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Back catalogue:
Juno's full catalogue of
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Review: Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender.
While studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
… Read moreWhile studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
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Review: The 40th Anniversary Edition of Wham!'s iconic Christmas hit is a nostalgic trip through the beloved holiday classic. The first track, the original version remains as timeless as ever with its catchy melody and emotional lyrics, capturing the spirit of both love and heartbreak. The 'Pudding Mix' adds a playful, slightly altered twist, giving a fresh take on the classic while maintaining its festive charm. The live version recorded at Wembley Arena in 2006 showcases the energy and warmth of Wham!'s performance, adding an exciting, crowd-fueled vibe. Finally, the instrumental version strips down the vocals, letting the lush production and catchy synths shine in a new light. A Christmas classic!
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アルバム
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Denis (DVD - Top Of The Pops 23/02/78)
Picture This (Top Of The Pops 24/08/78)
Sunday Girl//Dreaming (Top Of The Pops 25/12/79)
Fan Mail/I'm Always Topuched By Your Presence Dear/Detroit 442 (Old Grey Whistle Test 07/03/78)
Dreaming/Slow Motion/Shayla/Union City Blue/Atomic/Eat To The Beat/Picture This/Pretty Baby/Heart Of GlassHanging On The Telephone/Sunday Girl (Old Grey Whistle Test - The Apollo Theatre, Glasgow 31/12/79)
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Review: Sabrina Carpenter has very quickly become a new school pop sensation. She has the look, the sound, the songs, and was also given a huge boost by being the support act on the recent and epic Taylor Swift tour. Short n’ Sweet is her new albumi and one that captures the vibrant energy of Carpenter with plenty of sugary hooks, catchy grovers and dazzling produciton flourishes. With a gold album and multiple platinum singles to her name, it’s no surprise that 'Espresso,' the lead single from her upcoming album, has it all—witty lyrics that make you smile and songwriting so clever you’ll wish you’d written it yourself. The rest of the tracks are not far different.
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Review: The ingredients of Charli XCX's latest album, Brat, are clear, but intriguing: dance-pop songs arranged and sequenced to make it sound like a "club record" (a nod to her roots performing at London raves as a teenager), with lyrics and vocals that are in turn "aggressive" and "vulnerable". This approach - dance-pop with genuinely soundsystem-friendly weight - pays dividends. For proof, check recent singles '360', where Charli XCX's attitude-laden vocals rise above punchy beats, deep bass and eight-bit synth sounds; the deliciously up-tempo, grandiose and brilliantly bonkers 'Club Classics' (mutant garage meets everything-but-the-kitchen-sink peak-time madness); and growling EDM-pop of 'Von Dutch'.
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Cat: 5054197 899881. Rel: 02 May 24
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Music Of The Spheres (CD in die-cut spot-varnished sleeve)
Cat: 019029 6666988. Rel: 15 Oct 21
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Never Take The Place Of Your Man
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Review: Kylie Minogue's turn-of-the-2K electropop album mightn't be known to most music fans; they know it by its singles, the best-known of which include 'Spinning Around' and 'On A Night Like This'. Also a return to Kylie's pop roots, it follows her 1997 record Impossible Princess, on which Minogue had taken an experimental turn towards trip-hop and electronica, though this didn't pan out as well as it did for committed actors in the style on which Minogue drew inspiration, such as Bjork. Though the former record gained a cult status in hindsight - a "sexy and reliable secret weapon" by some critics' assessments - Minogue nonetheless rode the critical wave of the time, saying Light Years heard her do "what I do best... pop music is the kind of music that people want from me." It is not to be discounted either, its electric dance sound design serving a kind of eerie hyperreality that likely wasn't registered among her target demographic way back when.
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Review: While working on The Age of Pleasure, her first album for five years, Janelle Monae frequently played rough cuts of the tracks at parties, choosing to dispense with any that didn't rock the dancefloor. As a result, the album is tons of fun from start to finish, with Monae's lyrics exploring "all the things that give me pleasure" atop music that giddily blurs boundaries in pursuit of genuine good times. 'Float', featuring mighty horns from Afrobeat combo Seun Kuti and Egypt 80, sets the tone, blurring the boundaries between hip-hop, reggae and modern soul, while 'Lipstick Lover' delivers another low-lung reggae/r&b fusion from the top drawer. Throw in guest spots from Grace Jones, Sister Nancy, CK, Amarea and Nia Long, and you have a vibrant and entertaining set that won't leave your headphones all summer long.
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Review: Rita Ora recently described her hotly anticipated third album, You & I, as "like my diary of the last few years". Masterminded in collaboration with executive producer Oak Felder and featuring Ora as a credited co-writer throughout, the album has been trailed as loosely chronological musical wander through the highs and lows of relationships and falling in love. Ora is in fine form throughout, singing confidently (and sometimes passionately) atop backing tracks that offer a 21st century synth-pop take on dance music culture - as has been the fashion for a number of years. It also contains a genuine club anthem in the shape of 'Praising You', an inventive, hands-aloft, festival-friendly banger that makes extensive use of Fatboy Slim big beat classic 'Praise You' (for which he gets a 'featured' credit).
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Happy Together (Deluxe Edition) (CD + DVD)
Cat: 548868 0. Rel: 03 Dec 21
Happy Together (DVD)
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