Back catalogue: Jazz

Review: Bill Frisell's Orchestras, a collaboration with composer-arranger Michael Gibbs, showcases the transformative power of jazz when paired with symphonic ensembles. The album combines Frisell's trio with the Brussels Philharmonic and the Umbria Jazz Orchestra, resulting in a dynamic interplay between jazz intimacy and orchestral grandeur. Gibbs' masterful orchestrations, inspired by Gil Evans and cinematic scores, seamlessly enhance the trio's telepathic rapport. Frisell's signature shimmering sound blends effortlessly with strings and brass, creating a rich and expressive tapestry. Notably, the collaboration highlights the deep connection between Frisell and Gibbs, a legendary innovator in jazz arranging. Gibbs' intuitive writing draws out the trio's spontaneity and pushes them into uncharted territory. Frisell and Gibbs' mutual admiration and influence create a palpable energy throughout the album, showcasing the transformative power of collaboration.

Review: Breaking the Shell is an innovative new release from a top trio formed of drummer Andrew Cyrille, guitarist Bill Frisell, and pipe organist Kit Downes. Their much anticipated album features a rare and captivating blend of instruments including things such as electric guitar, pipe organ, and drums and therefore offers a fresh sound across 11 new cuts. The collaboration creates a meditative exploration of sound along the way and that allows these three visionary musicians to explore new dimensions of creativity and expression at every turn.

Review: Angel Song, originally released in 1997, is a landmark jazz album that has stood the test of time. The quartet session, led by the legendary Kenny Wheeler and featuring Lee Konitz, Dave Holland, and Bill Frisell, is a masterpiece of tranquil, chamber-like jazz. Wheeler's compositions are hauntingly lyrical, providing the perfect framework for the improvisational brilliance of the ensemble. Konitz's alto saxophone weaves effortlessly with Wheeler's flugelhorn and trumpet, creating expressive and melodic dialogues. Dave Holland's bass provides a solid foundation, allowing Bill Frisell's guitar to soar with harmonically rich improvisations. The absence of a drummer adds to the intimate and introspective nature of the music, allowing each musician to shine in their own right. The vinyl release of Angel Song as part of the Luminessence series is a welcome addition to any jazz lover's collection. It's a timeless album that features four master musicians at the height of their powers.