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Juno's full catalogue of All genres
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Review: Second time around for Sneaker Pimps' Six Underground, the lesser-celebrated follow-up to the duo's renowned 'Spin Spin Sugar' single (famous, of course, because of Armand Van Helden's influential 'Dark Garage' remix). While the revisions included here - all initially released in 1996 - did not make as big an impression, all four have stood the test of time impressively. The headline attraction is a pair of Two Lone Swordsmen rubs, which are amongst the earliest reworks Weatherall and Tenniswood laid down under the alias. The vocal and instrumental takes are low slung trip-hop tracks overlaid with heady electronic elements. Elsewhere, Nellee Hooper channels the spirit (and sound) of his work with Massive Attack, and Hull boys Fila Brazillia lay down a typically deep, dubby and slowly evolving downtempo workout.
… Read more in stock $13.82
アルバム
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Arthur BAKER / SHEP PETTIBONE / VARIOUS
Arthur Baker Presents Dance Masters: Shep Pettibone The Classic Master Mixes (unmixed 4xCD in 32-page hard-back book sleeve)
Cat: EDSL 0081. Rel: 01 Oct 21
Disco/Nu-Disco
Review: Until he quit the music industry in the mid-1990s, Shep Pettibone was the most in-demand remixer on the planet - a position he'd held since the late 1970s. This four-disc compilation does a great job of showcasing some of his greatest remixes, all of which are presented in full-length form. There's naturally plenty of versions of big pop singles of the '80s - see the epic 'Mastermix' of Pet Shop Boys' 'West End Girls', as well as rubs of Duran Duran, New Order, Whitney Houston and Belinda Carlisle - as well as a sprint through his celebrated disco and boogie reworks (see disc four). In addition, you'll find versions of some lesser-celebrated gems from the freestyle-era, including heavyweight revisions of Sinammon, Alisha, Lisa Lisa & Cult Jam and The Flirts.
… Read morePlayed by: Luke Solomon
in stock $17.41
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Review: While born in Jamaica, like many of the Windrush Generation Robert Thompson AKA Dandy made his name in the UK, subsequently making some of the earliest - and most successful - British Ska records with the assistance of Australian entrepreneur and Crossbow Records founder Millie Small. This fine compilation, one of the first to showcase the work of a UK-based ska star, tells the story of Thompson's work in 1964 and '65, much of it alongside fellow vocalist Keith Foster as Sugar N Dandy. There's much to enjoy throughout, with highlights including the organ solo-sporting delight of 'Oh Dear', the fuzzy jazziness of 'I'm Not Crying Now', the Mod-friendly 'Blues Got a Hold On Me' and his superb ska cover of Hermans Hermits' hit 'I'm Into Something Good'.
… Read more in stock $11.32
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Review: .While Brazilian guitarist Fabiano Do Nascimento and American saxophonist Sam Gendel first met and played together at the dawn of the last decade - at a Los Angeles cafe both used to frequent, fact fans - it was only last year that they decided to collaborate on a release. The Room, the resultant album, was reportedly recorded in two days in a studio in the Californian countryside. It's an undeniably magical and sun-soaked affair, with Gendel teasing fluttering, flute-esque improvisations from his soprano saxophone while Do Nascimento delivers impeccable, finger-picking meditations on his seven-string acoustic guitar. The latter is undoubtedly a virtuoso with his own distinct style - a Brazilian take on classical guitar, incorporating nods to lesser-known regional music - but instinctively knows when to step back and allow Gendel the limelight. Impressive stuff all told.
