Mood II Swing - "Closer" (feat Carole Sylvan - King Street Moody club mix) (6:17)
Ananda Project - "Cascades Of Colour" (feat Gaelle - Wamdue Black extended mix) (6:46)
Review: Earlier this year, legendary NY house label King Street Sounds was acquired by Armada Music. The Dutch imprint plans to reissue many of the well-known - and lesser-celebrated - gems from the King Street vaults in the months and years ahead. To kick things off, they've delivered this vinyl sampler featuring some of the stable's most admired cuts of all time. So, we get Dennis Ferrer's iconic remix of Blaze and Barbara Tucker's gospel-powered soulful house anthem, 'Most Precious Love', the 'King Street Mix' of Jovonn's legendary deep, bumpin' tribute to New Jersey's Club Zanzibar, 'Back To Zanzibar', Mood II Swing's hot and heavy 'moody club mix' of their own Carole Sylvan collaboration 'Closer' and the all-time deep house classic that is the Wamdue Black extended rework of 'Cascades of Colour' by Ananda Project. Simply essential!
Dr Packer & Elektrik Disko - "My Lovin'" (extended mix) (6:04)
Dr Packer & Elektrik Disko - "My Lovin'" (Elektrik Disko extended mix) (5:14)
Mattei & Omich & Re Tide - "Give Me Your Love" (feat Katy Alex - extended mix) (5:27)
Re Tide & Lukas Setto - "Me & You" (Dr Packer remix) (7:07)
Review: Next up on the Fool's Paradise vinyl sampler is a four-tracker of glitzy and emphatic proportions. Vol. 3 opens with Dr. Packer and Elektrik Disko's 'My Lovin', which vexes us of our infidelities in the promise of being lent "all our love tonight", a vocal motif that swirls endlessly around its discoic mix. Mattei and Omich follow up with exactly the same theme, though it would seem that the former promise has been foreclosed upon, since the central vox is now asking the listener to "just give me your love", with an added dash of urgency to boot, and not the other way round. The B-side, not purely coincidentally, we think, dominated by the producer known as Re-tide, moves much more profligately, abandoning much of the A-side's glamour for the more immediate appetites that drive, but do not temper, disco's soul.
Review: Lee Jeffries and Matt Early kick off Sonic Wax Records' new Disco Edits label with a deep dive into 'Lady' which is something of a classic, sought-after gem that will reportedly cost you over a grand to find in decent condition. First up the pair elevate the original with their Disco Dust mix which is perfect for main house rooms and the inks of the glammed-up Glitterbox crowd. It features bold production and diva vocals and then Opolopo delivers a moody, pulsating disco remix that infuses the original with some stylish grooves and quality production. Both tracks have been played plenty already by heavyweights like Opolopo, Kenny Dope, Bobby & Steve, and Wade Teo.
Dennis Ferrer - "How Do I Let Go" (feat TK Brooks)
Rain: A Lil Louis Painting - "Give It Up" (Masters At Work club mix)
Mood II Swing - "Sunlight In My Eyes"
Kimara Lovelace - "Misery" (Lil Louis club mix)
Review: Now under new ownership (international dance music powerhouse Armada Music, fact fans), long-serving New York house imprint King Street Sounds is doing a good job in showcasing gems from its vast archives. This second label sampler contains four more genuine must-have cuts. First up, there's a chance to admire the deep, soulful house wonder that is Dennis Ferrer's 2008 hook-up with honeyed vocalist K.T. Brooks, 'How Do I Let Go'. It's followed by Masters at Work's deliciously loose, disco-influenced deep house revision of 'Give It Up' by Lil' Louis' Rain project (first released in 2000), Mood II Swing's DIY Soundsystem favourite 'Sunlight In My Eyes' (easily one of the greatest deep house jams of all time) and Lil' Louis's swinging garage-house rub of Kimra Lovelace's 'Misery'.
Review: Craft Music welcomes two maestros in Funkyjaws and Los Protos for this new EP. 'Poko Sav' opens up with some big rhythmic flair, steamy vocals and percussive drums and a generally sunny vibe that brings back some summer warmth. 'Vem Meu Amor' pairs twitchy electronics with organic percussion and grooves and 'Can't Touch This' ups the ante with some punchy disco-house sounds and exotic vocals before last of all, ''Beira Mar' slows things down with a late night blend of pulsing synths and analogue drums.
