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Back catalogue: All genres
Juno's full catalogue of All genres
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Review: The wonderfully idiosyncratic DJ Sottofett is back with more of his leftfield magic alongside Ronny Nyheim, Zarate_Fix and LA 2000. This outing on WANIA is a special release with alternative mixes and non-album tracks from the upcoming WANIA mk1 double album. 'Dubquartz' opens up with rattling dub techno, 'Dub State Looped' is a slow motion and heavyweight dub with rusty chords and then comes a seizes of loose for adventurous DJ fun such as the scratchy vocal of 'My Spirit Is Looped' and frosted hi-hats of 'Hats Loop 1'. '1st Wave Fusion' is the standout with its cinematic synths and widescreen grooves.
… Read morePlayed by: M50
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Review: Fidelio and Luca Piermattei hook up here to explore worlds where acid, techno and electro all happily coexist. Fidelio's A-side offers three cuts that fuse 90s acid rawness with baroque drama that results in a unique mix of classical organ melodies and razor-sharp basslines. Punchy kicks and sizzling hi-hats drive the energy as you're happily lost on a neon-lit techno odyssey. On the flip, Piermattei's 'Gas' features a fluid bassline and glitching robotic vocals that are eerie yet inviting and 'Third Rec' (with Tascam 122) rounds out the release with pulse-driven electro and intricate percussion, perfect for late-night explorations.
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Review: Stingray's Micron Audio carries the clout of its CEO, meaning you know you're going to get only the most uncompromising updates on the electro template. Galaxian is exactly the kind of artist you want to tap up for such duties, and he's sounding on fierce form letting the metallic tones ping around 'Overshoot' with glee. Loka has a captivating, jacking sound which somehow also manages to be supremely deep cover despite its fierce beat. CTRLS, who have enjoyed previous outings on Micron, bring a dense and knotty kind of machine funk to 'Transfer', and 6siss brings a dense maelstrom of synthetic energy to bear on 'React'.
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Review: NX12X is the first in a new series of experimental records from this label and the artists given the keys for the inaugural release are Goldsmiths student and modular synth maestro Sam Hostettler and electronic innovator La Leif who tackle a pair of tracks each. Hostettler's sounds are the moody, heavy ambient atmospheres of 'Pointalims' and the more light and airy li-fi soundscapes of 'Opalescence.' La Leif offers broken beats with a skeletal feel and a burial-style synth aesthetic on 'Kyoto' and then crunchy breaks and fizzing, distorted synth malfunctions of 'Kimochi.'
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Review: JSPRV35 and Line-o hook up for this thrilling split EP on the new but impressive label For You out of the Netherlands. JSPRV35 is first out of the blocks with 'Testing' which is some high-octane and classically inclined techno with punchy low ends and scintillating percussion. 'Funktional' is just that but is not devoid of character with its mechanical loops and bleeping synths. Line O's 'Thelle' is bristling, linear and loopy techno for 5 am wig-outs and 'Layer One' shuts down with dubby undercurrents and menacing pads that are constantly on the creep.
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Roots (B-STOCK) (white vinyl 12")
Cat: POH 007 (B-STOCK). Rel: 01 Jan 90
Techno
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
Lag brings his distinctly textured techno to Swedish label Pohjola here. 'De Intros' fires out of the blocks with tightly stacked kick drum pressure under synths that peel off the groove and flashes of urgent laser. 'Kolibri' is a more stripped back cut, with rusty textures and prickly metal skating over a rubbery groove that seems to float as it races on wards. There is plenty of energy in the pounding, off-grid kicks and hits of 'Ples Sloevna' which has vocal stabs and urgent sirens again adding to the intensity while closer 'Kolo' is more scuffed up broken beat techno machismo.
… Read moreLag brings his distinctly textured techno to Swedish label Pohjola here. 'De Intros' fires out of the blocks with tightly stacked kick drum pressure under synths that peel off the groove and flashes of urgent laser. 'Kolibri' is a more stripped back cut, with rusty textures and prickly metal skating over a rubbery groove that seems to float as it races on wards. There is plenty of energy in the pounding, off-grid kicks and hits of 'Ples Sloevna' which has vocal stabs and urgent sirens again adding to the intensity while closer 'Kolo' is more scuffed up broken beat techno machismo.
