Charles Wright & The Watts 103rd Street Band - "What Can You Bring Me?" (2:45)
Review: You just cannot miss with this superb label which is now up to release number 33 in this series. And the latest is a golden-era classic featuring legendary mic men A Tribe Called Quest and top soul boy Charles Wright & The Watts 103rd Street Band. The A-side features the track taken from A Tribe Called Quest's Love Movement album so is packed with their signature beats and bars. On the B-side, you are treated to the funky original sample source from Charles Wright & The Watts 103rd Street Band which delivers a raw, infectious groove. If you love classic hip hop and funk, and why wouldn't you, this is a great pairing.
Curtis Baker & The Bravehearts - "Fried Fish ’n’ Collard Greens" (2:40)
The Native Yinzer - "The Hip Strip" (2:33)
Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.
Review: After years of silence following the loss of Sonny Knight in 2017, former Lakers members Blair Krivanek and Cy Pierpont return with their new project, Ace Box Shift. The duo have made plenty of standout contributions to the soul revival scene before now and here they debut on Secret Stash Records with another pair of fiery instrumental cuts that work exceptionally well for DJs and dancefloors alike. They find Krivanek's jazz-infused guitar work meeting Pierpont's pounding rhythms with raw, funk-driven results that make for a bold, high-energy comeback that pays tribute to their roots while also moving things onwards.
Review: A new take on a Jonathan Richman classic from 1977 which has lit up clubs for 45-odd years, especially during the punk era. The track's infectious rhythm has inspired various reggae remixes but now it's getting a fresh cumbia twist. Cumbia and reggae share a common groove, making them a perfect match for DJs to mix and this one was recorded in Lima by Pancho Acosta, founder and guitarist of Company Quinto, who transforms the track into an upbeat cumbia gem. The flip side features Acosta's 'Carnaval de Jujuy' blended with Money Chicha's modern take on Peru's fuzzed-out chicha sound.
Review: African Dubplate delivers a thrilling selection of classic and rare Afro jams, reworked and pressed with a disco single flair. Though the mysterious artist behind the project remains anonymous, it's clear the source material hails from the rich well of African rhythms. Each track brings fresh energy to timeless sounds, crafted with the dancefloor in mind. Be sure not to miss out as this limited stock release is sure to fly off the shelves. Grab yours while you can!
Review: Rediscover a treasure from the Dade Records vault with the reissue of Arnold Albury & The Casuals' 'That's A Bet,' brought back to life by ReGrooved Records. This analogue-remastered 7" highlights a key track from 1970, recently featured in the popular series 'Sex Education.' The flip side, 'My Baby Don't Understand,' is equally stunning, showcasing the soulful essence of Miami's vibrant music scene. Arnold Hoss Albury, a brilliant keyboardist, played a pivotal role in shaping the Miami Sound, contributing to iconic records by artists like James Knight & The Butlers and Betty Wright. This re-release offers a rare opportunity to own a slice of musical history and experience the soulful brilliance of Albury & The Casuals.
Review: The Alex Santos Orchestra is a self-described "orchestra" orchestrated for the express purpose of sanctifying one Alex Santos' lifelong love for jazz and Latin music. Following the much loved 'Alex Santos Y Su Orquesta', 2021's next step in Latinizing said quasi-conceptual ensemble, we've now landed in the project's live ambit. 'The Alex Santos Orchestra On Tour' captures just two live highlights from a much more recent outing (given the mystification surrounding the project, this may or may not have happened). Whatever the case, these recordings span both potentialities, retaining something of a highly-strung Hammond organ come upfront-drumkit drama on the B-side, 'Mr Clean', and an equally stirring version of the main theme from 'The Godfather' on the A.
Review: Bristol beatmsiths and remixing duo The Allergies have been hot since '16, quietly pushing the buttons, twisting the dials and raising the throw levers on their resident soul console, Jalapeno Records. This time, though they've not revealed their sources, the boys have once again delivered on their promise to scour the waxen depths of Philly filler-upper funk, with 'Bye Bye Baby' panning a mammoth breaksoul gold rush, and 'Heartbreaker' offering a counterpoint in longing body percussions and "please don't leave me"s.