… Read more in stock $8.74
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Simon DUNMORE / SEAMUS HAJI / VARIOUS
Where Love Lives (mixed 3xCD + poster)
Cat: DGLIB 26CD. Rel: 16 Apr 21
Disco/Nu-Disco
The Phenomenal Handclap Band, Luke Solomon - "Judge Not (Ray Mang Disco Mix)/Light You Up (Accapella)" (feat Queen Rose & Amy Douglas)
William & The Young Five, Bongoloverz - "You Turn Me On (JKriv Rework)/Power Of Music (Accapella)" (feat An-Tonic)
Chasing Kurt, Audiowhores & Roland Clark - "From The Inside (Henrik Schwarz Deep Version)/I'm Inspired (Spoken Accapella)"
Nico Saav, Eli Escobar, Kings Of Tomorrow - "Steam (Dicky Trisco Remix)/Can't Stop Dancing (Accapella)/Let Me Tell You Something (Sandy Rivera & C Castel’s Accapella)" (feat Nomi Ruiz)
Donald’s House, Mike Dunn Presents The MD X-Spress - "Piano Parfait/Git Cho House On (Children) (Accapella)"
Antenna!, Ralphi Rosario - "Rhombus (Extended Mix)/Wanna Give It Up (Dr Packer’s Lego’s Dub Accapella)" (with Linda Clifford)
The Shapeshifters - "Finally Ready" (feat Billy Porter - Dimitri From Paris TSOP - The Sound Of Paris - remix, Pts I & II)
DJ John 'Julius’ Knight, Luke Solomon - "Find A Friend (Dr Packer Extended Remix)/Love Hope Happiness (Accapella)" (feat Amy Douglas & Queen Rose)
Junior Jack Presents Glory - "Hold Me Up" (feat Jocelyn Brown - Riva Starr Tangerine Funk extended vocal mix)
Romain & Danny Krivit, Soul Creation - "Philly Groove (Joey Negro’s Philly Jump Extended Mix)/Maestros Of House (Accapella)" (feat Linda Clifford)
Gershon Jackson Presents Reset Preset - "Hands Together" (House Of Omni Hands Together extended club mix)
Review: Earlier this year, Defected offshoot Glitterbox Recordings delivered its first documentary, Where Love Lives, a loving tribute to the power of "dancefloor expression and liberation" which was filmed over 18 months in Paris, Ibiza, New York and London. This expansive three-disc set showcases cuts from the film's soundtrack, with Defected boss Simon Dunmore and Glitterbox A&R chief Seamus Haji acting as curators. The 52-track set is little less than a whirlwind tour of revivalist disco, nu-disco and modern boogie, with reworks of classic cuts sitting side by side with celebrated contemporary cuts and future classics - all rippling with a mixture of squelchy basslines, electrofunk synths, sweeping disco orchestration, crunchy cowbells, fluid piano solos and heady, life-affirming vocals. If you dig disco, you'll definitely dig this.
… Read more in stock $14.36
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Gilles PETERSON / STUART BAKER / VARIOUS
CUBA: Music & Revolution Culture Clash In Havana Experiments In Latin Music 1975-85 Vol 2 (unmixed 2xCD)
Cat: SJRCD 496. Rel: 05 Nov 21
International
Review: Given that Gilles Peterson and Stuart Baker's Cuba: Music and Revolution - Culture Clash in Havana is one of the standout compilations of 2021, hopes are naturally sky-high for this speedy sequel. Like its predecessor, volume 2 focuses on music and made and released on the Caribbean island between 1975 and '85, this time round largely focusing on rare fusions of salsa, Latin jazz, disco, soul and funk, mostly licensed from records that have never been available outside Cuba. It's another stunning selection all told, with highlights including the heady Cuban disco/salsa fusion of Orquesta Los Van Van, the fiery disco-funk of FA 5, the heavily percussive hedonism of Luis Carobonell and the fuzzy psychedelic rock of Grupo De Experimentacion Sonora Del ICAIC. In a word: essential.
… Read more in stock $13.25
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in stock $14.64
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Cat: JL 2022CD. Rel: 13 Dec 22
Soundtracks
Review: Ryuichi Sakamoto has penned many soundtracks over the years, but few are as stirring, tender and emotionally laden as his soundtrack to 2021 Chinese movie 'Love After Love'. The film is described as an "erotic romance drama" set in the 1930s, about a young woman who travels to Hong Kong to further her education, but ends up working for her aunt, seducing "rich and powerful men". Sakamoto's score mirrors the unfurling, highly emotive drama, using reverb-laden piano pieces and string-laden orchestral movements to wring maximum emotion from each scene. It's a brilliant score all told and undoubtedly one of the former Yellow Orchestra Man's greatest works for cinema - and that's saying something!
… Read more in stock $23.19
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Cat: WWSCD 33. Rel: 11 Nov 20
Experimental/Electronic
Review: Although widely celebrated as a pioneering and influential work, the original Japanese version of Ryuichi Sakamoto's third solo album, Hidari Ude No Yume, has long been hard-to-find. Helpfully We Want Sounds has secured the rights to reissue it in Europe, pairing the Yellow Magic Orchestra man's original set - complete with sung and spoken Japanese vocals - with a partner disc of entirely instrumental versions. Musically, it remains as vibrant and otherworldly as it did at the turn-of-the-80s, with the great Sakamoto combining elements of jazz, traditional Japanese music, new age, ambient and new-wave with rubbery synth-pop and proto-electro sounds. The fact that it still sounds like nothing else is not only proof of Sakamoto's genius, but also why you genuinely need it in your life.
