Back catalogue: Studio Equipment

Notes: ***B-STOCK: Box opened, product in perfect working order***


Hands-on hardware synth goodness in a boutique desktop format, feauting an eight-voice digital supersaw engine and four-pole filter. Built-in delay, reverb, chorus and freeze effects can be used to process external signals.

Supplier's Notes:
Design philosophy

Knob-For-Knob Functionality:

Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.

Curated, Onboard Effects:

With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.

Plug and Play Functionality:

The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)

Quality Craftsmanship, Intentional Design:

Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.

Open Source Platform:

Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.

Synth core

Oscillator:

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

Control Modes:

The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.

More Features & Controls:

To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.

Onboard effects

All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

Freeze:

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.

Delay:

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.

Reverb:

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

Chorus:

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Controls

Synth core:

Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope

Arpeggiator:

"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock

Effects:

Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level

Rear panel

Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.

The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.


OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of IK's MTM monitors offer even better performance in the same compact package. Available here as a pair bundled with ARC measurement microphone for precise calibration.

Supplier's notes:

IK Multimedia iLoud MTM MKII Active Studio Monitor (single)
Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A / B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac / PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A / B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!


Specs

iLoud MTM MKII Specifications

Type: 2-Way / 3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz + / - 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within + / - 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1 / 4" TRS balanced input; 1 / 8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm / 10.39" x 160 mm / 6.3" x 130 mm / 5.12"
Weight (per speaker): 2, 5 kg / 5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
1 x ARC Microphone
1 x ARC Microphone clamp
1 x XLR to 1/8" (3.5mm) TS cable for ARC microphone (2.5m/8.2ft)

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: Sound Starts Here

The M-Track Duo HD is a versatile new audio interface that provides value and ease of use without sacrificing the pristine quality that M-Audio products are known for worldwide. Whether you're just diving into the world of recorded audio or looking for a new production tool to add to your arsenal, the M-Track Duo HD is the first step in your next sonic journey.

Plug and Play - It's That Simple

The M-Track Duo HD is the path of least resistance between any song idea, podcast concept, or voiceover and a studio-quality finished product. There are no extraneous knobs or parametersionly the essentials for recording your next masterpiece. This simple, reliable, and powerful unit built with USB-C connectivity makes it easy to create and record studio-quality audio instantly with any modern DAW or iOS/Android device.

Grow As You Go

While the M-Track Duo HD and its streamlined controls are perfect for those just getting into recording their own audio, it is also optimized for growth and experimentation. Two inputs and outputs, high-quality audio resolution, and M-Audio's dedication to quality provide users with ample room to try out a vast array of recording setups and techniques to help push and hone their craft.

Professional Sound Quality

At 24-bit/192kHz audio resolution, zero-latency monitoring, and an onboard Crystal preamp that delivers 55dB of clear, chiseled gain, the M-Track Duo HD has the capacity to impress audio professionals and beginners all the same. With powerful, professional sound quality in a single compact and affordable unit, this interface is equally suited for bedroom producers, sessions musicians, podcasters, and everyone in between.

Convenient Connectivity

The M-Track Duo HD is compatible with any modern Mac, PC, iOS, or Android device via USB-C for convenient integration with popular DAWs and recording software.

Comprehensive Software Bundle

Every M-Track Duo HD comes with an extensive bundle of professional music production software to help propel each user's unique creative journey even further. This bounty of top-of-the-line DAWs, sample libraries, and effects are valued at over $1,200 and were designed by some of the industry's leading professionals. Studio staples like Ableton Live Lite are perfect for those just starting to experiment with production and engineering, while Reason+ puts a dizzying array of VSTs at your fingertips. Akai Professional MPC Beats is a benchmark tool for any beatmaker or ambitious songwriter. Plus, a two-month Splice subscription unlocks a vast library of samples and loops - many of which are used by music's best and brightest producers.

Notes: Everything You Need

The M-Audio M-Track Duo HD Producer Pack is the perfect introduction to the world of studio-quality audio for first-time producers, content creators, songwriters, and every kind of artist in between. This powerful and cost-effective bundle combines the M-Track Duo HD audio interface with M-Audio HDH41 over-ear studio monitoring headphones and a professional-grade M-Audio M100 condenser microphone.

At the heart of this bundle is the new M-Track Duo HD, an audio interface that embodies M-Audio's dedication to quality while remaining user friendly and intuitive. In conjunction with the comfortable and precise HDH41 headphones and crystal-clear M100 microphone, this versatile set of tools will level up the practice of anyone in the pursuit of studio-quality sound.

The Complete Package

The M-Track Duo HD Producer Pack includes everything you need to take that song idea, podcast concept, or audiobook from dream into reality.

The M-Track Duo HD audio interface features a set of pared-down controls with just the right amount of added flourish: two combo XLR/TRS inputs, two 1/4 TRS outputs, a headphone jack, ultra-transparent Crystal preamps, pro-quality converters, switchable +48V phantom power, USB-C connector, and access to included software to help enrich your sonic journey.

Experience precise, studio-quality monitoring with the included M-Audio HDH41 headphones and clean audio via the included M100 condenser mic.

From Podcast to Power Ballad-Sound Your Best

Consider the M100 condenser microphone the vocalist's Swiss Army knife-it is the perfect easy-to-use tool for capturing high-quality audio, whether it be a chapter of an audiobook narrated in a soothing tone or a soaring chorus belted at the top of your range. The M100's wide-range frequency response allows for the preservation of even the most delicate harmonic qualities and nuance. Thanks to an included mic stand mount, zipper carrying bag, and XLR cable, the M100 is ready for easy setup and storage right out of the box.

