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Back catalogue: Industrial/Noise
Juno's full catalogue of Industrial/Noise
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Review: Alongside fellow Belgians Front 242, The Neon Judgement are widely regarded as pioneers of electronic body music (EBM), a synthesised slice of underground noise that incorporates elements of electro and industrial to often disorienting and intense effects. Led by Dirk Timmermans and Frank Vloeberghs, the pair combined synth pop and post punk with more abrasive tones, unusually, for EBM, bringing guitar work to the fore. Marking 40th years of the Play It Again Sam (PIAS) imprint, a veritable institution in its own right that has itself influenced many bands and scenes, some of TNJ's most triumphant efforts and attempts at pushing the boundaries of genre and style forward are collected here. A selection of tracks that showcases exactly what they were about very well indeed, and why their legacy is so significant, albeit subtle.
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Review: Canadian industrial metal pioneers Skinny Puppy deserve way more credit for their groundbreaking work fusing EBM synthesis and heavy metal into a sound which would inform Nine Inch Nails more than a little bit. Their label PIAS clearly know what's up, as they gather together a choice four tracks for this single as a kind of mini-best of. 'Dig It' from 1986 is a dirty, sinewy slammer for the danciest of goth clubs, while 1987's 'Addiction (First Dose)' has a snappy, electro-funk flavour that easily crosses boundaries to be a straight-up banger wherever you like to get down. 'Assimilate' is a swing-beat stomper at turns sweet and savage like only Skinny Puppy can be, and 1984's 'Smothered Hope' captures the band at their earliest, creating a visionary kind of deathly synth pop which even beats Ministry to the jump.
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