… Read more in stock $19.07
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Review: Saltpig are the cross-continental psychedelic duo of US singer and multi-instrumentalist Mitch Davis and Italian drummer Fabio Alessandrini (ex-Annihilator), and together they've crafted a self-titled debut as tart as their moniker. Pulling from retro psych fuzzed out bluesy desert rock, yet interspliced with avant-garde prog noodling, and even forays into the sludgy, heftier side of proto-doom metal; the pair conjure a Venn Diagram style of intersectionality between the genre's early roots and more menacing modernised approach. Lengthy instrumental dirges are broken up by Davis' esoteric croon, while a lysergic hue weaves around the hypnagogic sonic tapestries like the passing of initial nausea before the overwhelming come up.
… Read more in stock $10.50
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Review: Sasha's latest album was initially created to soundtrack Da Vinci Genius, a unique, immersive, multi-media exhibition celebrating the life and work of the inventor, artist and all-round Renaissance man Leonardo Da Vinci. Crafted in cahoots with a string of contributors to his popular Scene Delete set, the score (and subsequently this album) cannily combines neo-classical music (inspired by both vintage and more contemporary composers), the sweeping grandiosity of movie soundtracks, bubbly electronica, colourful ambient soundscapes, occasional nods to 15th century choral music and Sasha's usual emotive musical motifs. As the set progresses, it eases closer to the dancefloor sound the veteran DJ/producer is most famous for - which will delight his legion of fans - without ever fully committing. This is, after all, an immersive, eyes-closed listening experience first and foremost.
… Read more in stock $12.98
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Review: Satellites' self-titled 2020 debut album won plenty of plaudits, with critics the world over hailing the Tel Aviv-based band's blend of vintage, Turkish style psychedelic folk-rock and dancefloor adjacent grooves indebted to funk, soul and disco. Aylar, the six-piece's belated sequel, continues in this vein, with the band arguably being bolder with their musical choices. For proof, check the cosmic strut of opener 'Tisaldi Mehmet Elmi', a psych-funk transformation of a traditional Turkish folk song, the low-slung grooves and sweet retro-organ melodies of 'Midnight Sweat', the gritty, thrusting and hallucinatory 'Yok Yok' and the future dancefloor anthem that is psychedelic Turkish disco gem 'Zuluf Dokolmus Yuze'.
… Read more in stock $13.82
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Review: SAULT's body of work is almost untouchable. The mysterious collective has turned out plenty of it in the last couple of years with no fewer than four fantastic albums. This one is a complete left turn, though, which ditches the edgy alt-rock, sou land jazz for an altogether more subbed and symphonic sound. It is a soaring astral soundtrack with plenty of wide open spaces, grand arrangements and plenty of uplifting and celebratory sounds drawn from hugely spiritual choral music and contemporary classical.
… Read more in stock $13.25
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Review: British collective, Sault, have made quite the name for themselves since their emergence in 2019. Headed up by producer, Inflo (known for his work with Little Simz, Michael Kiwanuka, Cleo Sol, Jungle and Adele), the collective boast an amorphous sound that encircles r&b, house and disco, and now combined with classical and choral elements too. With an impressive eleven studio albums to their name, the latest edition to the collection, Aiir, is a gloriously stripped-back sequel for their more sumptuous classical companion piece, Air. Nestled somewhere between a sense of paranoia and nostalgia, billowing choral vocals and rising oscillating orchestration give this release an unsettling yet alluringly transportive quality. Despite impressive critical success, Sault is largely a media enigma, featuring an array of mysteriously unnamed collaborators who, as one can imagine, are most likely highly acclaimed artists in their own right.