Review: The Alpha One project is led by New York music industry veteran Nicky Kalliongis, a seasoned sound engineer, producer and songwriter with experience at Atlantic Records. Adding to its pedigree, Alpha One features musicians from the iconic band Change who ensure an authentic and electrifying boogie funk sound. And that is what we have here on new single 'Changes' which will get any ass-shaking and floor pumping with its irresistible synth lines and vocals. Flip it over for an instrumental that is more dialled back and direct.
Review: 'Dreamtime Trance' is a cult gem for those who like to dig deep, and Alston Koch is exactly that person. She is a Sri Lankan-born Australian musician and the mastermind behind the Kookaburra Connection project, a collaboration with Aboriginal musicians, and this track blends indigenous themes with a unique, game-changing beat and infectious groove. It's a pure dancefloor revelation and this reissue includes a new extended version with a longer intro buildup that adds depth to the track. On the B-side, the heartfelt ballad 'Midnight Lady' offers a contrasting mood that is perfect for after-hours relaxation with PiNa Coladas. Remastered and re-issued with the original artwork, this EP is a must.
Review: This is another reissue of a record that remains an ongoing favourite. Original Gravity delivered again with the original pressing featuring two unique versions of 'Burning Spear'. Nestor Alvarez opens with a lively, Latin-inspired rendition filled with fluttering flute melodies, raw drum beats and vibrant dancing keys that radiate sunny energy. On the flip, La Machine D'Argent takes a more cosmic approach, smoothing the vibe and layering spaced-out sounds for a dreamy, immersive journey. This release showcases Original Gravity's knack for reimagining funk with flair by offering two distinct yet equally good takes on a timeless groove.
Review: The Mighty Eye label has been mighty fine in its work so far and this 16th outing is another doozy for funk lovers. The Ancient Cosmonauts are at the helm and that's a perfect name for a band that blends classic funk with cosmic moods. 'Free As I Wanna Be' is conversational and instrumental brilliance with sombre lead horns and gentle live drums sinking you into a mellow mood. 'Intergalactical Travel' takes flight on more astral lines and has a little more bite in the drums but this is still a warm, heartfelt sound.
Review: Montreal producer and keyboard maestro Anomalie offers a full-MOT servicing of funk-jazz on 'Velours', a choice track that presaged his 2018 EP 'Metropole'. Born of a chilled bedroom jam, the first iteration of this track was uploaded to YouTube in 2017, and utilised stacks of Yamaha pianos as well as sleek, sexily designed sample pads. Anomalie provides a rich, honeyed set of chordophonal can-cans over nothing but a swung backbeat, bringing seemingly boundless phonic fruition from little nutrient. Now the song hears a full reproduction and repackaging in vinyl form via Devins 7s.
Review: 'Anything Goes Vol. 7' the latest vinyl release EP from Rollover Edit Service, a subsidiary of Anything Goes, is back. Delve into the Italian music scene of the 70s and early 80s with four meticulously edited gems; all four versions here are billed as originals, credited to contemporary producers' hands (Black Pomade, Pablot, etc.) yet are heavily built around each respective sample. Our highlight is the hard-won, twangy B4, 'Prima O Poi Ti Prendero'.
Review: There's not a lot of information out there about Arcade of Serpe, so let's skip the back story and cut to the chase. If that's really an appropriate turn of phrase here. Nothing about Cave Adventure feels rushed. Nothing. In fact, it's quite the opposite, opening on dub-wise bass and playful organs, the atmosphere - somewhere between lackadaisical, come down, BBQ, and psychedelic - subtly rises, although not to a crescendo as much as a delicate fade out after a few minutes strutting to the funk-laden groove. Flip it to find more explorations in the sonic ether, with 'Unicorn Rider' smoothly stepping out into a surreal track that uses space and emptiness to accentuate the noises that are there, which mirror, if not directly reflect, the opening title tune. It's quiet, but you won't forget it in a hurry.
