version crafted by The Mighty Two. This is another great reggae release from the tireless folk at the Joe Gibbs imprint.

Review: Five essential Yabby You roots classics from the mid-70s are being released via Prophets and Digikiller and they all come paired with King Tubby's visionary dubs. This one focuses on 'Fire In Kingston' from Vivian Jackson and The Prophets and it's the pinnacle of roots music blending spiritual depth with Tubby's groundbreaking production. The low end is warm and cavernous and the vocals are effortlessly stylish and soulful and with the addition of sprinkling percussion and a zoned-out dub and you have a lovely little 7".

Review: Reggae collectors may already be aware of 'When You Gonna Stop', a now exceedingly hard to find UK reggae release. It was recorded by Black Slate, one of the most active British reggae bands of the period, under the alternative Jeduthum alias, produced by Robert Fearon, and initially released in 1978 on the short-lived JBC label. It remains a superb slab of conscious, warming and weighty roots reggae, with great performances from the band and an impassioned lead vocal that tends towards the world-weary. Equally as impressive is the flipside 'Stop Ranking Dub', which - as you'd expect - provides a perfect dub-wise interpretation. A genuinely essential reissue.

Review: The always-worth-checking Roots Vibration have been digging in the vaults again and serve up this superb reissue of Glen Judah's much sort after early 80s gem. 'Mr. Collie Man' is a weed anthem to end all weed anthems with its ode to the smoke unfurling over slow, steady drums, gentle horn stabs and buttery vocal goodness heightening any trip. On the flipside, you will find a version that slows things down even more and ups the liquidity of the synths which form lush puddles around the echoing hits and kicks.

Review: Having a cut a record as early as 16 years old, Junior's talents were identified quickly and he went on to be a prolific roots rockers vocalist with a busy career through the 70s and 80s. One of those who heard and recorded him then was Lee "Scratch" Perry and this record was one of their collaborative standouts, pairing a driving rhythm with a powerful, catchy lead vocal and uplifting background harmonies all elevated by the unmistakable warmth of the Black Ark studio's production. It's a timeless piece of classic reggae, making it instantly memorable and irresistibly singable. Side-2 transforms the track into a dub showcase. Layers of echo, reverb and vocal snippets create a spacious, hypnotic atmosphere, with the rhythm section taking the lead. The interplay between the faintly retained chorus and effects adds depth while maintaining the song's original spirit. This reissue highlights the enduring appeal of both the original roots cut and its dub reinterpretation.

Review: This one seems to get reissued every year, and for good reason: it's a mighty fine 7" from London reggae legends Junior Dell & The D-Lites, who are staples of the Original Gravity label and known for their expertise in vintage sounds. Many of their finest tracks have been reissued over the years and 'Twenty Flight Ska' is as worthy as any. It delivers a raw sound with punchy ska horns, smooth rhythms, and deep rolling bass. On the flip side, 'Orange Street Breakdown' takes a more laid-back approach while radiating warmth with its relaxed groove and sun-drenched melodies. Both tracks capture the beautiful essence of classic ska and reggae.

Review: A 45 that perfectly captures the laidback, island vibe of reggae music. Side-1 features Junior Dell & The D Lites' 'Cool Right Down', a catchy tune with an infectious island flavour. The unique vocal performance exudes a relaxed charm, paying homage to the chill personality of Jamaican life, while the smooth rhythm and warm melodies create an inviting atmosphere. Side-2 delivers the instrumental version, 'Cool (Version)', by Woodfood Rd Allstars. The track comes alive with dynamic instrumentation, allowing the rhythm section and melodic elements to shine. The absence of vocals puts a greater focus on the groove and the track's energy is elevated through its rich, vibrant instrumentation. Together, these two tracks offer a well-rounded experience of classic reggae, blending relaxed vibes with dynamic instrumental interplay.

