Back catalogue:

Review: Second time around for eccentric Sheffield trio The All Seeing I's sole full-length excursion, 1999's Pickled Eggs & Sherbert, which here lands on vinyl for the first time.The album, a celebration of Steel City creativity featuring cameos from Cocker, Tony Christie, Babybird and the Human League's Phil Oakey, is best remembered for hit singles 'The Beat Goes On', 'Walk Like a Panther' - lyrics reportedly penned by Jarvis Cocker - and 'The First Man in Space', but there are plenty more highlights amongst the unique blends of fractured dancehall rhythms, redlined electronica, oddball easy listening references, experimental d&b rhythms and genuine leftfield pop nous. For proof, check out blissful acapella number 'No Return' (where Lisa Millett plays a starring role), the breathless, bass-heavy house of 'Sweet Music', the weighty madness of 'I Walk' and the exotica-goes-big beat flex of 'Happy Birthday Nicola'.

Review:  London-based DJ and composer/producer Phil Mison revisits his Ambala project with a fresh collection of immersive, sun-drenched soundscapes, weaving together breezy rhythms and luminous synth work. A defining force in Balearic music, Mison has long explored the genre in various guises, including Reverso 68 and Cantoma, the latter earning a place in chillout's informal "most revered albums" section. On this second Ambala release, he refines his approach, balancing crisp electronic foundations with warmer organics. A cast of collaborators from the Music For Dreams label join, including guitarist Santino Surfers (Jonas Krag), whose fluid solos range from sultry noir to Mediterranean reverie, composer Troels Hammer, and ambient producer The Swan And The Lake. The result is a dreamlike blend of melody and plunge-texture, perfect for late night reflection or hazy afternoons by the sea.

Review: Sensory Blending hears Finnish artist Jimi Tenor and Italian group Aura Safari team up for an impromptu studio shebang in Perugia, Italy, after Tenor's storied but clandestine performance at a Hell Yeah party. Despite no prior connection, the musicians quickly found common ground, forging a vivant fusion of jazz-funk, tropicalia and soul. Tenor's psychedelic style gelled Aura Safari's faster, intuited approach, resulting in such tracks as 'Bodily Synesthesia,' 'Bewitched By The Sea' and 'Lunar Wind', each of which connect seductive grooves and ghost noted keys. Possibly performed live at select events later in the year, the record is a perfect storm of recorded "live feel" Balearica.

Review: British producer Joe Thornalley aka Vegyn made his name working with the likes of Frank Ocean and Travis Scott. This project is something quite different - a rework of the iconic French duo Air's seminal downtempo album Moon Safari. He collides its blessed out and beauty Balearic nostalgia with new studio techniques and a deft atmospheric and experimental touch so that tracks like 'Sexy Boy' and 'La Femme d'Argent' retain their lush, ambient roots but evolve with newly textured beats and modern flair. This remix LP isn't about revisiting the past; it's about reshaping it, and Vegyn's vision works as both a tribute and a bold reinterpretation for a new generation.

Review: British producer Joe Thornalley aka Vegyn brings forward-facing, abrupt and clippy stylishness to Air's 1998 debut album Moon Safari, in a daring reimagining crossing both audio and English Channels. Vegyn's desultory dynamics prove a toothy match for Air's comparatively amniotic French downtempo pop sound, though we *can* hear the ways in which Vegyn might've always somewhat taken after Air's production, his dream-rap sound lent well John Glacier's album released not long ago. Of course, 'Sexy Boy', 'All I Need', and 'La Femme d'Argent' are synonymous with the vibe of an era, and Vegyn's LP-remix (an increasingly popular format in 2015) honours Air's e-steamed essence, reconditioning their turn-of-the-digital vibe in jerkier retrospective tones.