Review: After the roaring success of his last outing here, the '3 Woman EP,' Art Of Tones is back on GAMM with a 12" that brings male ovals to the fore. They are all very different in style but all highly effective. 'International Truth' opens with strident and funky disco drums and noodling guitar lines with soulful tones lighting up the beats. 'Don's Expensive Afro' is a rework of a rare Afro-disco track with more expressive vocals instructing the floor to move. Last of all is a stunning reimagining of an overlooked Stevie Wonder gem, 'Stevland's Run', which is off-balance and unusual funk madness laden with psyched-out guitar work.
Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.
Review: This 7" reissue of 'I'm So Proud' by Aswad and The Natural Band's 'There Was A Time' delivers a funk-filled gem originally released in 1972. Aswad's 'I'm So Proud' leads with a soulful blend of funk and soul, anchored by a strong vocal performance and tight rhythm section. On the flip, The Natural Band's 'There Was A Time' is a dynamic instrumental jam that showcases tight grooves and infectious rhythms, making it an essential track for any funk enthusiast. Previously fetching high prices on the second-hand market, this reissue is a great opportunity to experience these classic tracks without breaking the bank.
Review: Heavy Jazz returns with Ellis Island, their latest instrumental offering following the success of 'Indian Rope Man'. This new release highlights Brian Auger's signature jazz prowess, delivering another intricate and powerful workout. The flip side honours the late Zoot Money with the first-ever 7" release of 'George Bruno Money'. This limited edition comes in a carefully designed sleeve featuring foldout flaps and a cutaway rear. It's an essential piece for jazz lovers and collectors alike, brimming with soulful rhythms and nostalgic nods to jazz legends.
Review: Hawaiian jazz-funk "covers band" Aura hear two of their earliest and most powerful cuts from their self-titled 1979 LP reissued on 7". The attitudinal 'Let Me Say Dis About Dat' puts forth a crowd-shouldering sense of sass, its bruxist guitar and highly sampleable drums setting a worthy gold standard for funk music of the era. Hailing from Waikiki, Aura's membership totalled over ten players (!) at the height of their powers and this ensemble makeup was likely the secret of the potency of their horn section, known among their barfly fans as "loud, rich and tight". Though they played mostly covers in their time, both the A and B's 'No Beginning No End' are Aura originals, more than proving this band's mettle on the creative stage, not to mention their appropriation for DJ play.
Review: Hamburg's always had a vibrant music scene - and is in fact home to one of deep house's finest crews in Smallville - but if you like your beats more on a boogie and funky tip then this one is for you. Automart's new 7" on Born To Shine Records features two such electrifying tracks that are going to appeal to anyone who enjoys the work of labels like PPU or Star Creature. Automart's fresh take on classic boogie and modern funk comes with a contemporary twist that's perfect for any setting and is one of many releases this year which promise to make this label vital.
Review: This orange 7" is a miniature monument to one of soul's most quietly influential figures. Roy AyersiLos Angeles-born, jazz-schooled, funk-mindedicrafted 'Everybody Loves the Sunshine' not to dazzle but to dissolve. It moves with a drowsy clarity: shimmering synth, near-whispered vocals, and a lazily tumbling bassline that never quite lands. Released during a golden run of Ayers' mid-70s material, the track has since become shorthand for warm-weather introspection, equal parts ease and ache. The instrumental version on the reverse keeps the spirit intact, offering a meditative glide through the same terrain. Limited to 300 copies, this orange pressing pairs a low-lit groove with a deepening sense of legacyiAyers' influence isn't just heard, it's felt in the space he leaves behind.
Review: Roy Ayers at his most transcendent. 'Everybody Loves the Sunshine' is more than a summertime anthemiit's a spiritual moodboard that's shaped jazz-funk, soul, r&b and hip-hop for nearly 50 years. Ayers, born in Los Angeles and raised in its fertile fusion scene, places the vibraphone at the music's heart, coaxing heat-haze tones from sparse chords, synths, and that honeyed chorus. Flip it over and the instrumental version unlocks a deeper layer: stripped of vocals, it becomes a pure groove, drifting and hypnotic. What lingers is the balanceibetween melancholy and bliss, rhythm and release. A rare track that feels entirely unhurried yet quietly radical, now preserved in a limited pressing that looks as golden as it sounds.