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Review: Lakker's debut release on Love Love Records happens to be the imprint's first vinyl and it melds shrill melancholy with hypnotic techno grooves. It's both captivating enough for home listening, but also primed and ready for DJ deployment. Following their work on Blueprint and Killekill, Lakker retains their intricate sound while intensifying their focus on the grooves with 'LF9' evolving from chaotic rhythms into a powerhouse of clattering percussion, accompanied by haunting pads. On the B-side, 'Deathmask' offers ambient melodies and precise skittering drums that create fragile beauty. 'PRESET Numb' plunges into cold, clinical rhythms with eerie synths, marking a striking new chapter for Lakker.
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Review: Neil Landstrumm is one of the UK's most underrated but high-achieving artists if you ask us. He's done it all over the years and has been pivotal to a number of different in-between sounds flourishing into scenes. Here he lands on a fellow UK institution in Swamp 81, once a home to cutting-edge bass and now offering an outlet for Landstrumm to explore the cosmos. He does so with his usual mix of quirky sound designs and heavy grooves on 'Minimoo' which is both serious body music but also playful and charming. 'Aintgotnojob' is a twisted juke-inspired B-side with reverberating low ends and tightly looped vocal phrasings that melt the mind.
… Read morePlayed by: Juno Recommends Bass
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Review: The cultured Attic Music crew is back with more sumptuous techno that comes in a trio of different moods. Fabrizio Lapiana's opener 'Deep' is just that - a warm and smeared and smudged world of serene pads and rolling drums. 'Ritmo Ossessivo' is more intense with distant sirens looping over linear drums which are all topped with chattery percussion. 'Repetition' might be the best of the lot - a deep, hubby, heady, stripped back bit of late night techno perfection.
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Review: Short Attention Records makes a welcome return here with a new drop of wax that fits the label head into its roots in deep techno sound worlds. This one takes the form of a various artists' EP crafted with an intake feel for cosy floors and who better to kick off in that vibe than the revered Lawrence whose 'Hawser' is a groovy and melodious track. Next, New Jersey don Joey Anderson sets a slow and deep tone with 'Human Kind' which has moody vocals and Japanese artist Takuya Matsumoto follows with 'Three Flowers', a more potent and driving cut with a fine acid bassline. Rounding off the EP is 'Desired Spring' by R/K, a loop-driven deep house gem designed for both listening and dancing.
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Played by: Marcelo Tavares(Deep Space Podcast)
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Played by: Rave Energy
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Review: LDS - or German producer Luca Daniel Schwarz - builds techno like a machine whisperer, programming intricate rhythmic structures that breathe with an uncanny human feel. Stadion Progg is a showcase of his algorithmic finesse, where probability-based sequencing drives hypnotic, shifting grooves that evolve in real-time. 'Pow' and 'Diff, Block Mix' weave dubby textures into pulsating frameworks, while 'Zipp Prompt' jolts forward with clipped vocal stabs and needle-sharp synths. The title track stretches into grand, propulsive territory, amplified further in Jean Redondo's remix, which adds extra layers of kinetic energy. The LDS process is equal parts engineering and intuitionimeticulously constructed yet alive with spontaneity. Stadion Progg is proof that machine-driven music doesn't have to feel mechanical; in the right hands, it moves with instinct.
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Review: We're glad to finally hear more from Korperspannung after they set a high standard with their first release back in the summer of last year. This one comes from Len Leno and again offers up a high standard of techno invention. 'Echolocation' doesn't have any dolphin sounds in it but it does cruise as freely as the ocean-going mammals in their pomp. 'Corrugation' is one to keep you on edge with nervy synth motifs looping over percussive and linear beats and 'Radio Silence' then cuts more loose with lashing synth sounds, pulsing pads and a sub-aquatic tension that keeps you on your toes.
