Back catalogue:

Review: A total departure from her last album Magdalene, Grammy-nominated British multidisciplinary artist FKA Twigs is firing on all cylinders on Eusexua. The slogan "Eusexua is a practice. Eusexua is a state of being. Eusexua is the pinnacle of human existence" can be found everywhere online and in London right now, even sprayed onto the pavement in places - what Eusexua actually is though is anyone's guess, which is half the fun I suppose. While 2019's Magdalene was a heartwrenching collection of string-led ballads covering extremely morbid topics, with the sensational and fun 'Caprisongs' in 2022 bridging the five year gap, Eusexua is going all in on techno sensibilities, helmed by Koreless, Two Shell and a host of other high-class beatmakers. The title track, released in tandem with a teaser for 'Drums of Death', is an Opus III style trance/techno slow-burn that erupts into a thumping bassline towards the hindlegs of the song. Twigs seems to be styling herself predominantly after Kirsty Hawkshaw during the 'Mind Fruit' era, both in the bold choices of hair and going so far as to cover 'It's A Fine Day' at a Vogue Word event. Garnering a cultlike status, Eusexua is a blend of eclectic influences with the finest talent at hand working on it, tied together with Twigs' personal experiences living in Prague and falling in love with an underground techno scene without borders. The only question remaining, really, is what does Eusexua mean to you?

Review: Like many of us, Fred Again keeps a diary. But rather than writing in a journal, pager or Notes app, his diary takes the unusual form of an intensely personal album series, 'Actual Life'. The second instillment in the series hears him once again weave through Londonized R&B, future garage and pop-electronic, charting an 8-month period looking into an intensely difficult period of his life, in which the artist was confronted with a complex case of grief.