Review: Few recordings capture the easy intensity of a summer afternoon like 'Everybody Loves the Sunshine'. Released in 1976 and wrapped in slow-drifting synths and soft falsettos, the track became a touchstone not just for Roy Ayers, but for 70s soul and beyond. Born in Los Angeles, Ayers helped define the jazz-funk crossover, placing the vibraphone at the centre of a sound both hazy and sharply detailed. The original vocal take on the A-side still melts under its own warmth; the instrumental on the flip uncovers the careful architecture beneath. Issued here on 7" black wax following Ayers' recent passing, this reissue feels like both a keepsake and a quiet honouring of an artist who shaped a whole way of listening.
Everybody Loves The Sunshine (instrumental) (4:36)
Review: 'Everybody Loves the Sunshine' represented a pivotal moment for Roy Ayers and Ubiquity as it marked a shift towards a funkier, more relaxed sound in 1976. It is one of his best-loved tunes as a result and always comes out when the weather warms up. That means it also often gets reissued, as it does here, as the track captures the essence of summer through joyful lyrics and a hypnotic groove. Ayers' vibraphone melodies intertwine seamlessly with the band's instrumentation while on the flip us an instrumental that offers a slightly different vibe. It all comes on nice yellow marbled vinyl.
Review: Legendary Brazilian jazz-funk trio Azymuth drop their latest record 'Arabuta', pointing themselves in a new cardinal direction in sound. The limited 7" brings two new mix version of their recently released 'Arabuta' to the fold, both by fellow producer and Azymuth collaborator Daniel Maunick. Part-dancefloor, part-dub, both versions bring preservative tones, fully circling the resinous Brazilwood tree after which the track is named. The Tupi Guarani word for the endangered tree fuses with deft unperturbed jazz licks, despite the sense of urgency in saving the species, underscoring Azymuth's fusion of timeless Brazilian jazz-funk and cosmic futurism. In more ways than one, this record serves as a symbol of both the value and fragility of Brazil's natural beauty.
Review: The third volume of this series delivers an irresistible blend of funk and 60s-inspired grooves. Side-1 kicks off with a surf-rock-infused funk jam packed with energy and retro vibes. Following that, a swinging 60s sound that combining catchy rhythms and pop sensibilities keeps the momentum going. Side-2 shifts gears a groove-heavy track led by a soulful organ that oozes vintage charm. Closing the collection, there is a gem that features smooth, funk-driven melodies, topped off by a standout sax solo and a subtle British flair. This compilation offers a vibrant mix of styles, perfect for fans of classic funk with a modern twist.
Young Pulse & Fleur De Mur - "Smooth Sweet Talker" (6:53)
Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.
Cerebro Orgasmo Envidia & Sofia (Bosq remix) (4:40)
Review: Martin Buscaglia's riotous, psychedelic Latin funk anthem from his 2006 classic album El evangelio segun mi jardinero finally makes its much-requested debut on a 7". This release features a stunning remix by Bosq. The original track is a wild, high-energy ride through vibrant Latin funk landscapes, bursting with infectious rhythms and lively instrumentation. Bosq's remix adds a touch of his signature magic, infusing the track with a subtle cumbia feel while maintaining its midtempo groove. Resisting the urge to speed it up, Bosq crafts a remix that's perfect for the dance floor, offering a joyful, everyone-smiling experience. The result is a delightful, midtempo dancefloor treat that celebrates the original's wild spirit while adding a fresh, irresistible twist.
Kool & The Gang - "Give It Up" (DJ Soopasoul edit) (4:02)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:30)
Review: Jalapeno jive maestro Soupasoul had another standout year, in 2024 and only heightened his reputation for crafting exceptional edits that bring new life into funk standards and hidden gems. With a sharp focus on the groove-rich breaks, he is back once again with another instalment that will ignite dance floors everywhere. This time his scorching rework of 'Give It Up' spotlights dynamic horn interplay and soulful jazzy choruses and 'Rock Steady' celebrates Aretha's powerful vocals paired with a killer breakbeat. These finely tuned edits honour the originals while adding fresh energy.