Review: This one was only reissued back in summer but such its is enduring appeal and superb impact once played through a beefy sound system, here it comes again. It is another top 7" version of Fatboy Slim's megahit 'Praise You', in authentic rocksteady style, performed by Jamaican vocal group Junior Dell & The D Lites, who've been active since the 1960s. "Mi haffi praise you", gleefully intones Dell, against an impressive interpretive backdrop of jubilant brass and cabareting bubbles. The B-side procures a more curious and laid-back instrumental, Woodfield Rd Allstars' 'Cool Cool Runnings'. Do not sleep.

Review: Featuring Mervin's unmistakable falsetto delivers an anti-war message over a lush dub-infused backdrop, radiating hope and defiance. The track's atmospheric depth, blending melodic elements with rhythmic precision, is pure brilliance. On Side-2, the Upsetters' version reimagines the song, allowing Perry's dub wizardry to shine. Stripping back vocals and emphasising the instrumental layers, the dub version highlights hypnotic basslines, echo-laden effects, and a more prominent groove. The interplay between restraint and innovation transforms the track into a meditative dub experience. Junior Mervin's Cross Over 7" is a roots gem steeped in the signature magic of Lee "Scratch" Perry. With a message as powerful as its production, you've got the true recipe for a classic.

Review: The fruitful relationship between Town & Country and Studio 16 continues once more here with a brilliant 7" packed with real reggae royalty. This double-sided dancehall release from the legendary 70s producer Joe Gibbs features vocals from the one and only Madoo. He is in singjay style on a-side jam 'Backway Mr Landlord' with deep drums and psyched-out guitars that bring the rhythm to life in a vibrant fashion. On the flip, it is the trio of Prince Mohammed, Joe Gibbs & The Professionals who step up and offer their own melon-twisting dub in the form of 'Backway Mr Landlord'.

Review: Freddie McGregor's 'No Competition', originally released in 1981, is a rare gem from the roots and lovers rock scene that has been gaining renewed attention in the underground. Now here reissued, this track showcases McGregor's smooth and timeless reggae style, reminiscent of Bob Marley's classic sound. Backed by the One Vibe Band, McGregor delivers a classy, uplifting reggae tune that radiates warmth and authenticity, marking it as a standout in his extensive catalogue. On the flip side, Joe Gibbs & The Professionals provide 'Don't Try It', an instrumental counterpart that offers a stripped-down version of the original. Their rendition is a deep, mostly instrumental dub version that emphasises rhythm and bass, allowing the groove to take center stage.

Review: Nkrumah Jah Thomas's label The Midnight Rock was a cornerstone of exceptional productions in early Jamaican music. As a savvy producer, Thomas maximised his rhythms and created numerous records for a variety of artists. He emerged at the perfect time and recorded breakthrough tracks in top studios like Channel One, often with the Roots Radics. While many of his sessions were released, some remained unreleased, trapped on multi-track tape. One such session featured Sugar Minott, known for his hit 'Good Thing Going.' Thomas has crafted fresh mixes from these sessions with this single addressing gun violence and featuring a vibrant Radics rhythm and a new dub on the flip side.

Review: The renowned Jamaican reggae singer Winston Reedy is someone who has had several solo number-one hits that have made him widely known in the reggae world. He was also the lead singer for top reggae band The Cimarons with whom he saw much more success. He leads this new 45rpm with the super laid back and vibey 'Pirate' and it is paired with a 'Steady Rock' dub by The Inn House Crew, then backed with Jamaican-born, London-based artist, songwriter and producer Barry Issacs and a Germany-based Jamaican in Juliaiasiah whose 'Secret' is a sun-kissed delight.

Review: J Nile is the son of reggae legend Gregory Isaacs and his vocal work is almost as powerful as that of his great father. To prove it once more he presents his powerful new album Tired which manages another sound both fresh and new but also a descendant of roots greats who have gone before, not least his dad. The authentic tunes feature collaborations with some of reggae's finest musicians including Sly Dunbar, Vin Gordon, Michael "Megahbass" Fletcher and Alan Weekes, With deep roots and a modern production edge in things like the shiny synth work, Tired blends conscious lyrics and soulful rhythms that capture the spirit of classic reggae. There are plenty of sunny horns and swaggering low ends with substance, soul and timeless grooves never far away.