… Read more in stock $13.25
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Review: A warm welcome back to long-serving French duo Scratch Massive, a DJ/production twosome who have been active locally and internationally since 1994. Nox Anima is, somewhat remarkably, the duo's first studio album since 2018. Rooted in the stylish, atmospheric and occasionally moody new wave sound they've been developing for decades, the album frequently pairs dark and clandestine analogue and modular synth sounds - throbbing, arpeggio-style sequences and ghostly chords - with metronomic or sparse beats, moments of melodic positivity, spacey electronics and whispered or sung female lead vocals. It's a musical blend that pays dividends far more often than not, making Nox Anima a must-check for fans of leftfield synth pop and chilly coldwave sounds.
… Read more in stock $15.75
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Review: Arriving almost exactly three months after its predecessor, HiFi Sean and David McAlmont's third collaborative full-length is lightly a conceptual flip side to 2024's Daylight - a "dusk till dawn" night drive sequel, as they put it. To provide a distinctly different sonic sheen to the album that preceded it, the duo has reached for slow, soft-touch grooves, dreamy textures, bubbly electronics, strobe-lit synths and musical motifs forged in darker, if still colourful, tones. Add in McAlmont's honeyed, effortlessly soulful vocals, and you have another genuine gem from the 1990s survivors. Highlights include Blessed Madonna collaboration 'The Comedown', the tactile bliss of 'Goodbye Drama Queen', the huggable wooziness of 'High With You' and the heartfelt sweep of 'Star'.
… Read morePlayed by: Juno Recommends Downtempo
in stock $12.44
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Review: Deep Valley is a new collaborative work by Australian artists Seaworthy aka Cameron Webb and Matt Rosner and they came together for it during a week-long residency at Bundanon Art Museum in New South Wales. The property which was gifted to the Australian public by artists Arthur and Yvonne Boyd in the 1990s offers a unique landscape along the Shoalhaven River and is surrounded by sandstone cliffs and diverse wildlife. Drawing inspiration from Boyd's belief that "you can't own a landscape," Deep Valley combines the inspiration of that setting with environmental recordings, guitars, piano, and electronic processing all of which aim to highlight the transient nature of ecosystems and encourage you to reconnect with the sounds of nature.
… Read more in stock $14.36
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Review: Four years ago, Jon Linksey brought his Sectra project to Tectonic to the first time, serving up an impossible-to-pigeonhole set that combined his love of abstract noise, drone, industrial, techno and warped dancehall. The producer expands on these ideas on Through The Static, his first album to be released on anything other than cassette. In some ways it was designed with the CD format in mind, with the 13 'official tracks' - decidedly dystopian, angular and frequently intense affairs full of mutant rhythms and flashes of genuine musical emotion - being joined by a five-track bonus EP that can apparently be heard "through" the sound of static bolted onto the end of the EP. It's an interesting and unusual idea, but it's the adventurous and experimental qualities of the main album that makes it such a vital listen.
… Read more in stock $10.50
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Review: Orb offshoot project Sedibus has proved popular with fans for two reasons: it reunites Alex Paterson with Andy Falconer, who worked extensively with the Orb between 1990 and 1994, and the music they make recalls some of the pair's best moments of that period - albeit with a quite different instrumentation. Seti, the pair's sophomore album, has been described by their label, Cooking Vinyl, as "ambient unplugged". That only tells half the story. While it does boast all manner of acoustic instruments - sitar, guitar, piano, tabla and other percussion - it also features Paterson's trademark spoken word snippets and the dreamiest of electronic chords and aural textures. With beautiful, immersive and typically lengthy compositions, it feels and sounds like a grown-up version of the Orb's mightiest early 90s work.
… Read more in stock $12.98
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Review: Although his solo work has not been as celebrated as those of some of his Radiohead bandmates - most notably Thom Yorke - Philip Selway has nevertheless delivered a handful of excellent albums since making his debut in 2010. A songwriter since his youth, Selway often offers up far more 'traditional' material than one might expect (his debut, for example, was heavily acoustic). Interestingly, he doesn't drum on 'Strange Dance', his first album since 2017; instead, he sings, produces (Valentina Magaletti takes the sticks instead), and conjures a distinctive, effects-laden sound that he has described in interviews as "a Carole King record if she asked Daphne Oram to produce it". In effect, that means glassy-eyed vocals, prominent drums, guitar, bass and strings aplenty. It's an alluring combination.
… Read morein stock $6.42
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Review: Caribbean-Belgian composer, producer, and musician Nala Sinephro us now based in London and for her debut album she gets incredibly personal. The long player marks a first release on the mighty Warp label and it is more than worthy of that accolade across a series of stunning ambient and jazz pieces. They are all interconnected and speak of an artist in deep thought and a state of inward reflection. The moods are devastatingly impactful whether melancholic or more hopeful with wistful sax sounds and gentle drums adding up to captivating worlds of sound.