Review: Mr Bongo are enacting a thorough revisiting of some of the very best soul, funk, MPB and boogie gems to stud their catalogue over the years; at this rate, the tagline "back by popular demand" has become a motto. This careful pairing of mutually constitutive Hanna and Almir Ricardi tunes made up the label's 54th release. 'Daixa Radar' comes first as the initial "rediscovery" of DJ Koco, whose Brazil 45's mix was the functional tipoff. Ricardi's 'To Parado Na Tua' is a similar midtempo boogie cut, produced by the legendary duo of Lincoln Olivetti and Robson Jorge, whose singularly timbral slap-drums are to die for.
Review: Maledetta Discoteca closes out its year with this special blue vinyl featuring a mix of brilliant Italo disco artists. They all hail from Italy and Argentina and are editing originals that span disco, electro, proto-house and more. Hararis' 'Si No Pagan' is the first under the scalpel and is a funky cut with raw drums. Lance's 'Yo Quiero A Lucy' is a more slowed down and seductive sound with 80s synths, Marta Paradise's 'Calling' (edit) is a direct and sugar synth laced house stomper and Alan Strani's 'Tension Salsable' brings things to a closer with a nice stomping disco grove with mysterious synths and lush percussion.
Review: The latest missive from modern funk maestros The Sleeperz Records is a red seven-inch double header that pairs Canadian neo-boogie queen Maya Killtron (a label regular) with two similarly minded producers. She joins forces with Andrew Napoleon on A-side 'Body Fly', a glossy slab of mid-80s synth-funk/synth-pop fusion rich in squelchy P-funk bass, bright lead lines and colourful chords. Estonia-based Latvian Artis Boris sits in the producer's chair on side two, underpinning a typically expressive and soulful Killtron vocal with sinewy strings, modern boogie grooves and nods aplenty to early 1980s disco. Naturally, the sound is nostalgic, but both cuts sound undeniably fresh.
Review: Featuring the world famous London Community Gospel Choir (LCGC) remixed here by Ayce, 'Rather Be' is a masterpiece, blending soul, funk and house with gospel-tinged vocals from Annette Bowen. The mix elevates the original, adding a contagious funk groove that brings joy to every beat. The uplifting choir harmonies, sublime horns and heavenly pads are joined by wicked guitar riffs, creating an infectious rhythm that will have you dancing all night. The eight minute instrumental version allows the music to shine with its vibrant keys and dynamic production. LCGC, Europe's premier contemporary gospel choir, brings their signature power and positivity, while Ayce's remix takes it to the next level, blending soulful house with funk and r&b. With a rich history of collaborations with major artists like Madonna, Elton John and Jessie J, LCGC's performance here is nothing short of electrifying.
Aniceto Molina Y Su Conjunto - "Cumbria Candela" (3:04)
Catalino Y Su Combo Negro - "Cumbia Montaera" (2:23)
Los Hermanos Martelo - "Por Las Buenas" (2:52)
La Pesada - "Cumbia Y Tambo (En La Lluvia)" (3:54)
Review: The third instalment in the 'Cumbia Sabrosa' series delves into the rich archives of Colombia's Codiscos label, unearthing a selection of tracks that exemplify the vibrant energy of cumbia. Artists such as Los Trotamundos, Aniceto Molina y su Conjunto, and Los Hermanos Martelo contribute to a compilation that seamlessly blends traditional rhythms with the dynamic flair characteristic of the sonidero scene. Each track offers a unique glimpse into the musical landscape of the era, highlighting the enduring appeal of cumbia's infectious beats.
Time (feat Angela Johnson - 7" Sax intro edit) (4:27)
Review: Micky More & Andy Tee's Groove Culture delivers a fresh spin on jazz-funk classics with a new 7-inch release. The Side-1 features a dj-friendly cover of Lonnie Liston Smith's 'Expansions,' blending disco and house with a funk-driven bassline, soulful vocals, and beautiful keys. On Side-2, it offers a high-energy remake of Light Of The World's 'Time,' featuring Angela Johnson's powerful diva vocals. This track shines with its lively disco vibe, sax intro and dancefloor appeal. Both tracks encapsulate the essence of fun disco and soul and should appeal to a wide range of dance music fans old and young.