Review: The esteemed Michael Gray is back once again with his superb house sounds, this time on Sultra with 'Save Me.' An extended mix of the title cut opens up and is the sort of glorious crossover anthem that will unique any crowd with its clean and soulful vocals, pristine sax notes and swooning strings, all married to a breezy and effortlessly catchy groove. After the dub version comes 'Ivy' which is another accessible, heart-swelling and radio friendly house sound that harks back to the proper songwriting days of yore, then 'Season High' closes with a bright synth one that twists and turns next to celebratory chords and singalong vocals.
Review: Give My Love by In Dat Groove & Lee Wilson is an infectious late-night jam with soft calypso vibe to it and the DJ Spen Rework elevates with soulful house flair, adding a depth and groove that's irresistible for dancefloors. The L'Amour Disco mix rounds out the package, paying homage to classic r&b, disco and house sounds with a polished nod to the 80s. Both versions offer a unique flavour, making this release a stunning collection that caters to diverse musical tastes. Whether you're in the mood for tropical warmth, soulful beats, or nostalgic disco, 'Give My Love' delivers beautifully.
Fighting For Your Life (Blood On The dance Floor remix) (5:58)
Fighting For Your Life (After Dark mix) (5:36)
Review: Lockdown Records has put together this useful new 12" which offers up the notorious duo of Matt Early & Lee Jeffries. 'Fighting for Your Life' is a classic pop single that comes with the electrifying Blood on the Dancefloor Mix and the sultry After Dark Mix, both of which are inspired by the iconic sounds of Michael Jackson. They make for effective dancefloor weapons that come with a hint of nostalgia and plenty of weighty grooves.
Review: Connoisseurs of the European underground will be well-tuned to the sounds of quality operator Nico Lahs. And as for house operations over in the States, they don't come much finer than Kai Alce's NDATL Muzik, which means this a superb coming together. And so it proves with 'Over Me', offering slouchy, low-slung deep house beats with nice aloof, soulful samples. 'Searching' has a zoned-out late-night feel with swirling pads and a super smooth groove, then 'Overcome' brings a little more percussion and jazzy key work which Alce flips into one of signature and smoky shufflers.
Review: 'J'Voudrais Qu'Tu M'Dises' is the latest 12? reissue from Forest Jams. Like previous releases, little is known about Kelly Lane but her vocals shine over a blend of synth-pop, house and boogie. The track exudes both charm and strength as it delivers a funky, smooth sound. For purists, the B-side offers an instrumental version. Additionally, a remastered and highly catchy and house-driven dance remix also features and is sure to make Kelly Lane's captivating grooves find their way into the hearts of a who hear it.
Review: A timely reminder of the enduring power of classic house music. Originally released in 1991, 'Rise Up' is a certified anthem, its infectious energy and uplifting piano chords transporting listeners back to the golden age of house music. This reissue features the original mix on the A-side, a timeless piece of dancefloor history that continues to inspire and uplift. But the real treat lies on the flip, where Vandalism delivers a remix that injects a contemporary twist via a driving bassline and fruity synths. A guaranteed mood booster and a reminder of the timelessness of classic house music.
Review: Late Night Tuff Guy has long since proven his credentials as a master of the cheeky edit. He now mints his own new label Tuff Cuts with a first EP of what will surely be many. It features two reworks hand picked by the man himself and then pressed on 12". The first is a dancefloor ready rework of the Bill Withers classic 'Lovely Day' with a nice rolling groove and plenty of the original's charm still in tact. Things get more sultry and seductive on the soul drench and more slow motion sounds of 'Love About' on the flip. It's a real beauty for the end of the night moments when love is in the air.
Review: Late Nite Tuff Guy's Soul Cut #04 offers three expertly crafted edits that breathe new life into classic 70s tracks, blending disco, jazz, funk, and pop into a seamless listening experience. On Side-1, 'Beijo' sets the tone with a smooth, disco-infused reimagining of Earth, Wind & Fire's classic interlude. The track has a light funk undercurrent, creating a vibe that's perfect for dancing all night, with a Balearic twist that adds a fresh touch to the original. Side-2 kicks off with 'Sunshine,' a tasteful edit of Roy Ayers' iconic 'Everyone Loves the Sunshine.' Late Nite Tuff Guy maintains the soulful essence of the original while adding his own groove, making it a perfect summer anthem. The EP closes with 'U Got It Bad,' a rendition of Stevie Wonder's 'You've Got It Bad Girl,' reworked into a smooth, jazzy track that's both nostalgic and timeless. An excellent 12" for fans of classic disco, funk and jazz, with a modern twist.