… Read morePlayed by: Stephane Attias
in stock $14.64
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Cat: 019029 5154462. Rel: 27 Aug 21
Indie/Alternative
Review: As the title suggests, this excellent collection gathers together tracks from three live sessions the Sisters of Mercy recorded at the BBC's Maida Vale studios between 1982 and '84, during the formative years of their lengthy career. The first session, recorded for John Peel in August 1982, contains a quartet of early live favourites, including their popular cover of the Stooges' '1969', while the second - a session for David 'Kid' Jenson' - boasts versions of tracks from the classic goth-rock EP The Reptile House (as well as a surprise Dolly Parton cover). Best of all though are the tracks from their 1984b Peel Session, which were laid to tape around the same time as the Leeds outfit was recording its debut album.
… Read more! low stock $7.46
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Review: 11 years into their career, Wakefield's Skinny Living feel like they're on the verge of a breakthrough. Their trademark sound has always been joyous and celebratory, with a nostalgic and accessible sound that relies more on classic soul and expansive 1960s Mod more than moody indie-rock or rough lo-fi posturing. Now signed to a major label, they've pushed that sound to the max - think heady horns and strings - on debut album Day By Day, a set recorded in Muscle Shoals, Alabama (where many classic soul sets were laid to tape). The resulting songs, which were written and demoed over the course of a decade, simply soar, suggesting that the Yorkshire outfit could genuinely be 'the next big thing'.
… Read more in stock $12.98
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Review: Festival favourites and working-class heroes Sleaford Mods hail from the East Midlands and have become the voice of the oppressed and the pissed off. Their gritty, lo-fi, raw and stripped-back music is powered by punky electronic beats and overlaid with bars spat out with real anger and ire. They have churned out plenty of it by now, subtle tweaking the template each time but never losing the visceral appeal. This new album UK Grim - a play on UK Grime? - is more dancefloor focussed than before it with the angst and pitfalls of modern life all addressed. It's another winner, no doubt.
… Read morein stock $12.98
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Review: Sony Records has decided to reissue a slew of early albums from British shoegaze and dream pop sorts Slowdive, a band that has enjoyed a successful comeback since reforming late last decade. Here they take us back to the formative years of the Reading-born band and 1991 full-length debut Just For a Day. Recorded in leafy Oxfordshire (Abington specifically), the set is as lush, densely layered, effects-laden and gently psychedelic as you'd expect from a set that's (rightly) still regarded as one of the strongest shoegaze albums of all time. For proof, check the hypnotic, slow-motion pulse of opener 'Spanish Air', the low slung bass and hallucinatory textures of 'Catch The Breeze', the near-ambient immersion of 'Erik's Song', and the jangly sparkle of 'Brightness'.
… Read more in stock $11.88
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Review: While now - rightly - hailed as one of the greatest shoegaze albums of all time, Slowdive's sophomore full-length Souvlaki was initially panned by critics - a fate that also befell the Reading combo's debut Just For a Day. Now remastered and reissued on CD for the first time in years, the 1993 set remains a pleasingly saucer-eyed, heavily layered and decidedly dreamy affair. Musically, it's generally brighter and more jangling than its predecessor, leaning more heavily into the dream-pop end of their sound whilst still retaining the reverb-heavy, suitably psychedelic guitar textures of shoegaze. Highlights include the funky, late 60s nostalgia of '40 Days', the dubby and spaced-out headiness of 'Sing' and the stretched-out heaviness of 'Souvlaki Space Station'.
… Read more in stock $11.88
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Review: Thom Yorke, Jonny Greenwood and Tom Skinner (Sons Of Kemet) finally deliver on their much-hyped The Smile project, blending the anxious and synaptic tones of Radiohead's anthemic indie-electro with the bluer party tones of UK jazz. The new album features a slew of tracks with swelling strings recorded by the full brass section of the London Contemporary Orchestra, as well as a band of jazz players like Theon and Nathaniel Cross and Robert Stillman.
