Back catalogue: Rock (All)

Review: Mayra Andrade's live album, recorded at Union Chapel, features the warmth and eclecticism of her music in an intimate setting. Known for blending Cape Verdean Creole, English, and Portuguese in her songs, she pulls from a variety of cultural influences to craft a sound that's truly global. Her live collaboration with guitarist Djodje Almeida, 'reEncanto,' takes listeners on a journey through her discographyifrom Navega (2006) to Manga (2019).Andrade's music dances between traditional Cape Verdean rhythms and contemporary beats, with touches of reggae, African soul and pop influences, making every performance feel both rooted and adventurous. Her voice, full of depth and color, effortlessly shifts between romantic ballads and playful, rhythmic tunes. A nomadic spirit is evident in her music as she reflects her life's experiences and travels. On stage, Andrade is stunning, and the energy she brings in this live recording transports listeners straight to Cape Verde's sun-drenched shores. For those unfamiliar with her work, this album is an ideal introduction to the vibrant, evolving world she's built through her music, full of passion and heartfelt storytelling.

Review: Tina Arena's career-defining album takes listeners on a journey of soaring ballads and infectious pop, remaining one of Australia's most loved records. Anchored by the powerful 'Chains,' the album re-established Arena as a force in contemporary music, earning her five ARIA Awards, including Album of the Year. With six singles and a legacy of ten times Platinum status, it's no surprise the album continues to stand the test of time. Now, 30 years on, Arena's emotional connection to the music remains as strong as ever, with a national tour set to mark this iconic anniversary.

Review: Joan Armatrading's latest release is a rich collection of songs that showcases her impressive skill as both a songwriter and a musician. Each track blends thoughtful lyrics with her signature melodic style and there's a refreshing mix of full-band arrangements and stripped-back instrumentals. Her guitar work stands out, adding a raw edge to the songs, while her lyrics explore personal reflections and universal themes, as always with honesty and depth. It's a release that reaffirms her place as a long-time favourite, offering both a nod to her past and a new chapter in her musical journey.

Review: ***B-STOCK: Sleeve split but otherwise in excellent condition***


Joan Armatrading's latest release is a rich collection of songs that showcases her impressive skill as both a songwriter and a musician. Each track blends thoughtful lyrics with her signature melodic style and there's a refreshing mix of full-band arrangements and stripped-back instrumentals. Her guitar work stands out, adding a raw edge to the songs, while her lyrics explore personal reflections and universal themes, as always with honesty and depth. It's a release that reaffirms her place as a long-time favourite, offering both a nod to her past and a new chapter in her musical journey.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


From the first notes of the Talking Heads-esque opening of the title track, which has none other than The Cure's Robert Smith as guest backing vocalist, this album by the great Scottish post-punk legends The Associates has you hooked. It's littered with standout moments, but the wiry bassline which underpins the offbeat guitar on 'Amused As Always' is high up there. It manages to pull off being belligerently repetitive by offsetting any sense of monotony with sheer style. Meanwhile, frontman Billy MacKenzie - who tragically died before his time in 1997 - has a voice to rival that of Robert Smith himself in terms of tone. The Associates may not be as readily cited in the typical indie record collection - but they're probably your favourite band's favourite band. regardless, this album is going to challenge why you've resisted so long in not putting it at the heart of your collection.

Review: From the first notes of the Talking Heads-esque opening of the title track, which has none other than The Cure's Robert Smith as guest backing vocalist, this album by the great Scottish post-punk legends The Associates has you hooked. It's littered with standout moments, but the wiry bassline which underpins the offbeat guitar on 'Amused As Always' is high up there. It manages to pull off being belligerently repetitive by offsetting any sense of monotony with sheer style. Meanwhile, frontman Billy MacKenzie - who tragically died before his time in 1997 - has a voice to rival that of Robert Smith himself in terms of tone. The Associates may not be as readily cited in the typical indie record collection - but they're probably your favourite band's favourite band. regardless, this album is going to challenge why you've resisted so long in not putting it at the heart of your collection.