Back catalogue: Deep House

Review: Rather significant as old-school house releases go, the chain of influences behind Masters At Work’s ’The Masters At Work (Keep It Comin’ Now)’ is an elusive one. In 1991, Louie Vega and Marc Antony remixed new jack swing titan Keith Sweat’s own ‘Keep It Comin’, a timeless B3 side to round out Sweat’s original Elektra Records release. The track was a snowballer indeed, as it evolved into a standalone B-side in its own right, complementing the garage house classic release ‘Ride On The Rhythm’ on Atlantic Records. Now promoted once again to an A-side, we hear three new and exclusive mixes of thee original dub as well as two variations: Latinesque backing fills and programmable melodics twaddle away in the background of One Take Tito’s mix, while Kenlou and Eddie Mood bring twin yogic, myofibril relaxations to an already contracted sound.

Review: Orlando Voorn is always spoken of as one of the key links between European and Detroit techno. Here though, in collaboration with Han Litz, he sinks into his house sound on open 'What I Love' which is utterly gorgeous with its Roy Ayres flutes, jazzy keys and warm, soulful drums. The Soulfood Mix ups the jazziness and makes the drums more raw, then 'Composers' brings more warming house vibes that are heartfelt and musical. A Downbeat mix reduces the original perfectly for a more cosy, cuddly feel.

Review: The mighty Dez Andres has hooked up with Parisian digger Victor Kiswell for a sublime new double album on Spot Lite that finds a perfect sweet spot between both men's sound. It stems from a party that explores Arabic grooves from Northern Africa and the Middle East and pairs that with low slung deep house beats and hip-hop inspired joints. It's woozy and warm, packed with killer melodies and hooky riffs and is right up there with some of Dez's best work. Highlights include the likes of 'Grand Meze In Gemmayze' with its dusty beats and 'Bounce The Casbah' with Middle Eastern guitars that ring out with great soul.

Review: Turkish DJ and producer Carlita brings a 60-minute DJ rethread to Fabric, weaving the audio aids of Butch, Alex Metric, Paco Osuna, Prunk, Toman and Alinka into a seamless, 60-minute redline ride through house and techno. Among the 13 selections are two of her own standout tracks: 'Raf' (with Andrew Zimmer), a rave-leaning house cut loaded with soulful vocals and breaks, and 'Stop Now', a heads-down tech house roller that builds exponentially on its own momentum. Accompanying the release is a short documentary that trails Carlita through Istanbul, offering glimpses of her family, food, and creative beginnings in the city where cultures collide.

Review: Italian house didn't need the glitz of Ibiza or the muscle of Chicago and Detroit. It carved out its own spaceismoky, dreamlike, and effortlessly cool. This collection captures the full spectrum of that golden era, from the hypnotic tribal rhythms of Progetto Tribale's 'The Sweep' to the shimmering, euphoric synths of Onirico's 'Echo'. There's the deep, rolling pulse of Don Carlos' 'Boy', the jazz-infused elegance of Lady Bird's 'Jazzy Doll (Odyssey Dub)', and the raw energy of Green Baize's 'Synthetic Rhythm'. Elsewhere, 'Titanic' by Mato Grosso offers an atmospheric voyage, while 'The True Underground Sound of Rome' delivers deep, sophisticated grooves. These weren't just club tracks; they were portals to another world. Whether it was the funky shuffle of Alex Neri's 'The Wizard', the soulful pianos of Carol Bailey's 'Understand Me (Free Your Mind)', or the after-hours pulse of MCJ's 'Sexitivity', this was music made by studio obsessives who understood that house wasn't just a soundiit was a feeling. Underground, inventive, and deeply emotional, this collection is a snapshot of an era where the Italian touch brought warmth, sensuality and an undeniable groove to dancefloors worldwide.

