Back catalogue: Funk Soul & Jazz

Review: This project stems from the mutual admiration between Daru Jones and Devonne "DJ" Harrison who, upon discovering their collaborations with Jack White, had the idea of blending rock with jazz. DJ Harrison's vintage keyboard skills and Daru's versatility made them perfect for such a rock-influenced project. Legendary guitarist Doyle Bramhall II, a longtime friend of Mr. Mandel, was ideal for the guitar role and after several years they finally got together to record this album in 2022. The result is a first 12" single, mastered at 45 rpm for exceptional sound. Here's hoping there will be more to come.

Review: Danielle Nicole shares her debut album on Forty Below: The Love You Bleed. From its earliest recording sessions, Nicole knew this one would be different; for the first time, the whole twelve-track repertoire is about falling in love, not the fallout of it. Produced by Tony Braunagel (Taj Mahal, Eric Burdon, Robert Cray) and mixed by John Porter (B.B. King, Buddy Guy, Bryan Ferry), The Love You Bleed is an album-length sentimental ballad; full of love, loss, will, determination, and every residual ingredient of love. But that's not to say the album doesn't get sour with it; while lead single 'Make Love' is about consciously pushing past pain - choosing love, family, and community in life's difficult moments - 'How Did We Get To Goodbye' hits the listener quicker with its raw and twinging lyrics, documenting a soured love that bears no hero or villain, and asking how one might reach such a place of disrepair without even knowing it.

Review: A multifaceted personality, 24-year-old breakout folk star Maya Delilah shares The Long Way Round on Decca Records, fresh off the back of a Spotify "One To Watch" award. "I get so influenced by different genres, people, places, and experiences that it's always felt hard for me to fit my music into a consistent sound or mood," the singer said in a statement. Forerun by the likes 'Squeeze' and 'Necklace', Delilah's vocals are breathy and her backing instrumentals smooth, tinged with the torrid strokes of Ayers-esque sunshine funk. Recorded between LA and London, the record flags up themes from cyclical relationships to predestination, with Delilah feeling that the record expresses a future nostalgia for someone she's never met before.

Review: 'The Montreux Years' was a period of time in which legendary American singer, songwriter and pianist Dr. John - who blended blues, jazz, funk, rock and roll and New Orleans music - held wide renown as a staple of the Swiss Montreux Jazz Festival for a solid two-decade juncture, between 1973 and 1995. This album captures his tenure at the festival over the years, and features live recordings from his performances, as well as two previously unreleased tracks. Both a celebration of the work of Dr. John and the European jazz festival, it's certainly not one to be missed.

Review: Malcolm John Rebennack, Jr., better known as Dr. John, left an indelible mark on the music world with his unique blend of New Orleans R&B, blues, jazz, funk and rock. As a teenage prodigy, he cut his teeth as a songwriter, arranger, and producer for Ace Records before becoming a sought-after studio musician in Los Angeles during the 1960s. His debut album Gris Gris in 1968 catapulted him into the spotlight as Dr. John The Night Tripper, captivating audiences with its mystical allure. Hits like 'Iko Iko' and 'Right Place Wrong Time' solidified his place in music history, earning him six Grammy awards and induction into the Rock and Roll Hall of Fame. Now, Gris Gris Gumbo Ya Ya: Singles 1968-1974 collects his early singles from his influential years with Atco/Atlantic, offering 26 tracks of pure musical medicine. The iconic 'Such A Night,' alone makes this compilation is essential for both seasoned fans and newcomers alike. With liner notes from Gene Sculatti, it serves as a perfect entry point into the timeless world of Dr. John's music and a nostalgic journey through his classic Atco/Atlantic albums.