Back catalogue: Modern Classical

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


David Boulter returns to Clay Pipe with St Ann's, an evocative tribute to the Nottingham council estate that shaped his early years. Since his Yarmouth LP in 2020 and Lovers Walk in 2021, Boulter has focused on soundtrack work, scoring films like Volkan Uce's Displaced and Gregorio Graziosi's Tinnitus. St Ann's chronicles Boulter's childhood, contrasting the harsh conditions of the old estate with the improved, vibrant new development. The album's subtle use of guitar, double bass, vibraphone, tenor recorder, and field recordings vividly recreates the atmosphere of crumbling Victorian streets and the optimism of the post-1960s renewal. Boulter's narrative delves into personal memories, painting a poignant picture of community transformation. His reflection on moving to a new house with modern amenities, while still attending an old Victorian school being demolished, adds depth to the story. The project was deeply influenced by Boulter's emotional experience of clearing out his family home at the end of 2022. St Ann's is more than a personal memoir; it's a celebration of inner-city renewal and the enduring spirit of community. This album resonates with nostalgia, capturing the key moments of Boulter's formative years.

Review: Released to acclaim in 1985, The Falcon and the Snowman recounts the extraordinary true story of Christopher Boyce (Timothy Hutton) and Andrew Daulton Lee (Sean Penn), childhood friends who betrayed their country by selling U.S. satellite secrets to the Soviets in the 70s. The film's score, crafted by jazz virtuoso Pat Metheny alongside pianist Lyle Mays, is a masterful blend of tension and melancholy, enriched by orchestral arrangements from the National Philharmonic Orchestra. The standout track, 'This Is Not America,' features lyrics by David Bowie and became one of his notable hits of the decade, reaching No. 14 in the UK. All in all, an exclusive collector's box set.

Review: Now comes the fifth album by German electronic trio Brandt Brauer Frick, known for their electroacoustic collisions of house and techno with live-played instrumentation. Multi Faith Prayer Room is their most ambitious album to date, including collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. It flaunts a mastery over a certain modern, hybrid approach to making electronic music, combining drumming, bass, piano and vocals with drum machines and synths. A diverse, sprawling, border-melting, widescreen take on many dance genres out there.

Review: An experimental dark folk group from Wurzburg, Germany, Brannten Schnure's 2017 release gets a well-deserved reissue, retaining its distinctive experimental dark folk essence. The duo, Christian Schoppik and Katie Rich, crafts immersive soundscapes where traditional instruments, eerie vocals, and looped, crackling recordings converge. Tracks like 'Das Jungfrauliche Ohr' and 'Die Milchlinse' set the tone, blending atonal elements with haunting, dreamlike atmospheres. 'Die Geschandete Venus' takes a darker, more melancholic turn, with its slow, creeping build. On the B-side, tracks such as 'Der Kleinere Mit Gefleckten Linien Umgebene Papillonsflugel' offer intricate compositions that evoke a surreal, almost cinematic quality. With influences from Nico and Novy Svet, their music pours out and creates a world that's both unsettling and strangely beautiful.

Review: Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnure and marked the spring in a tetralogy of albums about the four seasons. When it was first released, Brannten Schnure consisted solely of German musician Christian Schoppik; it was only after this period that he'd continue to hone is gothic folk romanticism and pastoral neoclassical sound, thereafter enlisting the help of vocalist Katie Rich as well. Now reissued by the esteemed Aguirre Records, Aprilnacht returns for a second haunting, retro-spectrally calling to mind its eerie sound collages and dusty sampler assemblages.

Review: The cream of contemporary ambient dub, Civilistjavel! (Tomas Boden), is back on the scene with Brodfoda. Through twelve roman numerical movements titled I through XII, the initially anonymous artist makes a subtle affective turn here. Earlier commanding the interest of the now sadly felled Low Company trunk - one of the best seedlings of which has to be the FELT imprint - Brodfoda sacrifices Boden's earlier emphasis on dubiously emotive but still progressive dub pieces in favour of a deeper mood-disclosure; a more expansive, but still demure, dozen tracks of grained-out audio-sepias and cathartic vocal swells, which creep up on the listener like latent realisations, as though they were always there somewhere in the mix-murk. The vocal contributions, this time from Mayssa Jallad and Laila Sakini, as ever lie among the most welcome contributions to Civilist's output, with 'IX' portraying an especially towering sense of depth, awestruck palpation.