… Read more in stock $12.44
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Review: Given their Radiohead connections Thom Yorke and Jonny Greenwood make up two thirds of the band), there's always been an enormous amount of interest in The Smile - a lockdown-born project that has plenty of potential. Wall of Eyes, the trio's second album, is certainly impressive. For proof, check the moody, suspenseful and slowly unfurling title track (all pulsing, low-slung semi-acoustic grooves, eyes-closed vocals, dense electronic textures and soundtrack strings), the heady, subtly jazz-flecked wall of sound that is 'Friend of a Friend' (listen out for the music concrete-style sound collage sitting in the background of the White Album era Beatles-esque 'Friend of a Friend'), and the lo-fi, string-laden headiness of the largely beat-free 'Bending Heretic', whose cut-glass horror strings and Nine Inch Nails style guitars are impressively intense at times.
… Read more in stock $12.44
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Cat: 602465 250893. Rel: 26 Sep 24
Jazz
Review: Following years of notable collaborations with some of jazz's leading voices, saxophonist and band leader Walter Smith III finally broke through in 2023 via a first headlining album for Blue Note. On his return to the label, Three of Us Are From Houston and Reuben is Not, Smith pays tribute to the Texan city of his birth in the company of Jason Moran (piano), Eric Harland (drums) and Reuben Smith (bass). It's a pleasingly breezy, positive and expertly crafted affair, with the quartet running through a series of ear-catching Smith compositions and a radical (and rather good) interpretation of an old Sam Rivers number. A wholehearted tribute to the rarely discussed cultural richness and diversity of Smith's home city.
… Read more in stock $14.36
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Review: Soil & Pimp Sessions is a Japanese jazz band with an explosive sound. Made up of five musicians Shacho, Tabu Zombie, Josei on piano, Akita Goldman on bass and Midorin on drums, they are primarily an expressive live outfit who serve up rough and ready sounds that fire your every single synapse. They have been playing for 20 years now but their breakout album Pimp Master came in 2006 and saw them go on to play at Glastonbury the year after. This latest record is another exceptional one that goes from intense and complex highs to beautiful tender and vulnerable moments of calm.
… Read morePlayed by: RUSTAM OSPANOFF.
in stock $22.38
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Review: Specter remains a steadfast pillar among the select artists on Theo Parrish's esteemed Sound Signature label. His latest album, Brutus, reaffirms the trust placed in him, delivering a distinct blend of house sounds. In this CD version, Specter masterfully fuses synthetic and organic elements, echoing the signature style of Parrish. Much like Parrish's own compositions, the house sounds on Brutus exhibit a harmonious blend of weathered, rustic tones and vibrant, futuristic visions. Specter injects profound meaning into his melodies, and the drums, whether subtle and elusive or bold and confrontational, consistently captivate, locking listeners into the rich tapestry of his grooves.
… Read more in stock $15.46
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Review: As part of Amniote Editions' fifth birthday, the admirably experimental label has decided to release a full-length excursion from Mirror Zone founder Spekki Webu, AKA Heliobolus. The multi-disciplinary artist has decided to utilise both aliases on the album, a way of reinforcing the key conceptual idea behind it - that it is a "story of intertwined storylines" akin to "parallel universes that connect and diverge". Musically, it's an intriguing affair, with pulsating, full-throttle sci-fi techno workouts sitting side by side with darker, more intense cuts, sound design-heavy experimental techno soundscapes, and nods towards the horror end of the cinematic soundtrack spectrum. Throw in a few mutant, noise-laden post-IDM compositions and you have a genuinely impressive full-length excursion.
