Review: Two popular tracks from the highly rated and MURO-curated compilation Diggin Victor: Deep Into The Vaults Of Japanese Fusion / AOR are now made available for the first time on their own standout 7". Originally released as a limited item at an anniversary event, these rare gems are magically escapist sounds that blend library music, jazz, soul and Balearic mindsets into a pair of tropical heaters. The Kumi Sasak A-side is a real melodic noodler with meandering bass and a whimsical, carefree spirit as it heads nowhere in particular in hypnotic fashion. Side-B has 'Kimono' by Tetsuo Sakurai, which is a more rhythmic sound with funky bass riffs and 80s broken beats and a lush vocal.
Review: A bumper package of six - count 'em - reworkings of disco grooves by Scruscru, offering a myriad of new takes on classic sounds. Beno, Bernardo Campos's 'Space Gruv' opens proceedings with a luxurious, soulful edge, while Tree Threes' 'Sunshine Miss' coasts along gracefully with more of a beefed up jazz house vibe. Manuel Kane's 'Disco Visions' throws more beautifully jazzy chord shapes and adds a devastating diva vocal for a proper peak time feel, Immersif's 'La Tournee Des Phares' employs more of a broken beat shuffle and 'Rebecca's Mystery Mood' by Punky Wash revolves around Latin beats and lilting guitar lines. Finally comes arguably the EP's jazziest moment of all, Justnique's 'Elevator Music', with some mighty impressive tinkling of the ivories. Authentic, gorgeous sounds overlaid on some sturdy 4/4 templates - pure DJ heaven.
Review: This sizzling Hammond B-3 laced two-sider from Tommy Sims is a funk-infused gem that would make legends like Jimmy Smith and Brother Jack McDuff do a double-take. Bursting with soulful groove and rich, swirling organ tones, each side delivers brilliant vintage jazz-funk. The lead track lays down deep, bluesy riffs over tight drums and nimble bass, while the flip brings a more playful, upbeat vibe with sunny and infectious swing and crisp solos. Classic organ-driven soul-jazz never sounded better and this is proof that the mighty B-3 still reigns supreme when placed in the right hands.
Review: Reggie Soul, aka Reginald Stone, had a brief but impactful recording career that included releasing just three 45 singles on different labels. His debut included the funk track 'I Got Jody' and the soulful 'I Feel So Bad' and his second single, a re-release of 'I Got Jody,' featured the miscredited 'Soul Walkin'.' In 1968, Reggie's third release, 'My World of Ecstasy/Mighty Good Loving' came out on Capri Records and was co-written with the Scott Brother,s who knew how to best showcase Reggie's soulful vocals, as supported by the Scott Brothers' house band. Recently uncovered, these two unreleased tracks, 'So Many Miles Away' and 'Groovy Thang' new fine examples of Reggie's versatility and further solidify his legacy in the soul scene.
Review: This third collaborative album between Scream & P. Rock takes inspiration from a trip to Brazil, where they collected samples in Rio. As such the sounds blend Brazilian grooves, bass synths, live percussion, funky drums, guitar solos and vintage breaks with raw, experimental touches into an album full of life. The duo's signature sound is a fusion of their own DJing and music production and is ever more refined, having been crafted over the course of a year. Cinematic arrangements and a fresh approach to sampling make this another great chapter in this duo's musical story.
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