Review: Newly ordained keyboardist Volodja Brodsky, from Estonia, has described his music as an exploration of the transformative power of minimalism, the art form and compositional approach in which he is trained. Brodsky's second LP lacks the contextual elucidations that accompanied the first record that 2024, but we sense that this may be because the career ball is already rolling, and no further explanations may be needed for now. Raindrops is a precipitous record, as Brodsky wrenches piano and vibraphone motifs from romantic scale meanderings we didn't know possible; widescreen voicings and compound intervals help earmark these standout moments. Elsewhere, the mood is downcast, as on 'Fogbound Streets Of Maardu' or 'Raindrops'; the left hand basso is almost always moody in feel, while the right hand always produces tearful and romantic sound.

Review: The late Joanna Brouk's legacy as an electronic music pioneer is a mysterious one, given her rejection of industry conventions in favour of a more heartfelt connection with her craft. Her run of new age releases in the early 80s were landmarks of the genre, and now Numero Group are reissuing one of the finest of them now. Sounds Of The Sea originally came out in 1981, and it's never been reissued since. Making its first ever appearance on vinyl, this captivating, mysterious album remains wholly out of time and place, existing in its own sphere inhabited by flute, drones and whale song alike.

Review: Sir Simon Rattle and the Berlin Philharmonic are at the pinnacle of classical music and are renowned for their stellar recordings. Rattle's tenure with the orchestra has been marked by mutual growth and exceptional performances and this 2012 recording of Bruckner's 9th Symphony, featuring the 'Four Movement Version', showcases their unparalleled musicianship. The performance of the original three movements is particularly noteworthy, highlighting Rattle's ability to evoke the grandeur of Furtwangler and Karajan while adding his unique interpretive touch. Despite the symphony's unfinished fourth movement, the recording's excellence makes it essential listening, with the orchestra delivering a breathtaking performance.

Review: Celebrated English composer Gavin Bryars has his 80th birthday marked by the release of the magnificent In LA, an all-new album on the Alga Marghen label. The album is the result of a collaboration between Bryars and Italian visual artist Massimo Bartolini. It is music played pipe organ bars, suspended from the ceiling at the Luigi Pecci Centre for Contemporary Art in Prato, Italy. It is an experimental concept that results in absorbing ambient works that very much capture the energy, essence and architecture of the spaces. It's a live, living, real time adventure full of evocative imagery and sombre moods.

Review: Ganna Bryzhata aka Bryozone hails from the historic Black Sea port city of Odesa and plays bass in Chillera, a dub trio with a psyched-out take on space rock. Now her ever shape shifting electroacoustic experiments arrive in the form of a solo debut album that has been long awaited by fans. It is an ambient album of highly serene quality that tracks an effortless nautical flow as well as hitting at industrial dud-scapes. There is an alluring wistfulness in the melodies and ethereal loops and icy, atonal drones that really keeps you locked in throughout.

Review: This is a real gem of the English jazz revolution - Chitinous by cellist Paul Buckmaster stands tall as an obscure masterpiece. Renowned for his collaborations with legends like Miles Davis and David Bowie, Buckmaster leads a colossal orchestra of 51 players, featuring top English musicians including trumpeter Ian Carr and drummer John Marshall. Recorded in 1970, the album showcases Buckmaster's mastery of the cello and keyboards and is organised into suites where the music seamlessly blends classical, contemporary and jazz influences, offering broad yet evocative compositions. This reissue reminds us of Buckmaster's innovation as well as the era's renowned musical experimentation.

Review: Berlin-based composer Andrea Burelli's new album Sonic Mystics for Poems (of Life and Death of a Phoenix) is an autobiographical work that draws on the vulnerability of the human existence. It takes the form of 15 pieces written for polyphonic voices, strings, and synthesizers and arrives on super limited, hand-numbered 180 g vinyl. The pieces are all intricately constructed with rich harmonic structures taking inspiration from experimental electronica, classical from both the West and the Middle East, plus folk from across all of Europe. It's a beautiful, confessional and thought-provoking work that makes a devastating impact despite its delicate artistry.