Review: Lauer will need no introduction to anyone reading this. He is a long-standing pillar of the underground and a real house master. Here he brings some throwback 90s vibes and rave Ibiza energy to opener 'Centurio' with its acid-tinged synth and hands-in-the-air chords. 'I Don't Know' pairs things back a little with slapping drums and acid-tinged stabs and 'Trig Out' gets back to peak time and sun-kissed main room house fun complete with a curious whistle. 'Longo' closes out this bright, ageless EP with another mad mix of wonky pianos and sizzling house beats.
The Trammps - "I've Gotta Stand Up" (Dave Lee Garage City mix)
Celestial Being & Citizens Of The World Choir - "Raise The Vibration" (Crackazat club mix)
Soul Dhamma - "Flower" (Dave's Boogified mix)
Review: Vintage house and disco don Dave Lee knows a thing or two about serving up irresistible and timeless cuts and that's what he does here with the 24th instalment of the long-running Attack The Dancefloor series on his own Z Records. The man himself kicks off with Maurissa Rose on the loosely chugging, deep and soulful 'Open Me Up' (a first taste of the upcoming album together). He then slips into US garage style with his popular remix of The Trammps' 'I've Gotta Stand Up' that harks back to the glory days of 90s Soulful House. Felix Buxton's Celestial Being & Citizens Of The World Choir's 'Raise The Vibration' gets a gloriously sunny and positive Crackazat club mix before Lee closes the release with squelching synth in the form of his Boogified mix of Soul Dhamma's classic 'Flower.'
Review: Razor-N-Tape throw it over to Lex Wolf here for some homemade and high impact edits from the disco world. The artist is already well known for some red hot recent releases on the Make-A-Dance crew's MAD Edits series and now brings more big samples and bigger beats to some main stage bangers. The opener layers up raw drum machines, r&b vocal hooks and withering melodies. 'Russle Love' then plays with filtered and screw about with some synths to make for a prickly bit of body music with what sounds like an Arthur Russel vocal lost in the middle. 'Warmer' is another energetic and twisted fusion of disparate sounds and 'Sendsome' then shuts down with a little extra soul.
Lex, Dennis Liber, Rosa - "Una Sera D'Estate" (feat Max Giovara) (7:02)
Lex, Dennis Liber - "End Of The Line" (5:56)
Dennis Liber - "Playa Eden" (feat Sariela Camargo) (8:32)
Dennis Liber - "Hidden Island" (feat Ricardo Benitez) (4:17)
Review: Rocksteady Disco welcomes Dennis Liber & Lex for a standout debut here. Their four-tracker captures the magic of musical nights spent down in Mexican hotspot Tulum with organic and airy grooves aplenty. 'Una Sera D'Estate' (feat Max Giovara) exodus late-night warmth and loved-up vibes with its melodic bassline and disco-tinged house drums. 'End Of The Line' is more lively but is no less direct with its big drums and pointed bass phrasings. Liber then goes solo for the dreamy, Italo-tinged yet tropical 'Playa Eden' and wonderfully escapist closer 'Hidden Island' complete with Balearic beats and the sound of singing dolphins.
Review: Former Paper Recordings artist Sophie Lloyd apparently started working on "Calling Out" whilst gripped by the January blues. Her intention was simply to make "happy music". To that end, she turned to her gospel roots. The results, shared here on 7" single for the first time, are little less than spectacular. With collaborator Dames Brown in tow, Lloyd's vocals - accompanied by a gospel choir, of course - simply soar above a jaunty, piano-heavy track rich in live instrumentation. It sits somewhere between traditional gospel, house and disco, with a flipside instrumental brilliantly showcasing the quality of the instrumentation throughout. The piano solos, in particular, are breathlessly good.
Review: Theo Parrish has green-lit a couple of back catalogue reissues from his Sound Signature label this month and this one originally came back in 2010 and found him on production duties and Bilal Love on the vocals. The Melloghettomental EP is an archetype Parrish offering - dusty, lo-fi beatdown and house fusions with muted but meaningful chords and aching vocal hooks. You get all that on blissed-out opener 'Can't Keep Running Away', superbly soulful live bass work on 'U Bring Me Up' and heavier, more griding grooves but still sublime vocals on 'Why Wait'. The title cut is an off-grid mix of sci-fi melodies and diffuse chords, shimmering drums and low slub bass. Sublime.