… Read morePlayed by: Alexis Le-Tan
in stock $16.02
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Review: Given the uniqueness of his madcap and mind-altering trademark sound, the release of any new album from Tom Jenkinson AKA Squarepusher is big news. Given that his last new full-length landed four years ago, the arrival of Dostrotime has got an awful lot of experimentalists in a bit of a lather. Like many albums that have surfaced in the last couple of years, it was apparently inspired by the "novel, eerie, sublime silence of lockdown", with the title being a reference to "how time passed differently". Quite how this plays out within the music itself is open to interpretation; for the most part, what's on offer is prime Squarepusher - all distorted, full-throttle acid lines, mutilated experimental D&B beats, analogue electronics and rasping, strobe-lit nods to raves,
… Read morePlayed by: Juno Recommends Drum & Bass
in stock $14.09
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Steel 'N' Skin
Review: Steel pan, disco and dub from the 1970s in Steel An' Skin's 'Reggae Is Here Once Again'. Yet another lost gem from EM. Ultra-postive consciousness from Afro-Caribbean London, circa 1979. Members of the legendary 20th Century Steel Band (one of Grand Master Flash's favourites) sailing Trinidad-wise over gratifyingly intricate African ritual rhythms. Strong vocals compliment reggae, funk, disco and soul influences to form a relentless groove machine. Steel 'n' Skin, a unit composed of young nightclub musicians born in Ghana, Nigeria, St. Kitts, Trinidad and the U.K., who once performed with Ginger Johnson's Afrikan Drummers, a highlife band under the tutelage of the late Ginger Johnson and played at Johnson's Iroko Country Club in Hampstead, London. Steel 'n' Skin began performed concerts and workshops in London schools, expanding nationwide to schools, prisons, psychiatric hospitals and summer festivals, including the world-famous Notting Hill Carnival. The group combined a mix of musical forms with community outreach, non-cynical and untainted by preachiness or "social work." Good feelings from good hearts. This EM reissue consists of Steel 'n' Skin's 1979 debut 12 inch single "Reggae Is Here Once Again", featuring "Afro Punk Reggae (Dub)", a fine disco-dub workout, plus 2 tracks from their 1984 LP ACID RAIN as well as one un-issued track. Also included is documentary DVD by Steve Shaw featuring commentary from Steel 'n' Skin's founder Peter Blackman, killer live and rehearsal footage of the band, workshop scenes (check out the 1970s suits and parkas!) and devastating views of inner-city Liverpool. Steel 'n' Skin soars above the 1970s ruins.
… Read morePlayed by: Altz, Michael Coxen
in stock $25.40
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Cat: IARC 93CD. Rel: 20 Mar 25
Jazz
Review: International Anthem continues to serve up inspired debuts from some of the more intriguing members of Chicago's jazz and experimental music communities. The latest comes from multi-instrumentalist, composer and improviser Macie Stewart, who has delivered what's being dubbed "a companion piece for moving through life". At the heart of the album is Stewart's use of both piano and 'prepared piano' (a technique where various items such as coins and pieces of felt are attached to the instrument's strings). These picturesque and occasionally melancholic musical motifs come wrapped in atmospheric field recordings and sensitive string quartet arrangements. The results are rarely less than memorable, mesmerising and magnificent.
… Read more in stock $13.82
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Review: You can't have missed the hype surrounding Stormzy's new full-length - it's one of the most hotly-anticipated albums of the year. The question is: has it delivered on the promise? Yes - and then some. The grime superstar recorded the set on location with an extended group of trusted collaborators - Ms Banks, Sampha, Black Sherif, Debbie, Jacob Collier and NAO included - and the results are more sonically beautiful and soulful than much of his previous output. The distinctive flows are still there, though the subjects covered are often more personal and thoughtful than some may have expected, but Stormzy sings as much as he raps, and the accompany beats - often laden in strings, jazzy guitar flourishes and warming electric piano - are informed as much by R&B and hip-hop as the grizzled, sub-heavy East London vibes of grime.
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Review: At the tail end of the '80s, Sylvia Striplin quit Norman Connors' jazz-funk group Aquarian Dream in order to pursue a solo career. Joining forces with producers James Bedford and Roy Ayers, she recorded 1981 debut album "Give Me Your Love", a well regarded but largely overlooked set that has since become a sought-after item amongst soul collectors. This Expansion reissue presents the album on CD for the first time in two decades. As with many soul albums of the period, it sashays between jazz-funk, boogie and heartfelt slow jams, contrasting memorable dancefloor workouts (see stone cold classic "Give Me Your Love" and a stellar cover of Roy Ayers favourite "Searchin") with more saccharine, loved-up fare. This edition also boasts a couple of bonus cuts, including the superb 7" mix of "Give Me Your Love".
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Review: It is still rather cold here at Juno HQ, but the days are starting to feel little longer and brighter, which means we're ever more open to Balearic reveries. Few are better than this one from Studio, the Swedish duo of Dan Lissvik and Rasmus Hagg who created a sound bridging indie, electronic and psychedelic music. Their 2006 debut blended Balearic romanticism with Krautrock, disco, dub, afrobeat and pop lyricism influenced by new wave and has been hard to find in physical and even streaming formats over the years. Inspired by DJ Screw, J Dilla and European live DJ sets, Studio embraced an "anything-goes" ethos, unbound by musical borders, and the results have stood the test of time.