Son Palenque - "A Pila El Arroz" (Sound Culture remix) (3:58)
Tropical Scenes (Afroqbano remix) (4:07)
Review: Windy City collective Future Rootz are all about mixing up worldly electronic sounds, Latin, tropical bass and global jazz. This second volume in their new series does just that with two expressive remixes of iconic Afro-Colombian tracks. On Side A, Sound Culture delivers a modern take on Son Palenque's legendary 'A Pila el Arroz,' which was originally composed by Justo Valdez for Palenque Records. He infuses it with fresh and bubbly bass and hypnotic vocal chants. On side-B, Afroqbano reimagines 'Tropical Scenes' by adding a vibrant, rhythm-heavy twist to the original that sympathetically blends traditional Afro-Colombian sounds with electronic influences into a wiggling bit of irresistible and sunny global fusion.
Review: Jazz Room reissue the infamous first mini-album by Abacothozi. Formed in 1973 by bassist Berthwel Maphumulo, Mac Mathunjwa on organ, Innocent Mathunjwa on drums, Joe Zikhali on guitar, Thema Maboneng was released in 1975, before being almost immediately forgotten. However, a recent rediscovery by diggers and curators Kon & Amir, for their lauded Off The Track Volume Two: Queens compilation, sparked a renewed interest; the South African four-piece shared equal responsibility in writing and arranging these six instrumentals, which are tight and full, and come replete with Hammonds, well-surrounded guitar, and cross-sticking snare hits.
Review: In celebration of 50 years in the performing arts, Idris Ackamoor presents Artistic Being for Record Store Day 2025-a powerful blend of jazz, spoken word and activism. Featuring the voices of acclaimed actor Danny Glover and stage legend Rhodessa Jones, this record captures highlights from the Underground Jazz Cabaret, which was performed during Black History Month 2024 at The Lab in San Francisco. Co-produced by Ackamoor's Cultural Odyssey, the release fuses poetic storytelling with evocative musical textures while reflecting on social justice, identity and resilience. Artistic Being is a profound statement from a visionary artist.
Review: A deluxe edition of this album that expands on an already captivating musical journey. Originally released in 2023, it garnered critical acclaim for its unique blend of soulful vocals, intricate bass lines, and masterful production. This expanded version adds new dimensions to the experience, featuring collaborations with a diverse array of artists, including Durand Bernarr, Samm Henshaw and Danielle Ponder. Tracks like 'Le Depart (Feat. Durand Bernarr)' and 'Serena (Feat. Samm Henshaw)' showcase the collaborative spirit of the project, while remixes from Young Franco and Jitwam inject fresh energy into familiar favourites. Oasis masterfully blends personal storytelling with political themes, her lyrics exploring themes of identity, social justice, and self-discovery. The result is a sonic tapestry that is both deeply personal and universally resonant, inviting listeners to connect with the music on multiple levels. With its expanded tracklist and diverse range of sounds, it's a must-have.
Somewhere To Be (feat Andy Cooper & Marietta Smith) (3:22)
Ever Been (3:36)
Review: Freak The Speaker marks a vibrant evolution in The Allergies' sound, showcasing their deep-rooted love for diverse musical styles. Producers Moneyshot and Rackabeat have upped the ante, delivering their biggest beats yet and enlisting an array of talented MCs and vocalists to bring their vision to life. Afrobeat star K.O.G. injects energy into the lively 'Koliko,' while Ohmega Watts delivers sharp, impactful verses on the hard-hitting 'No Flash.' UK rappers Dr Syntax and Skunkadelic trade dynamic bars over booming 808s on 'My Own Way,' and Dynamite MC shines on the soulful, infectious 'One Time.' Fans of The Allergies' signature funky, sample-heavy production won't be disappointed. Tracks like 'Let Me Hear You Say' channel vintage roller disco vibes, while 'Knock Me Off My Feet' is a 60s soul-inspired banger that's already garnered praise. Andy Cooper of Ugly Duckling brings his trademark flair to his features, complemented by the lively contributions of saxophonist James Morton and soulful singer Marietta Smith. Freak The Speaker is a celebration of music's global diversity, wrapped in The Allergies' unmistakable style.
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