Review: Whereas the first volume of Italian house pioneer Don Carlos's retrospective of Italian house, Echoes of Italy, largely stuck to the picturesque but chunky and organ-rich "Italo-house" template, this second volume expressly focuses on "paradise house" - what Young Marco and Christiaan MacDonald dubbed "dream house" on their superb Welcome To Paradise series. As you'd expect given his association with the sound, Carlos's selections are notably different (and arguably less well known) than theirs, even if some of the same artists feature. It's cultured, tactile and loved-up dancefloor dreaminess all the way, with highlights including the slow-build wonder of Onrico's saucer-eyed 'Echo Gimini', the low-slung groove of Alex Neri's 'The Wizard (Hot Funky Version)', the piano-laden, breakbeat-driven shuffle of Moto Grosso's 'Titanic', and Carlos's own gorgeous, organ-heavy 'Boy'.

Review: In 2016, Peggy Gou debuted with her EP Art of War and allegedly sett ambitious career goals, including playing Berlin's iconic Berghain and contributing to !K7's DJ-Kicks series. She achieved both. This 69th edition of the legendary mix series seeks to reflect her musical journey across 18-tracks that blend disco, house, techno and electro-spanning tempos from 90 to 150 BPM. Highlights include her own exclusive track 'Hungboo' alongside works by Aphex Twin and Andrew Weatherall and shows she has wide tastes and the skills to knit those together into a fine, storytelling mix that rides up and down, covers plenty of emotion, and never forgets about the groove.

Review: ***B-STOCK: Sleeve damaged and LP1 label on wrong side but otherwise in excellent condition***


Honey Dijon is the perfect artist for the DJ-Kicks series given the breadth of her knowledge and she delivers a killer mix with tracks from Blackjoy, Art of Tones, Shaboom, Kiko Navarro, and an exclusive new cut of her own. A Grammy-winning DJ, activist, and fashion icon, Dijon has found success in various fields while staying true to her Chicago house roots. The 19-track mix, her first commercially available compilation, highlights her deep knowledge of house music and blends forgotten classics, rare finds, and modern gems. This vinyl sampler includes one of her own original tracks, definitely one of the best of the lot.

Review: Sean Johnston's A Love From Outer Space is a masterclass in mood and restraint. Over two LPs, it captures the ethos of Johnston's club night, favouring steady, low-slung rhythms and cosmic textures over high-energy peaks. The tracks are sequenced with care, creating a meditative flow that rewards deep listening. This is dance music for introspection, where each layer reveals itself slowly, embodying a philosophy that values depth and subtlety.

Review: Sean Johnston curates a compilation that feels as much like a love letter to a bygone era of cosmic and chugging dance music as it does a blueprint for the future. Across this translucent red vinyl double LP, he assembles a narrative that stretches from the dub-tinged grooves of Weatherall-inspired rhythms to rich, enveloping basslines rooted in the darker corners of the dancefloor. These selections capture the ethos of A Love From Outer Spaceinot a style, but a sensibility, where tempo slows and subtlety reigns. Rather than overwhelm, the tracks reveal their power gradually, layering textures and grooves with a painterly touch.

Review: Steven Julien has been in his own musical world since he first started putting out beats. He blends everything from hip-hop and house to funk and soul in his always emotionally raw, frayed edge sounds. Because of that breath in his sound, the Londoner is the perfect candidate for a DJ-kicks mix and so it proves as he journeys from the sofa to the club and back again with tunes of his own next to jams from across the ages and the genres. Ryuichi Sakamoto, Brothermartino, My Girlfriend and more all feature in a well-mixed, well-programmed set that contrasts bright keys with dirty basslines, and boogie funk with more sleek machine rhythms.

Review: Outcast Planet's with outing is a serious collection of techno heat from a selection of artists each with their own sound. Bakked kicks off with the stomping, teeth grinding machine energy of 'Dentro Il Sistema' then Munir Nadir's 'Push It' takes things even more intergalactic with searching synths and futuristic grooves. Elsewhere Cristian Sarde offers chunky industrial tech with 'Technology Flot', Emanuele Montalto's 'The Electric Transformation' brings a bit of taught techno bounce and Paul Lution's 'More Than 80%' layers up vocoder vocals with retro 80s synth sounds and slap-funk drums. This is a varied collection of fresh sounds that will wrk in a wide range of settings.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Amazing! has put together a very specific and worthwhile compilation here with Music For The Radical Xenomaniac Vol 1: Hedonistic Highlights From The Lowlands 1990-1999 offering up a wealth of zoned out and dreamy electric gems from lesser known artists. everything from house to trance, ambient to downtempo to progressive all comes through from these tunes which are unified by their subtle sense of uplifting joy and hopeful melodies. Dream Company's breaks-lead 'Space Page' is one standout as is Ramon & Theo's lush and percussive 'A Quest Of Thousands.'