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Review: Berlin-based Dina Summer - a synth-loving trio fronted by the suitably sassy and no-holds barred singer Dina P - impressed with their Italo-disco and turn-of-the-millennium electroclash inspired debut album, Rimini. Three years in, they return with an arguably even stronger set - the notably darker, more stylish and more new wave-influenced Girl's Gang. Many of their trademark elements remain to the fore - Dina P's dead-eyed spoken word vocals, the use of vintage drum machine rhythms and sequenced basslines - but this time round come accompanied by black mascara-clad nods to post-punk, New Romantic, goth-rock and Depeche Mode style synth-pop sounds. As previously stated, it is genuinely stylish and impeccably observed stylistically, but what makes it stand out is the substance behind the sheen.
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Cat: CMR 008. Rel: 19 Aug 24
Jazz
Review: Even by Sun Ra's eccentric and deeply psychedelic standards, Strange Strings is an outlier. Eventually released in 19657 but mostly recorded in New York in 1965, it was the result of Sun Ra turning up at the studio with a vast number of string instruments and asking his 'Arkestra' - none of whom knew how to play them - to make some noises. In true fashion, the results are spectacularly experimental - think freeform experimental jazz, created via a cacophony of improvisation, with added intergalactic intent. This lightly expanded, remastered edition contains original mono versions of the album tracks, a rare stereo mix of 'Crystal Spheres (Amongst Worlds)', a recently rediscovered concert recording ('Untitled St Peter'), and a snippet of Sun Ra being interviewed while the Arkestra plays around with strings in the background.
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Review: There have been few experimental rock bands who've enjoyed (or perhaps endured) as tumultuous career as Swans. Since forming in 1982, they've broken up, reunited and changed personnel umpteen times, though bandleader Michael Gira has remained the creative force throughput. The Beggar, the band's latest album, is similarly turbulent in tone and approach, with Gira and company offering up sonically detailed, foreboding and off-kilter explorations that offer a more expansive and measured take on their trademark heady and often hallucinatory trademark sound. This is particularly evident on disc two opener 'The Beggar Lover (Three)', a shapeshifting, 45-minute instrumental meditation peppered with found sounds and recycled samples from their Soundtracks For The Blind album.
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Review: We write this in a week in which economists in the UK are trying to blame stubborn rates of inflation on Taylor Swift's tour increasing demand for expensive hotel rooms, such is the impact of the American pop star. We all know about the most-streamed artist on Spotify, the highest-grossing female touring act, and the first billionaire with music as the main source of income this CD album Mega Star is a collection of interviews presented as an audiobook that is full of treasure for fans new and old.
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Review: Since impressing with their 2016 debut At Sacred Walls, Szun Waves - a trio comprising acclaimed electronic experimentalist Luke Abbot, drummer/percussionist Laurence Pike and saxophone player Jack Wylie - has operated at the intersection of ambient and jazz, delivering periodic sets that combine spiritual sounds and atmospheric solos with waves of electronic textures. It's an alluring, otherworldly sound all told, and one that's at the heart of their latest album, Earth Patterns. Musically, the album - which features additional production from, amongst other people, Abbot's old pal James Holden - is blissed out and otherworldly, combining sonic motifs more often associated with Alice Coltrane (hypnotic and Eastern-influenced), Sun Ra (interplanetary improvisations), Tangerine Dream (epic synth-scapes) and abstract electronica (inspired, densely detailed sound design). It all adds up to an astonishingly good album.
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Cat: IARC 95CD. Rel: 13 Mar 25
Broken Beat/Nu Jazz/Nu Soul
Review: In classic jazz style, this collaborative three-way debut album brings together three musicians at the top of their game: SML members Gregory Uhlman (guitar and effects) and Josh Johnson (saxophone and effects), and sometime Louis Cole, Sam Gendel and Chaka Khan collaborator Sam Wilkes (bass and effects). Musically, what the trio offers is undeniably unique, with International Anthem describing the album as "a jazz-informed take on progressive electro-acoustic chamber music". Certainly, there's much to enjoy, from the tracked bass, guitar and sax loops and subtle changes of 'Mavis' and the dreamlike ambient jazz of 'Arpy', to the bubbling cosmic jazz of 'Frica' and a stunning, off-kilter instrumental cover of Magical Mystery Tour-era Beatles number 'The Fool On The Hill'.
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