Review: On his return to China in 2019 after a period away, Brock van Wey noticed a "strange, sound emitting item" on the table. It was a handmade 'steel tongue drum', a unique percussion instrument associated with spirituality and meditation in Asian culture. A few days later, van Wey recorded an extended jam of himself playing it, and later overdubbed electronic sounds, melodies, chords and textures. The result is The Depth of Rain, the long-serving ambient and drone artist's second Bvdub album of 2024. Where some of van Wey's ambient sets can tend towards the intense and claustrophobic, The Depth of Rain is a genuinely melodious, evocative and spring-like affair that ebbs and flows wonderfully throughout, providing entertainment and sonic bliss in equal measure.

Review: Jump Ship, Sit Lean, Be Still, Stand Tall is an expansive sonic project from BZDB, combining Duncan Bellamy's atmospheric compositions with Belinda Zhawi's layered poetry. This release navigates everything from ambient soundscapes to raw vocal textures, blurring the line between contemporary classical and experimental spoken word. Each trackilike the haunting 'Dancesing' and contemplative 'Dream Sequence'iechoes with a melancholic intensity, turning introspection into musical storytelling. It's a release that feels both intimate and boundless, crafted for those who appreciate art that pushes past conventional forms and dives into the unknown.

Review: Roger and brother Brian Eno have already assured their legacy as pioneers of experimental ambient music. Mixing Colours was their first album on Deutsche Grammophon and this reissue reminds us why the par are so well known for revolutionising music-Brian through innovative pop treatments and Roger with ambient synth/piano works. This collaboration reflects their shared genius and guides you through rich soundscapes blending mood and place into immersive auditory experiences. Crafted over several years, this poetic collection highlights the brothers' mastery and is a deep dive into ambient sound.

Review: Formed in 2018, Dream House Quartet has been reshaping the boundaries between classical and contemporary music. The group consists of pianists Katia and Marielle Labeque, both renowned for their versatility across genres, along with Grammy-winning guitarist Bryce Dessner of The National and composer-producer David Chalmin on guitar. Their repertoire spans radical commissions and essential works from the past 50 years. After releasing their self-titled digital EP in 2023, the quartet now unveils their latest project, Sonic Wires, coinciding with a November 2024 tour. The album features pieces by Steve Reich, Philip Glass, Bryce Dessner, Sufjan Stevens and Anna Thorvaldsdottir.

Review: Few conductors have been as closely associated with the works of Gustav Mahler as Sir Simon Rattle, Here, the British maestro leads the world famous Berliner Philharmoniker in a rendition of Symphony 5, which itself is one of the most renowned pieces in Mahler's oeuvre. The first instrumental he composed since his Symphony No. 1, it's a powerful audio odyssey here performed flawlessly for Rattle's first ever concert as principal conductor of Berlin's prestigious orchestra. Comprising five movements, each packs its own unique personality. At times lighter than air, in other moments packing a subdued depth, pomp and pageantry, and epic drama ('Trauermarsch. In Gemessenen Schritt. Streng. Wie Ein Kondukt'), you could argue this showcases the breadth of classical in one stunning experience, but that might be stating the obvious.

Review: Meg Mulhearn and Belly Full of Stars come together for this split release on which the former takes care of the first four tunes and the latter the other five. For her part, Mulhearn harnesses the power of fire and ice, sunshine and torrential rain in tracks that are occasionally gentle and sometimes harsh. The textures are fuzzy and grainy but synths and strings bring light and hope. Kim Rueger's Belly Full of Stars alias finds her going deep into subterranean worlds of cavernous sound detailed with the finest of wispy melodies on' Ebon Flow' while 'Perihelia' has a more organic and summery feel desire being so pressurised and tense. These are enchanting sounds for sure.

Review: eve is the debut collaboration between Past Inside the Present label head zake and Benoît Pioulard captures the serene magic of a quiet December night. Spanning four side-length tracks, the album grew from a decade of sound fragments all layered up "like family album photos." zake shaped the sonic base while Pioulard added textures with guitar, voice, dulcimer, melodica and synths. The title track evokes a wintry stillness with low swells and turntable crackles, while 'Frost' drifts on reverent vocals and shimmering drones. 'Pine' conveys forest mystery and 'Slept' closes with haunting loops and a delicate resolution like snowfall on an open field.