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Review: Faut Section's Perception Series is back with a second sizzling installment of freshly made techno. Lewis Fautzi & Norbak pair off to open up with 'Code Of Deception', a barreling cut with icy hi hats and taught bass twangs full of dusty factory floor menace. Oscar Mulero offers one of his signature loop-techno rollers in 'Zw System' Temudo then rattles walls with the mysterious bass rumbles of 'Niiv'. Completing what is an EP that is as varied as it is vital is Kessell with the dubby broken techno beats of 'Time Domain' which has fizzing synths cracking like static on a 90s TV screen.
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Review: LNS and DJ Sotofett explore a new direction on their latest EP, 'The Reformer,' released on Tresor Records. Moving away from their debut album, the duo fuses digital artifacts, scanner sounds, and vocoder voices with melodic colors that radiate across cold electro landscapes. The opening track, 'Reform,' takes a deep dive into the electro sound, while 'Plexistorm' blends synthesised strings with arpeggiated acidic bleeps. 'Electric Terraforming' uncovers charged energy sources for life on another planet, and '909 The Controller' features washes of dub over a skipping beat, with a slow, rippling melody and percolating synths. The vinyl version includes exclusive locked grooves by DJ Sotofett.
… Read morePlayed by: Juno Recommends Electro
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Review: Fierce electronic mavericks LNS & DJ Sotofett deliver a thrilling two-tracker that's built for serious warehouse action. The A-side is a teeth-clenching, bassline-driven beast that is raw, gritty and euphoric with static rhythms, stabbing synths and a halftime arpeggio breakdown that erupts into dreamy pads. On the flip, DJ Sotofett's 'Buzzy Breaker' starts minimal with just kicks, stabs and dubs, then morphs into a breakbeat monster with polyrhythmic tension and soaring pads underpinned with jungle-inflected drops. Both tracks harness deep, hypnotic repetition while sounding bold and system-ready so make for techno with real weight but also edge and purpose that results in high class DJ and dancer tackle.
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Review: First surfacing back in 2006 on UK IDM label SCSI-AV, the Lost Trax project has allegedly been a platform for any number of artists to produce under the cloak of anonymity, all identity shorn so the focus remains on the music. After a clutch of 12"s for Tabernacle at the turn of the decade, Lost Trax was reactivated last year with a contribution to a Shipwrec 12" and now migrates to Rotterdam's finest, Frustrated Funk. On the opening title track, "Life Out Of Balance," Lost Trax display a nervous fidgety energy and a looseness in execution that will sound quite thrilling on the dancefloor, whilst "It's You" is a muddy yet heavenly cut that will appeal to fans of Terekke. Closer "Out From Under" finds crystalline electro rhythms caked in thick tape hiss too.
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Review: The Young Hegelians once reparteed that Manchester was the geographical birthing place of the Industrial Revolution. Mysterious Manc monarch Louis The 4th nods at this fact with an express delivery straight from the millworks; even in the most brutal of working conditions, one might find love. 'She's From Manchester' evokes plumes of ashen smog as the waste byproduct of an excessively productive, surplus labourious love affair. Foundries founder, and railway workshops curdle under the weight of mechanical process, as the fast propulsions of 'Sub Genetic' and 'Stuck In The Void' quell the soul as much as they do exhaust the body, outstripping and going beyond the injurious demand to work overtime. 'Suffering Experience' closes on a dulled but continual note, as wan reverberations resound in a now abandoned factory.
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Review: Louis the 4th is a master of groovy and percussive techno and if you need any more evidence of that then check out this new EP on TH Tar Hallow. 'Rootedness' is a roller with slick hi-hats ticking away over rubbery bass. 'Conception' is more edgy and kinetic with razor-sharp snares over more silky drums. 'Two Days Before Leaving' has hefty dub undercurrents and panel-beaten loops that make you march while 'Tumultuous Groove' is a more intense number with grit and steel in its robust groove framework. 'Frequencies' shuts down with a haunting and eerie synth mood.
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