Precise Monitoring Power

Clear, balanced monitoring is an integral part of the recording process, and the M-Track Duo HD Producer Pack has you covered. The M-Audio HDH41 headphones provide premium 40 mm transducer elements enclosed in a comfortable, sleek, and durable design. With an impressive 20 Hz-20 kHz frequency response, the HDH41 can deliver a level of sonic clarity that extends beyond genre and medium, ensuring a premium monitoring experience for users of all different creative and professional backgrounds.

Take Your Rig on the Go

Even with the Producer Pack's tremendous sonic capabilities, each individual component is lightweight and compact enough to take with you to set up wherever and whenever inspiration strikes-perfect for songwriting retreats, offsite recording, and live events.

Professional-Grade Software

In addition to this collection of high-quality M-Audio hardware, the Producer Pack comes with a staggering bundle of software that gives you everything you need to start recording, mixing, and producing like the pros. Included are industry-leading DAWs, soft synths, sample packs, effects, and more from brands like Akai Professional, Splice, Ableton, Reason+, Antares AutoTune, and Splice.

Notes: ***B-STOCK: Box opened, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. [email protected]***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: ***B-STOCK: Box opened, product in perfect working order***


*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

NT1 Signature Series User Guide

Discover everything you need to know about using your NT1 Signature Series studio condenser microphone in this comprehensive user guide, including how to attach and mount your microphone, pop filter and shock mount, and how to connect and power your NT1 Signature Series.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia


Specifications

Acoustic & Electrical

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box

Studio Condenser Microphone
1 x NT1 Signature Series
1 x SM6
1 x XLR Cable

Notes: ***B-STOCK: Box opened, product in perfect working order***


Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Based on the ADDAC501 Complex Random module, the 511 expands the concept to become an even more powerful random/stochastic voltage generator. Four channels, all capable of being used for envelopes, modulation sources, sequencers and much more.

Supplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.

This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.

The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.

Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.

The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.

Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V

Notes: ***B-STOCK: Slight surface marks ***


Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:

- Gate Input (min. +5V)
- CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)
- CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V
- CVC Input (free assignable to any Midi control change number), range 0...+5V

For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.

How it works:

Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.

Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g

Notes: Simple but effective approach to signal routing here from Jolin Rosa. The Morpher is a four-in/four-out crossfader, scanner and switcher, allowing you to shape, route and manipulate any signal with ease.

Supplier's Notes:
ROSA is a multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs. With its three operating modes (Scan, Wave, and Pass), you can easily shape and route signals to fit any patch.

A quick overview:

Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.

Notes: NANO modules are excited to introduce you to OCTA, the upcoming 4-channel Analog Drum module, inspired by the iconic TR-808 and redesigned with a modern twist.

OCTA delivers punchy and dynamic analogue drums, with individual outputs, mute switches, CV control over Drive, and a built-in Tilt EQ and Compressor for creative shaping. Nano stayed faithful to the original circuits, but added key controls to give each voice more range and modular versatility.

Notes: The Ultimate Output Expander For Hermod+

Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.

Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.

The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.

Seamless Integration.

Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.

The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.

With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.

Unmatched Precision & Flexibility.

Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.

Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).

High-precision.

Low noise.

At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.

The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.

Specifications

Power

Consumption : -12V 70mA, +12V 80mA, +5V 20mA

Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V

Notes: The FADRMIX JACKOUT is an extension for the FADRMIX6 with two 1/4" (6.5mm) jack sockets for master left/right output and 4 stereo minijack sockets for the FX send and returns.

The module is connected via a small internal connection cable to the right of the FADRMIX6.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Inspirational west coast sounds from one of the masters. Additive oscillator with eight harmonics, direct outputs and powerful CV control to scan, tilt and mix the waveforms.

Supplier's Notes:
For the first time in Eurorack, this oscillator module provides outputs for the first 8 harmonics as sine waves. Also included are triangle, saw, square waves.

A voltage controlled mixer with various methods of address allows the user to scan, tilt and mix the harmonics from both panel and external voltage control. It is built on a discrete, all analog triangle core with an old school discrete transistor exponential converter. It has inputs for linear and exponential FM, the exponential with a reversing attenuator. Of course there's a 1 volt/octave trimmed CV input as well.

Power consumption: 120mA at +12 V and 90mA at -12 V

HP : 32

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


E7 is the MOOER Polyphonic Guitar Synth Pedal is the second pedal of MOOER New Micro series. As a brand-new design Micro series, we have added 7 LED indicators on the right side of the shell, providing more possibility to the New Micro series.
E7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications. It is named as E7, for its seven different MOOER custom synthesizer tones. Each tone with an individual arpeggiator, high/low frequency cut, attack, speed function, allow users to shape the tone in their mind easily, explore the horizon of tone with the E7.

Features:
*7 different types of brand-new MOOER SYNTH tones
*Individual Arpeggiator for each tone
*7 slots for storing users' presets
*Firmware upgradeable via USB

Specifications:
*Input: 1/4" mono jack (impedance 2.2M Ohms)
*Output: 1/4" mono jack (impedance 100Ohms)
*Power supply: 9V DC transformer (internal negative external), MOOER Micro Power is recommended
*Current Draw: 150mA
*Dimensions: 93.5mm(D) x 42mm(W) x 52mm(H)
*Weight: 155g
*Accessories: User Manual