Modern Classical charts

Review: In 2018, Nils Frahm initiated the "Encores" series: a trilogy of EPs exploring different aspects of his musical world. Here, those sets get gathered together on vinyl for the very first time. Listened to in sequence, it sees the Berlin-based pianist and composer offer up solo acoustic pieces for piano and harmonium (tracks 1 to 5), before layering up piano, processed field recordings and complimentary instrumentation on a suite of sublime ambient tracks (6 to 9). The final section of the album - originally "Encores 3" - sees him flip the script entirely, working almost exclusively with a combination of modular and analogue synthesizers and electronically processed voices. That the collection hangs together as a coherent album despite these stylistic shifts is testament to Frahm's abilities both as a performer and producer.

Review: Kiasmos, the dynamic duo of olafur Arnalds and Janus Rasmussen, returns with their long-awaited second album, II. This vinyl is a celebration of their evolution over a decade since their self-titled debut in 2014. Known for blending minimal techno with orchestral flourishes, Kiasmos has refined their sound, adding richer textures and a sense of place and space. II opens with Grown, setting a delicate atmospheric tone that showcases their matured sound design. Tracks like 'Dazed' highlight their innovative use of traditional Balinese percussion and field recordings, creating immersive auditory landscapes. The album seamlessly transitions from electronic to classical and rave, maintaining their signature style of whisper-quiet ambience evolving into explosive dance beats. Songs like 'Sailed' and 'Laced' exemplify their knack for blending intricate percussion with organic synths, resulting in tracks that are both effervescent and serene. olafur's cinematic influence and Janus's DJ experience shine through, pushing the boundaries of genre with frenetic broken beats and catchier melodies. The grand strings recorded with SinfoniaNord add a majestic layer to the complexities, making II a truly expansive work.

Review: RECOMMENDED
Even the most determinedly understated chin-strokers will likely have emitted a squeal of delight when this one was announced. Everyone's favourite electronic producer-cum-contemporary composer (or vice versa?) releasing his latest works of art across two media - namely an album on cult hero label Erased Tapes, and a movie available on highbrow streaming service Mubi.

This is the audio, and while nobody who caught the video when it was available to view on-demand could argue this is just as powerful on its own, the solo sound is still an intoxicating and compelling ride. 'The Dane' is classy piano bliss, '#2' sits in the big room electronica end of things, 'Fundamental Values' is a scatty, broken ambient journey to the edges of drum 'n' bass, 'Enters' opens on long, ambient refrains.

Review: Current scene favourite Nils Frahm teamed up with Icelandic multi-instrumentalist Olafur Arnalds on three breath taking excursions through lush ambient textures on "Stare" as a surprise release back in 2012 for label founder Robert Rath. "A1" features Frahm's entrancing irresistible melody over some gorgeous all-consuming strings and glacial soundscapes courtesy of Arnalds. "A2" with its heavenly, transcendental beauty has just got to be heard while "B1" explores darker territory with its excavating soundscapes accompanying the most hauntingly delicate cello notes. Exquisite!

Review: **CLEAR VINYL RE-PRESS** Only 21 years of age when this was recorded, Ólafur hails from the suburban Icelandic town, Mosfellsbær, just a few kilometres outside Reykjavík. He as immersed himself completely in the world of delicate symphonic compositions in a near weightless orchestral undertaking. Mixing strings and piano with loops, ambiance, electronics and beats, his music fits into the Erased Tapes catalogue like a piece of a jigsaw puzzle. Debut album 'Eulogy for Evolution' took the listener on a journey, representing different periods in life, from birth to death. The first pressing of the follow-up EP ?Variations of Static? sold out on his winter tour already and will now be available in stores. While keeping the classical foundations of his debut album, here Arnalds incorporates crackling electronics and the dead voice of a machine; like vague memories of tradition lost within the digital age we all live in. It comes with a voucher for a free digital copy of the 'Erased Tapes Collection I' compilation to celebrate the label?s 1st anniversary. The 10" is a super limited clear vinyl issue, we are getting 100 copies only.

PRESS: Full feature, EP review and covermount CD track in Rock Sound June issue coming out in the end of May! Gilles Peterson BBC Radio 1 Session, Classic FM & iTunes involved in Barbican show. More press & radio tba. 'Iceland?s best new export!' ? Clash Magazine ? Achingly beautiful!? ? Rock Sound ?An auspicious debut from a promising young talent.' ? Drowned In Sound

Review: Iceland's Olafur Arnalds (Kiasmos) and German multi-instrumentalist Nils Frahm team up again for some breathtaking excursions in classical/ambient crossover bliss. Frahm's sombre piano passages gently dance over Arnalds' serene soundscapes and eerie field recordings on this bittersweet and emotive journey. What was meant to be a one hour video recording of the duo in action turned out to be an eight hour long improvisation session and these are some of the segments of the wonderful marathon recording. We particularly enjoyed the gorgeously haunting electronic soul captured on "23:52" where those analogue synth strings just rise and rise to an epic climax.

Review: Coming from a classical piano background, Nils Frahm has certainly turned into one dark dude! Having already released plenty of works on a myriad of labels, he lands on London-based Erase Tapes with what is probably one of his wildest pieces of music to date. Spanning 12 tracks in total, Frahm goes from joyful odes to the piano over to psychedelic synth improvisations to what sound like intricate tape manipulations, nutty drum-machine programming and a bag full o'field recordings. If you're into the idea of Tchaikovsky on some serious amounts of stimulants then look no further, this guy is shaping the way pianos are played...

Review: Japanese vibraphonist and marimba player Masayoshi Fujita returns with Migratory, his masterful new solo album, on which his sonic explorations into the unknown continue. Forming part of a nascent uptick of albums exploring ideas of freedom in movement and displacement, Fujita's record sonically documents and expresses a return to his native Japan with his wife and three children, fulfilling his lifelong dream of living and composing music in the midst of nature after remaining resident in Berlin for 13 years. After this move, Fujita set about converting an old kindergarten into a music studio, and, perhaps adjoining his own experience of raising children, found himself composing Migratory in part through the dialogue formed of the ideaistic relationship of early childhood, movement and settling. Selectively mixing bird ambience, electronics and, of course, his patented vibraphone, Fujita's record is a melancholic but no less arresting one.

Review: As of now, Kiasmos - the duo of Olafur Arnalds and Janus Rasmussen - are superstars on the international progressive electronica circuit. It crept up on us that they've only released one other album to date, with the bulk of their output having been limited so far to EPs and singles. II is the follow-up to its apt nominal counterpart, Kiasmos (I), and yet this time hears the pair strike out against the stark piano and electropop influences for which they were initially celebrated. Another key difference is that while the first Kiasmos record was made in the space of two weeks - getting at the sense of effortlessness that might accompany the initial burst of inspiration felt by artists when they start a new alias - II was made over the course of ten years and charts a remarkably different approach to music production.