Review: Under the Loveface alias, veteran producers Lee Whitney and Simon Greatbatch have thus far delivered a septet of 'De-Mixes' EPs featuring effortlessly good dubs, re-animations and re-edits of killer cuts from the 1980s (think boogie, synth-pop, freestyle, electro and proto-house). Their eighth EP is another superb collection, with the duo first delivering a fine Prince rework (the lightly dubbed and synth-heavy 'If You Want Me To'), before putting their stamp on a lesser-celebrated, synth-heavy Paul McCartney cut from the mid 1980s ('Butterflies'). Over on the flip, 'Rome Elettronico' adds warm Italian house sounds to an Italo-disco style groove and 'Let's Dance' gives what sounds like an Italo-disco record the Balearic house treatment.
Love To The World (Joey Negro Mizell Magic mix) (8:36)
Review: 'Love To The World', a sumptuously opulent and heavily orchestrated disco-soul number, transformed the fortunes of L.T.D - and their freshly appointed lead vocalist, Jeffrey Osborne - on its initial release in 1976. Here the full-length version of the track gets the reissue treatment for the first time in a while, with the band's gorgeous original mix (produced by none other than Larry and Fonce Mizzell) being backed by a fresh rub by house master turned disco king Dave Lee. The Z Records founder makes the most of the band's original vocals and instrumentation (admittedly with the addition of splashes of reverb and delay) on a seemingly re-constructed 'Mizzell Magic Mix' that brilliantly stretches out the cut by stripping back the orchestration and other musical elements at key points. It's a genuinely brilliant rework.
Review: Spaced Repetitions is a new label by veteran producer Manuel Tur who has always been known for his deliciously deep sound. For the imprint's fourth outing, he serves up two versions of a tune by Ingrid Lukas taken from last year's album ELUMELOODIA. The Estonian-Swiss singer, pianist and composer's angelic vocals remain in place up top as the dubby drums roll down low and all manner of icy synths and gassy melodic tinkles pepper the groove and get you into a celestial state of mind. The dub version allows that to come to the fore even more.
Review: LUXXURY's 'Reworks Volume 7' serves up irresistible disco edits, transforming classics into fresh, dancefloor-ready versions with a signature flair. Opening with 'Is It Real, Now?', LUXXURY reimagines Empire of the Sun's 'Walking on a Dream' into a more melodic and expansive experience, adding layers that amplify its epic feel. On 'Rap Chore', Blondie's 'Rapture' is slowed down to a funky, slick groove, highlighted by a smooth guitar riff that enhances its iconic cool factor. Side-2 kicks off with 'Groove Prove', a classy, disco-infused take on Madonna's 'Get Into The Groove', capturing the catchy energy of the 80s with a fresh twist. Finally, 'Disco 82' brings a late-night Latin-inspired vibe that's perfect for setting the mood as the night unfolds. Each track offers LUXXURY's unique touch, making this collection of edits a must for fans of inventive and stylish disco reworks.
Review: Natural Rhythm make their Sounds of Style Records debut with 'Solo Tu,' featuring the sultry spoken word of Lyssa. This deep house gem seamlessly blends Latin House, Jazzy House, and US Garage influences, showcasing why the group has been a favorite among top DJs like Mark Farina and DJ Sneak.The title track 'Solo Tu' is an uptempo funky banger, embodying the classic early 90s house vibe with a smooth, deep house foundation. JT Donaldson's '90s Rework' on the A-side masterfully channels vintage vibes through his SP1200, delivering a timeless, classy US house music experience. Hotmood's 'House Vibe Mix' injects an upbeat energy perfect for any setting, from poolside fun to sweaty warehouse parties. His version is a testament to house music's versatility, ensuring it gets the job done no matter the occasion. Natural Rhythm's "Solo Tu" is a vibrant, multifaceted release that promises to make your ears smile and your feet move, making the label's first release a memorable one in the deep house scene.
Review: LSD’s Remixes EP channels the group’s genre-blurring ethos into a collection that thrives on reinvention. Lil Wayne’s charged verse on ‘Genius’ adds grit without overshadowing the original’s playful intensity. MK’s remix of ‘Thunderclouds’ transforms its soaring vocals into a deep house anthem, all pulsing bass and late-night allure. Banx & Ranx’s reggae-infused take on ‘Genius’ radiates sun-soaked warmth, while Dombresky’s remix of ‘No New Friends’ packs a punch with relentless house energy. CID’s rework of ‘Audio’ dials up crisp, percussive beats that slice through its melodic core. Meanwhile, The Aston Shuffle injects ‘Heaven Can Wait’ with shimmering synth layers, balancing nostalgia with dancefloor readiness. Lost Frequencies’ remix of ‘Thunderclouds’ closes the record on a euphoric high, reframing its introspection with bright, festival-ready optimism. This is LSD’s universe expanded — familiar yet thrillingly unpredictable.