Review: To mark the label's eighth birthday, the crew behind Paris's Pont Neuf Records has put together a fifth Hexagonal Club compilation. The series is rooted in the imprint's desire to showcase the best French dance and electronic music has got to offer, hence a line-up containing a mix of rising stars, scene stalwarts and heavy hitters. There's naturally plenty of high-grade material stretched across the two slabs of wax, including the sun-splashed, piano-sporting Mediterranean house heaviness of Maison Blanche's 'The Best of Times', the heady deep house smoothness of Tour-Maubourg's 'No Purpose Groove', the spacey synths and chunky low-end pressure of 'You Can't Understand' by THEOS, the breakbeat-powered dreaminess of Dylan Dylan's 'On My Mind' and the head-nodding beauty of DJ Psychiatre's 'Mister Rhodes'.

Review: Celebrating two decades of excellence, Marc Romboy's Systematic Recordings marks its 20th anniversary with a remarkable triple 12" vinyl release. Charting the label's nascence in 2005, from early Romboy, Andre Winter and Stephan Bodzin cuts, and through to a rare Carl Cox original, this is an easily legitimated techno release, its mood of retro cool ushered along by shiftingly raw, respiratory sound design and a virtual verve. Our faves have to be 'Atlantis' by French producer Rodriguez Jr. and 'Hit The Ground' by Gui Boratto, both newer additions to the troupe and yet both delightfully dreamy, salient additions.

Review: After a fine first outing, Maite Records is back with more sublime electronic warmth. For its second release, Chef Paulin Weissmann crafts a special "recipe" inspired by Cafe Croissant events and looks to artists from all over the world for assistance. This flavourful mix reflects the label's ethos by offering a balanced blend of classic house, funky tracks with vocoders, minimal grooves and downtempo funk. Like a perfect meal, the music flows effortlessly and combines originality and harmony that cannot fail to delight.

Review: Jonas Visti introduces a new project, Visti's Vinyl Collective, blending diversities of Afrobeat, soul, house, jazz, boogie and pop, crafted with a motley crew from Denmark's jazz scene and international guests. Along with William Winding, Visti infuses electronic elements with instrumental Balearic-esque contributions from fellow musicians Emma Sehested Hoeg, Dawda Jobarteh and Markus Artved, whom all add their voices and instruments. Visti's vision is to create a freeform, genre-defying project, tracking experiences alongside other artists and a connoisseur's intel, built up as he's developed his Visti's Vinyl radio show.

Review: Laurant Webb, Dave Coker, Justin Bailey, and Dave Pine were the key figures behind Strange Weather Studios, which was a creative hub in Southeast London that helped shape the very early sound of tech house in the capital. Collaborating with friends and partners on several projects, they produced a number of influential records that defined the genre including under aliases such as Housey Doingz, 7th Voyage, and Space Bunny. This release on Sushitech, which always does a fine job of offering up the best tech house past and present, pays tribute to the studio and its collaborators with representative tracks carefully selected by Laurant Webb and label head Yossi Amoyal. Restored and remastered from rare DATs and pressed up to no fewer than six sides of vinyl, it's a great look at a significant moment in the evolution of tech house.

Review: Working with various collaborators, Laurant Webb, Dave Coker, Justin Bailey, and Dave Pine produced influential records under aliases like Housey Doingz, 7th Voyage, and Space Bunny at the influential Strange Weather Studios. Those records very much helped to define the early days of the tech house genre. This Sushitech release comes on clear vinyl and honours their legacy, with tracks handpicked by Webb and label founder Yossi Amoyal. They have all been remastered from rare DATs and across three slabs of wax make for an essential deep dive into an important phase in the earliest days of tech house.