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Review: It's not a scam... it's Skam! To the Skam sister label Kasm comes Russell Haswell with a mitre-sawing electro release, veering toward brash abstraction. A gobby intonation is wrought from the distortion send here, where drums near-vocally poke through the muck, like rambunctious talking ghosts in machines. Warring allusions to lost humanity take shape on titles like 'Fractured Bones' and 'Tournament Species', where cyborg gladiators rise from their catacomb internments to face off against each other again and again, in haunted perpetuity. 'Different Takes' is the best example of the record's at times tempoless ferocity, scattering what remains as an intuitive pulse across phase-distorted gargles and made-wonky beat hydraulics.
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Review: UK noise maverick Russell Haswell has had an impressive, star-studded career, and we're pleased to see that he's sticking close to the underground thanks to his recent friendship with Powell's Diagonal imprint. After a series of appearances for the lo-fi imprint, Haswell comes through with an album, a whopping seventeen tracks of brutal power electronics and quasi techno. This is the sort of shit you can stand back and be thrown backwards by, or exactly the sort of gear you can layer over DJ sets for added damage. There are pieces such as "Wholly Unaware" and "Gas Attack", which do verge onto the 4/4 sphere. In any case, this is some serious stuff and it comes hotly recommended
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