Review: On reissued orange vinyl comes the debut set of sonic missives from house and easy listening via trip-hop heartthrobs Lighthouse Family; a miraculous birth for the duo of Tunde Baiyewu and Paul Tucker. This resplendent 1995 LP lay bare the pop dance musical sensibility of the time; string hit samples, synth funk basses, and a dark mode, prescient of the the leather-jacketed cool that would later peak on release of the first Matrix film. The code of cinematic chic is palpable here; songs that would otherwise qualify only as sparsely punctuated, pop lounge-funk come heavily tempered and assoiled by trilling, massive-attacked string backings ('Let It All Change', for example), producing a thrower-backer but still a classic record.
Flume - "Let Me Know" (feat London Grammar) (3:21)
Lose Your Head (Camelphat remix) (3:32)
Strong (High Contrast remix) (3:12)
Help Me Lose My Mind (with Disclosure) (4:05)
Hell To The Liars (Kolsch remix) (12:37)
Wasting My Young Years (Henrik Schwarz remix) (8:32)
Oh Woman Oh Man (MK remix) (5:34)
Sights (Dennis Ferrer remix) (7:06)
Hey Now (Bonobo remix) (5:48)
Baby It's You (Joris Voorn extended remix) (3:18)
Review: This new long player from Ministry of Sound is their contribution to Record Store Day 2024 and it takes the form of a bunch of mixes of London Grammar's various different tunes. Global house outfit Camelphat feature a couple of times with some nicely emotive and upbeat sounds, 'Strong' gets a jump up drum & bass rework from High Contrast, Henrick Schwarz brings his emo house touch to 'Wasting My Young Years', MK adds some dance-pop sheen to 'Oh Woman Oh Man' and Dennis Ferrer remixes 'Sights' into a tense tech cut with snappy drums.
Until There's Nothing Left (feat Alabama Shakes) (4:00)
Suse Millemann (interlude) (0:53)
Bittersweet (feat Portugal The Man) (5:09)
So Nice To Be In Love (feat Mascolo) (2:33)
Love Come Through (feat Panama) (4:28)
Succession (5:49)
Really Good (feat Reva DeVito) (0:21)
Dad To Daughter; We Say Yes (feat Dad & Yona Gold - interlude:) (4:32)
Two Days Older (feat Madelyn Rue) (2:39)
Carolyn Horn (interlude) (0:30)
Carolyn (4:35)
Mama, Mama, Many Worlds I’ve Come Since I First Left Home (feat Holly Bowling - outro) (0:59)
Review: LP Giobbi, the jazz-trained pianist and dynamic producer, continues to break boundaries with her upcoming sophomore LP, Dotr, through Ninja Tune's Counter Records. Known for her spontaneous, live collaboration and eschewing the rigid structures of electronica, Leah Chisholm aka LP Giobbi draws deep inspiration from her jazz roots. Her fresh approach and commitment to live performance make her one of the most captivating and influential DJs and producers in today's electronic music scene. Dotr promises to build on her already impressive career, showcasing her distinct fusion of genres and live improvisation.
Review: Eric Luttrell's Life at Full Speed via Anjunadeep, features his signature blend of indie-laced house music, characterised by uplifting melodies, intricate synths, and infectious grooves. Written over two years, the album reflects a new chapter for Luttrell, inspired by his experience of becoming a father. The album's 13 meticulously crafted tracks embody a warm and uplifting vibe. Lead single 'Make U Happy' stands out with its playful piano, signature synths, and catchy top line, delivering an irresistible summer anthem. Tracks like 'When I First Met You' and 'Go' feature Luttrell's own vocals, adding a personal touch to his productions. Collaborations also shine, with Canadian artist Molly Moonwater enhancing the euphoric tone of 'Something Right.' Previously released singles 'Sunshine,' 'Space,' and 'Sunrise Song' have already garnered acclaim, setting the tone for the album. Life at Full Speed promises to delight listeners with its melodic productions and engaging vocal moments.
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